Jake, un ancien hors-la-loi devenu shérif, aide un ancien compère, Clint, à s'évader de prison. Mais Clint veut récupérer le butin qu'ils avaient dérobé ensemble et qui est caché dans une vi... Tout lireJake, un ancien hors-la-loi devenu shérif, aide un ancien compère, Clint, à s'évader de prison. Mais Clint veut récupérer le butin qu'ils avaient dérobé ensemble et qui est caché dans une ville fantôme. Il ne reculera devant rien.Jake, un ancien hors-la-loi devenu shérif, aide un ancien compère, Clint, à s'évader de prison. Mais Clint veut récupérer le butin qu'ils avaient dérobé ensemble et qui est caché dans une ville fantôme. Il ne reculera devant rien.
- Wexler
- (as De Forest Kelley)
- Minor Role
- (non crédité)
- Luke
- (non crédité)
- Minor Role
- (non crédité)
- Deputy
- (non crédité)
- Minor Role
- (non crédité)
- Soldier
- (non crédité)
- Cavalry Sergeant
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesThe film was shot on location in California's Sierra Nevada mountain range, Lone Pine and Death Valley.
- GaffesWhen Marshall Wade comes into town near the start of the movie leading an extra horse, he throws that horse's rein up against a rail and it drops right off. As he steps down from his horse, the other horse's rein is now tightly wound around the rail.
- Citations
Peggy Carter: Your father was a preacher?
Rennie: Kind of a phony evangelist. I tell ya, he was about the meanest man I've ever met in my life. He just naturally liked to beat up on anything that was smaller than him. And of course, he could always say he was beating the fear of God into ya.
Peggy Carter: Well, where is he now?
Rennie: Well, I, ah, well I hope I know where he is. He was the first man I ever killed.
- ConnexionsReferenced in A Majority of One (1961)
This exciting as well as robust Western contains tension-filled , juicy atmosphere , thrills , suspense , gun-play and an impressive final on a dead little town which was one of filmmaker Sturges's best moments . Magnificent western from the John Sturges/Richard Widmark team and their second collaboration , after ¨Backlash¨ and considered one of their best . Colour , music , scenarios , landscapes all marks well in this thrilling story about a compulsive outlaw who contends his old friend as well as his nemesis . It describes a long journey in which there are extreme characters combined with psychological observations and enriched by eventual ambiguity and a tense picture about dishonesty and badness . This particular Western only starred by a few characters contains an interesting screenplay by William Bowers based on the novel by novel Marvin H. Albert . By that time (1958) the picture was considered quite strong , tough , surprisingly violent ; today is deemed a classic film . And seems to be a great influence of wide range such as violence , a hard battle of wits among gunslingers and scenarios . The two stars , Robert Taylor and Richard Widmark , make nice adversaries . They are accompanied by a good support cast such as Robert Middleton , Henry Silva , Burt Douglas , Eddie Firestone and intimate ¨Bones¨ DeForest Kelley of Star Trek . Filmed in Cinemascope in colorful cinematography by Robert Surtees who gets to take from nature the maximum impacts as deserts , valleys , mountains , being wonderfully photographed . Being filmed on location in Alabama Hills , Lone Pine, Death Valley National Park,California, USA . Breathtaking background scenarios , dramatic close-up along with shining illuminations , all of them perfectly mingled with a tale full of violence , tension , intrigue and shoot'em up .
This top-drawer Western drama was compellingly produced by William Hawkes and stunningly realized by the master John Sturges , infusing the traditional Western with psychological confusion , including his characteristic use of landscape with wonderful use of Natural Parks which is visually memorable . Sturges established his forte with magnificent Westerns almost always plenty of action , violence , and splendid outdoors . Sturges began his directing career at Columbia Pictures, where from 1946-49 he he worked on "12-day wonders" ("B" pictures shot on a 12-day schedule). From there he moved on to MGM where he filmed more "B" pictures, albeit on a larger budget . He established an independent production company in 1959, releasing through United Artists. From 1960-67 he worked under contract for United Artists. His first major hit was the western Dog Day at Black Rock (1955) , which he shot in just three weeks, wrapping up virtually every scene in a single take . He specialized in robust action pictures, particularly westerns. He excelled at bringing to life tautly written stories about tough characters facing difficult circumstances . Throughout his career he regularly alternated hits with misses . He has also been criticized for his lack of stylistic trademarks , though his best films remain exciting to watch . Sturges was expert on all kind of genres , but especially warlike such as : ¨Great Escape¨, ¨Ice Station Zebra¨ and ¨Eagle has landed¨ and Western such as ¨Last train of Gun Hill¨, ¨Magnificent Seven¨, ¨Backlash¨, ¨Law and Jake Webb¨, ¨Joe Kidd¨ and Chino¨, among others . This high-level and Western will appeal to Robert Taylor and Richard Widmark fans .
Meilleurs choix
- How long is The Law and Jake Wade?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- El tesoro del ahorcado
- Lieux de tournage
- Alabama Hills, Lone Pine, Californie, États-Unis(location exteriors)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 1 538 000 $US (estimé)
- Durée1 heure 26 minutes
- Couleur
- Rapport de forme
- 2.35 : 1