NOTE IMDb
6,9/10
31 k
MA NOTE
Un petit escroc voit sa loyauté déchirée entre sa mère éloignée et sa nouvelle petite amie, qui sont toutes deux des arnaqueuses de haut niveau avec leurs propres règles du jeu.Un petit escroc voit sa loyauté déchirée entre sa mère éloignée et sa nouvelle petite amie, qui sont toutes deux des arnaqueuses de haut niveau avec leurs propres règles du jeu.Un petit escroc voit sa loyauté déchirée entre sa mère éloignée et sa nouvelle petite amie, qui sont toutes deux des arnaqueuses de haut niveau avec leurs propres règles du jeu.
- Nommé pour 4 Oscars
- 10 victoires et 21 nominations au total
Histoire
Le saviez-vous
- AnecdotesIn a late 2013 interview, Anjelica Huston described this role as the most challenging one of her career.
- GaffesLily unscrews both light bulbs in the hallway outside Roy's apartment. In a following cut, Roy is seen entering his apartment from a well-lit hallway.
- Citations
Bobo Justus: One question. Do you want to stick to that story, or do you want to keep your teeth?
Lilly Dillon: I want to keep my teeth.
- Bandes originalesDo Ya, Do Ya Love Me?
Performed by Dream World
Words & Music by Pete Theodore and Emilie A. Bernstein (as Emily Bernstein)
Commentaire à la une
Most films have one, and only one, protagonist around whom the story is told. But "The Grifters" has three, all of them petty swindlers, desperate for quick cash or good odds at a "long con". And it's the personal relationships among these three criminals, complex, sometimes dark, and almost always motivated by survival, that make this film a pretty good bet.
Roy Dillon (John Cusack), is a trickster, a loner, "on the grift" for the "short con", strictly a nickels and dimes man. His mom is Lilly (Anjelica Huston); she's a middle-aged lady with white hair; she's seductive, cold-blooded, and tough as nails; she's been around the block a few times. Roy's love interest is Myra (Annette Bening), a shapely, fun loving babe who uses her charms to con rich businessmen. These three people are highly manipulative and scheming, on-guard, and mistrustful of each other and the rest of the world.
The film's tone is bleak and gloomy. There's very little "heart" in this film. And that's a problem, because I found these characters not very sympathetic. They lead lives of quiet desperation, grimy and tawdry. Still, "The Grifters" is a crime story in the best tradition of Dashiell Hammett and Raymond Chandler, a pulpy melodrama about the underbelly of urban America.
The film's structure is conventional, and contains a number of flashbacks. The set-up is tediously long. The second half of the film is better than the first half, in my opinion, because the second half contains more suspense.
Dialogue is direct and tough, like when Lilly makes her point to the ambulance driver who takes Roy to the hospital and is skeptical about Roy's chances for survival: Says Lilly: "My son is gonna be alright, if not, I'll have you killed". Later, she explains the facts of life to her son: "Grifts like anything else Roy, you don't stand still, you either go up or down, usually down, sooner or later". Yes indeed, it's a tough life being a "grifter"; but Lilly is one tough broad.
The film's color cinematography is fine. And the film has a terrific title sequence and a great Elmer Bernstein score at the beginning. Editing, costumes, and production design are all credible.
If you're in the mood for a gritty, bleak story of petty criminals in a well made modern film, "The Grifters" is a good choice. As a bonus, the DVD has an exceptionally good Commentary, with insightful comments from Director Stephen Frears, and actors John Cusack and Anjelica Huston.
Roy Dillon (John Cusack), is a trickster, a loner, "on the grift" for the "short con", strictly a nickels and dimes man. His mom is Lilly (Anjelica Huston); she's a middle-aged lady with white hair; she's seductive, cold-blooded, and tough as nails; she's been around the block a few times. Roy's love interest is Myra (Annette Bening), a shapely, fun loving babe who uses her charms to con rich businessmen. These three people are highly manipulative and scheming, on-guard, and mistrustful of each other and the rest of the world.
The film's tone is bleak and gloomy. There's very little "heart" in this film. And that's a problem, because I found these characters not very sympathetic. They lead lives of quiet desperation, grimy and tawdry. Still, "The Grifters" is a crime story in the best tradition of Dashiell Hammett and Raymond Chandler, a pulpy melodrama about the underbelly of urban America.
The film's structure is conventional, and contains a number of flashbacks. The set-up is tediously long. The second half of the film is better than the first half, in my opinion, because the second half contains more suspense.
Dialogue is direct and tough, like when Lilly makes her point to the ambulance driver who takes Roy to the hospital and is skeptical about Roy's chances for survival: Says Lilly: "My son is gonna be alright, if not, I'll have you killed". Later, she explains the facts of life to her son: "Grifts like anything else Roy, you don't stand still, you either go up or down, usually down, sooner or later". Yes indeed, it's a tough life being a "grifter"; but Lilly is one tough broad.
The film's color cinematography is fine. And the film has a terrific title sequence and a great Elmer Bernstein score at the beginning. Editing, costumes, and production design are all credible.
If you're in the mood for a gritty, bleak story of petty criminals in a well made modern film, "The Grifters" is a good choice. As a bonus, the DVD has an exceptionally good Commentary, with insightful comments from Director Stephen Frears, and actors John Cusack and Anjelica Huston.
- Lechuguilla
- 17 sept. 2007
- Permalien
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- How long is The Grifters?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- The Grifters
- Lieux de tournage
- Bryson Hotel - 2701 Wilshire Boulevard, Downtown, Los Angeles, Californie, États-Unis(As Roy Dillon's hotel)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 13 446 769 $US
- Week-end de sortie aux États-Unis et au Canada
- 71 034 $US
- 9 déc. 1990
- Montant brut mondial
- 13 446 769 $US
- Durée1 heure 50 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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By what name was Les arnaqueurs (1990) officially released in India in English?
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