Un psychopathe force une star du tennis à se conformer à sa théorie selon laquelle deux inconnus peuvent tuer sans se faire prendre.Un psychopathe force une star du tennis à se conformer à sa théorie selon laquelle deux inconnus peuvent tuer sans se faire prendre.Un psychopathe force une star du tennis à se conformer à sa théorie selon laquelle deux inconnus peuvent tuer sans se faire prendre.
- Nommé pour 1 Oscar
- 6 victoires et 2 nominations au total
Kasey Rogers
- Miriam Joyce Haines
- (as Laura Elliott)
Joel Allen
- Policeman
- (non crédité)
Murray Alper
- Boatman
- (non crédité)
Monya Andre
- Dowager
- (non crédité)
Benjie Bancroft
- Police Officer
- (non crédité)
Harry Baum
- Tennis Match Spectator
- (non crédité)
Brooks Benedict
- Tennis Umpire
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesSome posters showed Sir Alfred Hitchcock inserting the letter "L" into the word "Strangers" in the title to make "Stranglers".
- GaffesThe openings in the sewer grate where Bruno drops the lighter are too small for Bruno's arm, especially wearing a suit coat, to get through for him to reach the lighter.
- Citations
Senator Morton: Dreadful. Dreadful business. Poor unfortunate girl.
Barbara Morton: She was a tramp.
Senator Morton: She was a human being. Let me remind you that even the most unworthy of us has a right to life and the pursuit of happiness.
Barbara Morton: From what I hear she pursued it in all directions.
- Versions alternativesThere are several differences in the British version of the film, including:
- The first encounter between Bruno and Guy on the train is longer, and features a more obvious homoerotic flirtation by Bruno;
- In the scene where Guy sneaks out of his apartment to go to Bruno's house, a shot of him opening a drawer to get the map Bruno sketched is added;
- The very last scene in the US version, which involves a clergyman, was deleted.
- ConnexionsEdited into My Son John (1952)
- Bandes originalesThe Band Played On
(1895) (uncredited)
Music by Chas. B. Ward
Lyrics by John F. Palmer
Sung by Kasey Rogers, Tommy Farrell, Roland Morris and Robert Walker while riding the merry-go-round
Played often throughout the picture
Commentaire à la une
Strangers on a Train directed by Alfred Hitchcock is a crime drama, which follows a tennis star who is recognised by a stranger. Their compelling conversation on the train is followed by a series of deranged events, which immensely torments the tennis star, unexpectedly placing him on the cusp of crime. Going into this film I was expecting great things. Although this film didn't meet my expectations... it exceeded them. Where can I start. The performances are all outstanding. The black and white cinematography is creative, expressive and beautifully artistic. This film contains sequences which are so thrilling, I was genuinely invested, due to how well they hold up. I particularly loved the subtle visual imagery and symbolism which enforces a major concept explored in the film. Strangers on a Train has you invested for the entire runtime. The script is so riveting, as it explores a range of tones without ever slowing down. Many individuals today refuse to see films which are black and white, believing that they are not entertaining. Strangers on a Train rebukes that misconception on every level. This film is an incredible film making achievement so therefore I give it a 9.
- charbelelaro
- 1 avr. 2019
- Permalien
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Détails
Box-office
- Budget
- 1 200 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 26 597 $US
- Montant brut mondial
- 51 734 $US
- Durée1 heure 41 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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What is the streaming release date of L'inconnu du Nord-Express (1951) in Canada?
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