Un faux mouvement

Titre original : One False Move

1991
12
1h 45min

NOTE IMDb

7,1/10

15 k

MA NOTE

Lire trailer1:25

2 Videos

99+ photos

Police Procedural Crime Drama Thriller

Un chef de la police d'une petite ville attend l'arrivée d'une bande de tueurs.Un chef de la police d'une petite ville attend l'arrivée d'une bande de tueurs.Un chef de la police d'une petite ville attend l'arrivée d'une bande de tueurs.

Réalisation
- Carl Franklin
Scénario
- Billy Bob Thornton
- Tom Epperson
Casting principal

Voir les informations de production sur IMDbPro

NOTE IMDb

7,1/10

15 k

MA NOTE

Réalisation
- Carl Franklin
Scénario
- Billy Bob Thornton
- Tom Epperson
Casting principal

Voir les informations de production sur IMDbPro

Récompenses
- 8 victoires et 8 nominations au total

Anecdotes
Billy Bob Thornton and Cynda Williams got married after filming was completed. They were divorced before the film was released two years later.

Gaffes
Ray slaps Jackie when she's against the wall, makes her mouth bleed, and some gets on her shirt. Later, when she's bound and gagged on the floor, the blood has disappeared.

Citations
Dale 'Hurricane' Dixon: Lila, even if I wanted to, I can't help you.
[pauses]
Dale 'Hurricane' Dixon: I don't have the legal authority.
Fantasia - Lila: You didn't have the legal authority to fuck me when I was 17 years old... but that didn't stop you, did it?

Connexions
Featured in Siskel & Ebert & the Movies: Folks!/K2/One False Move/Poison Ivy/Leaving Normal (1992)

Bandes originales
Don't Walk Away from Love
Performed by Brenda Sutton
Written and Produced by Michael Sutton (as Michael) and Brenda Sutton
© 1991 Mibren Music (ASCAP) and Illegal Film Music (ASCAP)

Avis des utilisateurs111

Commenter

Commentaire à la une

9/10

Still on my mind

I watched this film in 1991 and I still think about it frequently. It has become a standard to compare other films. The violence at the beginning made me uncomfortable, and I almost turned it off. I am glad that I didn't, because I would have missed one of the best films of the decade. The movie's pace and tone are perfectly natural - not artificial in any way. I like the scene in the diner best. The two LA cops are joking with each other about the backward local sheriff (Paxton), and they didn't know he was standing there. The awkwardness of the moment encapsulated the film.

I think One False Move, Fargo, and The Sweet Herafter are a great trilogy of movie making at its best. All set in small - real towns with real people.