La mère de Kevin s'efforce d'aimer son enfant étrange, malgré les choses de plus en plus dangereuses qu'il dit et fait à mesure qu'il grandit. Mais Kevin ne fait que commencer, et son dernie... Tout lireLa mère de Kevin s'efforce d'aimer son enfant étrange, malgré les choses de plus en plus dangereuses qu'il dit et fait à mesure qu'il grandit. Mais Kevin ne fait que commencer, et son dernier acte ira bien au-delà de tout ce qu'on peut imaginer.La mère de Kevin s'efforce d'aimer son enfant étrange, malgré les choses de plus en plus dangereuses qu'il dit et fait à mesure qu'il grandit. Mais Kevin ne fait que commencer, et son dernier acte ira bien au-delà de tout ce qu'on peut imaginer.
- Nomination aux 3 BAFTA Awards
- 26 victoires et 66 nominations au total
J. Mallory McCree
- Prison Boy
- (as J. Mal McCree)
Histoire
Le saviez-vous
- AnecdotesShot in 30 days.
- GaffesTwice in flashbacks to Kevin's parents in their dating days, a UPS terminal with trucks can be seen in the near background. Those trucks have the new UPS logo, where if the time-frame is correct, the trucks would have had the old logo of a stringed parcel above the UPS Shield.
- Crédits fousThere are no opening credits.
- ConnexionsFeatured in Breakfast: Épisode datant du 16 mai 2011 (2011)
- Bandes originalesMule Skinner Blues
Written by Jimmie Rodgers & Vaughn Horton (as George Vaughn)
Performed by Lonnie Donegan
(c) 1931 Peermusic International Corp. (USA)
Courtesy of Sanctuary Records Group LTD
Under license from Universal Music Operations LTD
Commentaire à la une
While the idea behind "We Need to Talk About Kevin" is exceptional, I was put off by the direction of this film. While I know that a non-linear way of film making is popular these days, it's often overused--and here it is not used effectively. Too many times, the film jumps about in time and this took me out of the experience. This makes the film too unnecessarily confusing--so I am glad that I knew the plot so I could understand what was happening. Additionally, the film used a very deliberate artsy style--such as the overuse of the color red (the tomato fight, the stack of tomato soup cans, the paint)--resulting in sledgehammer symbolism. For me, the story was very strong on its own and didn't need all these tricks.
Tilda Swinton stars as a mother of a child who is seriously disturbed. However, her husband (John C. Reilly) is in complete denial and inexplicably the kid is never taken to see a therapist (or exorcist). As the film progresses, the child grows from an Oppositional-Defiant child to a cold and ruthless sociopath as a teen. You never ever hear about how he is perceived by teachers and neighbors--an odd omission. However, including the child killing animals, having one of the parents in complete denial, sexually offensive behavior and the hasty behavior towards his sister are all excellent touches--which I noticed since I used to work with folks like this (which would explained why I eventually gave up being a therapist and became a teacher). Unfortunately, as the film is out of sequence, you already know that sooner or later this will all lead to Kevin committing some atrocities.
Overall, this is a very compelling but frustrating film. I already talked about the film style which left me flat, but I also thought it very odd how the only one who seemed to notice anything unusual about Kevin was his mom. Even clever sociopaths are noticeable--perhaps not to everyone but to only be apparent to one person? Odd... The film is worth seeing but it just misses the mark for me--it could have been great.
Tilda Swinton stars as a mother of a child who is seriously disturbed. However, her husband (John C. Reilly) is in complete denial and inexplicably the kid is never taken to see a therapist (or exorcist). As the film progresses, the child grows from an Oppositional-Defiant child to a cold and ruthless sociopath as a teen. You never ever hear about how he is perceived by teachers and neighbors--an odd omission. However, including the child killing animals, having one of the parents in complete denial, sexually offensive behavior and the hasty behavior towards his sister are all excellent touches--which I noticed since I used to work with folks like this (which would explained why I eventually gave up being a therapist and became a teacher). Unfortunately, as the film is out of sequence, you already know that sooner or later this will all lead to Kevin committing some atrocities.
Overall, this is a very compelling but frustrating film. I already talked about the film style which left me flat, but I also thought it very odd how the only one who seemed to notice anything unusual about Kevin was his mom. Even clever sociopaths are noticeable--perhaps not to everyone but to only be apparent to one person? Odd... The film is worth seeing but it just misses the mark for me--it could have been great.
- planktonrules
- 29 mai 2012
- Permalien
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Tenemos que hablar de Kevin
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 7 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 1 738 692 $US
- Week-end de sortie aux États-Unis et au Canada
- 24 587 $US
- 11 déc. 2011
- Montant brut mondial
- 9 212 174 $US
- Durée1 heure 52 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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What is the streaming release date of We Need to Talk About Kevin (2011) in Canada?
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