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7,3/10
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MA NOTE
Ajouter une intrigue dans votre langueSet in the 1880s, the story of how, during a creative dry spell, the partnership of the legendary musical/theatrical writers Gilbert and Sullivan almost dissolves, before they turn it all ar... Tout lireSet in the 1880s, the story of how, during a creative dry spell, the partnership of the legendary musical/theatrical writers Gilbert and Sullivan almost dissolves, before they turn it all around and write the Mikado.Set in the 1880s, the story of how, during a creative dry spell, the partnership of the legendary musical/theatrical writers Gilbert and Sullivan almost dissolves, before they turn it all around and write the Mikado.
- A remporté 2 oscars
- 13 victoires et 28 nominations au total
Bill Neenan
- Cook
- (as William Neenan)
Histoire
Le saviez-vous
- AnecdotesNot only did all the actors do their own singing, but everyone in the cast, including the pit orchestra and the actors who play instruments in the film, actually played the music they are seen to play.
- GaffesThis well known quote from the film is a factual mistake: "If you wish to write a Grand Opera about a prostitute, dying of consumption in a garret, I suggest you contact Mr Ibsen in Oslo. I am sure he will be able to furnish you with something suitably dull". The city of Oslo got the name in 1925 - a long time after Ibsen's death in 1906. During Ibsen's lifetime, the capital of Norway was called Kristiania.
- Générique farfeluThe credit for "Location Vehicles" is misspelled "Location Vechicles".
- Bandes originalesIf You Give Me Your Attention
from "Princess Ida"
Music by Arthur Sullivan
Lyrics by W.S. Gilbert
Performed by Martin Savage and Chorus
Commentaire en vedette
Much has been said here regarding the brilliant costumes, art direction and acting. The one thing I would like to point out is the misconception many have had about the script itself.
Several comments here have claimed that the film is "clunky" in that several scenes apparently added nothing to the film. They also said there was no character development. I think these people need to realize that the depth they seek is contained in the very scenes they wished excised. Which show us all of the different aspects of these characters' lives.
While appearing to be unimportant, empty or simple these many scenes reveal incalculable depth and character insight. The rehearsal scene for just one example, while seeming initially to be a little comedic scene shows us the nature and attitude of both the author and the actors involved in their creative processes.
The performance scenes are also not superfluous as some have wrongly asserted. We can see the characters we have come to know and how they deal onstage with the problems we know they have in their lives: through expressing themselves in their art!!!
In addition the scenes are not arbitrarily strung together but all contain a subtle cause and effect throughline. Sometimes these are reversed as when a cause is revealed only after we have repeatedly seen the effect (as in the revelation of Grossman's illness). Many of the scenes which people have called "tacked on" at the end (like the stunning scene between Gilbert and his wife Kitty) are in fact set up in the earlier parts of the film if you pay close attention and are in actuality a natural progression of these relationships.
Even the very last scene when the leading lady sings is there to show us her identification with the song she is singing and therefore an indirect relationship with her lyricist and composer. This film needs to be seen more than once to appreciate how well constructed it truly is
Several comments here have claimed that the film is "clunky" in that several scenes apparently added nothing to the film. They also said there was no character development. I think these people need to realize that the depth they seek is contained in the very scenes they wished excised. Which show us all of the different aspects of these characters' lives.
While appearing to be unimportant, empty or simple these many scenes reveal incalculable depth and character insight. The rehearsal scene for just one example, while seeming initially to be a little comedic scene shows us the nature and attitude of both the author and the actors involved in their creative processes.
The performance scenes are also not superfluous as some have wrongly asserted. We can see the characters we have come to know and how they deal onstage with the problems we know they have in their lives: through expressing themselves in their art!!!
In addition the scenes are not arbitrarily strung together but all contain a subtle cause and effect throughline. Sometimes these are reversed as when a cause is revealed only after we have repeatedly seen the effect (as in the revelation of Grossman's illness). Many of the scenes which people have called "tacked on" at the end (like the stunning scene between Gilbert and his wife Kitty) are in fact set up in the earlier parts of the film if you pay close attention and are in actuality a natural progression of these relationships.
Even the very last scene when the leading lady sings is there to show us her identification with the song she is singing and therefore an indirect relationship with her lyricist and composer. This film needs to be seen more than once to appreciate how well constructed it truly is
- Spamlet
- 20 août 2000
- Lien permanent
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Mike Leigh Untitled
- Lieux de tournage
- Richmond Theatre, 1 Little Green, Richmond, Greater London, Angleterre, Royaume-Uni(Savoy Theatre, London, England, UK)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 10 000 000 £ (estimation)
- Brut – États-Unis et Canada
- 6 208 548 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 31 387 $ US
- 19 déc. 1999
- Brut – à l'échelle mondiale
- 7 804 439 $ US
- Durée2 heures 40 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.66 : 1
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By what name was Topsy-Turvy (1999) officially released in India in English?
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