ÉVALUATION IMDb
6,6/10
45 k
MA NOTE
Lorsque Brent refuse l'invitation de sa camarade de classe Lola au bal de fin d'année, elle concocte un plan de vengeance extrêmement violent.Lorsque Brent refuse l'invitation de sa camarade de classe Lola au bal de fin d'année, elle concocte un plan de vengeance extrêmement violent.Lorsque Brent refuse l'invitation de sa camarade de classe Lola au bal de fin d'année, elle concocte un plan de vengeance extrêmement violent.
- Prix
- 2 victoires et 11 nominations au total
Andrew S. Gilbert
- Paul
- (as Andrew S Gilbert)
Gulliver McGrath
- Keir Willis 8 Year Old
- (as Gully McGrath)
Histoire
Le saviez-vous
- AnecdotesUnder the instructions of director Sean Byrne, Robin McLeavy prepared for the role of Lola by researching the serial killer Jeffrey Dahmer, as well as watching Misery (1990), Le meurtre dans le sang (1994) and the works of Quentin Tarantino.
- GaffesStitching and seams are plainly visible on the roadkill Lola feeds to her captives In the basement, revealing that it's just a stuffed animal.
- Générique farfeluThe first half of the credits showed confetti falling down in the background which ends when the last shot showed blood on the floor.
- Autres versionsThe R-Rated cut is 83 min. long while the Unrated version is 84 min. long.
- ConnexionsFeatured in The Loved Ones: Toronto International Film Festival Premiere + Q&A (2009)
Commentaire en vedette
'The Loved Ones' is a well-made film, but it's also hollow, nasty and frustrating. It takes a developed, sympathetic character and subjects him to an array of torture and humiliation at the hands of Lola and 'Daddy', a vile father/daughter serial killing partnership.
The film drew significant parallels with 'The Texas Chainsaw Massacre', a film I like. The difference between the two is that 'The Loved Ones' is far crueler, the protracted scenes of humiliation and violence left me utterly indignant. 'Chainsaw Massacre' is also an iconic, genre defining piece of work - this film is merely one of its many imitators.
Full of tension, suspense and eventually unflinching brutality, tough films such as the fellow Australian horror 'Wolf Creek' serve as an endurance test. They're straightforward and not particularly good, but they do have a purpose, albeit a doubtful one. Although 'The Loved Ones' has all of these things to a certain extent, it is an exasperating experience. I derived only negative emotion from watching an innocent character being tied to a chair and tortured. Indeed, Lola and 'Daddy' became such reprehensible characters that no come-uppance would be satisfying enough. My growing bloodlust would have only been satiated if I'd been able to jump into the frame and exact my own brand of horribly spiteful justice.
The effect the film had on me is clearly a testament to its power. There's no doubt that it's taut, well made and well-acted, but 'The Loved Ones' is ultimately an exercise in frustration and indignation.
The film drew significant parallels with 'The Texas Chainsaw Massacre', a film I like. The difference between the two is that 'The Loved Ones' is far crueler, the protracted scenes of humiliation and violence left me utterly indignant. 'Chainsaw Massacre' is also an iconic, genre defining piece of work - this film is merely one of its many imitators.
Full of tension, suspense and eventually unflinching brutality, tough films such as the fellow Australian horror 'Wolf Creek' serve as an endurance test. They're straightforward and not particularly good, but they do have a purpose, albeit a doubtful one. Although 'The Loved Ones' has all of these things to a certain extent, it is an exasperating experience. I derived only negative emotion from watching an innocent character being tied to a chair and tortured. Indeed, Lola and 'Daddy' became such reprehensible characters that no come-uppance would be satisfying enough. My growing bloodlust would have only been satiated if I'd been able to jump into the frame and exact my own brand of horribly spiteful justice.
The effect the film had on me is clearly a testament to its power. There's no doubt that it's taut, well made and well-acted, but 'The Loved Ones' is ultimately an exercise in frustration and indignation.
- kinoreview
- 14 févr. 2013
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- The Loved Ones
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – à l'échelle mondiale
- 358 399 $ US
- Durée1 heure 24 minutes
- Couleur
- Rapport de forme
- 2.35 : 1
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