Ajouter une intrigue dans votre langueJealous of Mickey's kitten, Pluto's devil-self argues with his angel-self over whether or not to rescue the kitten when it falls into a well.Jealous of Mickey's kitten, Pluto's devil-self argues with his angel-self over whether or not to rescue the kitten when it falls into a well.Jealous of Mickey's kitten, Pluto's devil-self argues with his angel-self over whether or not to rescue the kitten when it falls into a well.
- Récompensé par 1 Oscar
- 1 victoire au total
Teddy Barr
- Pluto
- (non crédité)
Pinto Colvig
- Pluto
- (voix)
- (non crédité)
John Dehner
- Pluto's Devil
- (non crédité)
Walt Disney
- Mickey Mouse
- (voix)
- (non crédité)
Marcellite Garner
- Kitten
- (non crédité)
- …
John McLeish
- Pluto's Angel
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesIt was the only Mickey Mouse cartoon to win an Academy Award.
- Citations
Pluto's Angel: Kindness to animals, my friend, will be rewarded in the end.
- Crédits fousOn the opening title card: "This picture is dedicated to the Tailwagger Foundation in recognition of its work in lending a paw to man's animal friends."
- ConnexionsEdited into Le monde merveilleux de Disney: A Story of Dogs (1954)
Commentaire à la une
A Walt Disney MICKEY MOUSE Cartoon.
Pluto must LEND A PAW to save the life of a drowning kitten - but is disgusted when Mickey welcomes the tiny feline into their home.
There's much to enjoy in this Oscar-winning little film, with pathos, suspense & good humor all wrapped-up into one tidy package. The use of the Angel-Pluto & Devil-Pluto to express the Pup's thoughts is an amusing conceit. This was the second of only two appearances in a Disney cartoon made by Bianca the Goldfish, the other being MICKEY'S PARROT (1938).
Walt Disney (1901-1966) was always intrigued by pictures & drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a storm of naysayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work always pay off.
Pluto must LEND A PAW to save the life of a drowning kitten - but is disgusted when Mickey welcomes the tiny feline into their home.
There's much to enjoy in this Oscar-winning little film, with pathos, suspense & good humor all wrapped-up into one tidy package. The use of the Angel-Pluto & Devil-Pluto to express the Pup's thoughts is an amusing conceit. This was the second of only two appearances in a Disney cartoon made by Bianca the Goldfish, the other being MICKEY'S PARROT (1938).
Walt Disney (1901-1966) was always intrigued by pictures & drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a storm of naysayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work always pay off.
- Ron Oliver
- 22 sept. 2003
- Permalien
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Détails
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- Durée8 minutes
- Mixage
- Rapport de forme
- 1.37 : 1
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