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MA NOTE
Ajouter une intrigue dans votre langueA baby whirlwind has fun at Mickey's expense while he tidies Minnie's back yard.A baby whirlwind has fun at Mickey's expense while he tidies Minnie's back yard.A baby whirlwind has fun at Mickey's expense while he tidies Minnie's back yard.
- Réalisation
- Casting principal
Thelma Boardman
- Minnie Mouse
- (voix)
- (non crédité)
Walt Disney
- Mickey Mouse
- (voix)
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesMickey Mouse went through a design change in this cartoon. His body became slimmer; his head, hands and feet became larger; his tail was omitted; and, most notably, his ears were hollowed out and reshaped to work in perspective. The new design lasted until after WWII.
- GaffesMickey is holding a cane during his first scene walking down the road. When the cake's aroma puts Mickey in a trance, the cane suddenly disappears.
- Citations
Mickey Mouse: Well, I guess I don't get the cake, huh?
- ConnexionsEdited into Walt Disney's Cartoon Carousel (1975)
- Bandes originalesGarryowen
(uncredited)
Traditional song
Commentaire à la une
A Walt Disney MICKEY MOUSE Cartoon.
THE LITTLE WHIRLWIND which blows into Miss Minnie's yard stirs up nothing but trouble for hapless Mickey.
This very humorous little film features good animation & a lively plot. Movie mavens should find the big Mama Whirlwind sequence to bear more than just a passing resemblance to the storm which shakes things up in Disney's 1935 classic THE BAND CONCERT, including the use of some of the same music from Rossini.
Walt Disney (1901-1966) was always intrigued by pictures & drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work will always pay off.
THE LITTLE WHIRLWIND which blows into Miss Minnie's yard stirs up nothing but trouble for hapless Mickey.
This very humorous little film features good animation & a lively plot. Movie mavens should find the big Mama Whirlwind sequence to bear more than just a passing resemblance to the storm which shakes things up in Disney's 1935 classic THE BAND CONCERT, including the use of some of the same music from Rossini.
Walt Disney (1901-1966) was always intrigued by pictures & drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work will always pay off.
- Ron Oliver
- 13 avr. 2003
- Permalien
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Détails
- Durée8 minutes
- Rapport de forme
- 1.37 : 1
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By what name was Le tourbillon (1941) officially released in Canada in English?
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