En 1980 à Miami, un immigrant cubain déterminé prend en charge un cartel de drogue et succombe au vice d'avidité.En 1980 à Miami, un immigrant cubain déterminé prend en charge un cartel de drogue et succombe au vice d'avidité.En 1980 à Miami, un immigrant cubain déterminé prend en charge un cartel de drogue et succombe au vice d'avidité.
- Prix
- 8 nominations au total
Histoire
Le saviez-vous
- AnecdotesDuring the scene where Tony and Elvira are sitting in the Cadillac at the car dealership, Al Pacino surreptitiously slips on the hat that Michelle Pfeiffer was wearing while she was looking away, which was not scripted. When she turns back and sees him wearing it, her amused reaction was genuine and to her credit, she stayed in character and ad-libbed a line. Brian De Palma decided to keep that unscripted exchange in the movie to show Elvira's gradual warming up to Montana.
- GaffesExtras during the riot stop "rioting" before they are off-screen.
- Citations
Tony Montana: I always tell the truth. Even when I lie.
- Générique farfeluWe see a proverb at the beginning of the movie that says: "Enjoy yourself, every day above ground is a good day." ANONYMOUS, MIAMI 1981
- Autres versionsTo get a 16 rating in West Germany, most of the violence and profanity were toned down.
- ConnexionsEdited into 76-89-03 (2000)
- Bandes originalesScarface (Push It to the Limit)
Performed by Paul Engemann
Music by Giorgio Moroder
Lyrics by Pete Bellotte
Commentaire en vedette
Every great gangster movie has under-currents of human drama. Don't expect an emotional story of guilt, retribution and despair from "Scarface". This is a tale of ferocious greed, corruption, and power. The darker side of the fabled "American Dream".
Anybody complaining about the "cheesiness" of this film is missing the point. The superficial characters, cheesy music, and dated fashions further fuel the criticism of this life of diabolical excess. Nothing in the lives of these characters really matter, not on any human level at least. In fact the film practically borderlines satire, ironic considering all the gangsta rappers that were positively inspired by the lifestyle of Tony Montana.
This isn't Brian DePalma's strongest directorial effort, it is occasionally excellent and well-handled (particularly the memorable finale), but frequently sinks to sloppy and misled. Thankfully, it is supported by a very strong script by Oliver Stone (probably good therapy for him, considering the coke habit he was tackling at the time). The themes are consistent, with the focus primarily on the life of Tony Montana, and the evolution of his character as he is consumed by greed and power. The dialogue is also excellent, see-sawing comfortably between humour and drama. There are many stand-out lines, which have since wormed their way into popular culture in one form or another.
The cast help make it what it is as well, but this is really Pacino's film. One of his earlier less subtle performances (something much more common from him nowadays), this is a world entirely separate from Michael Corleone and Frank Serpico. Yet he is as watchable here as ever, in very entertaining (and intentionally over-the-top) form. It is hard to imagine another Tony Montana after seeing this film, in possibly one of the most mimicked performances ever. Pfeiffer stood out as dull and uncomfortable on first viewing, but I've come to realize how she plays out the part of the bored little wife. Not an exceptional effort, but unfairly misjudged. The supporting players are very good too, particularly Paul Shenar as the suave Alejandro Sosa.
Powerful, occasionally humorous, sometimes shocking, and continually controversial. "Scarface" is one of the films of the eighties (whatever that might mean to you). An essential and accessible gangster flick, and a pop-culture landmark. 9/10
Anybody complaining about the "cheesiness" of this film is missing the point. The superficial characters, cheesy music, and dated fashions further fuel the criticism of this life of diabolical excess. Nothing in the lives of these characters really matter, not on any human level at least. In fact the film practically borderlines satire, ironic considering all the gangsta rappers that were positively inspired by the lifestyle of Tony Montana.
This isn't Brian DePalma's strongest directorial effort, it is occasionally excellent and well-handled (particularly the memorable finale), but frequently sinks to sloppy and misled. Thankfully, it is supported by a very strong script by Oliver Stone (probably good therapy for him, considering the coke habit he was tackling at the time). The themes are consistent, with the focus primarily on the life of Tony Montana, and the evolution of his character as he is consumed by greed and power. The dialogue is also excellent, see-sawing comfortably between humour and drama. There are many stand-out lines, which have since wormed their way into popular culture in one form or another.
The cast help make it what it is as well, but this is really Pacino's film. One of his earlier less subtle performances (something much more common from him nowadays), this is a world entirely separate from Michael Corleone and Frank Serpico. Yet he is as watchable here as ever, in very entertaining (and intentionally over-the-top) form. It is hard to imagine another Tony Montana after seeing this film, in possibly one of the most mimicked performances ever. Pfeiffer stood out as dull and uncomfortable on first viewing, but I've come to realize how she plays out the part of the bored little wife. Not an exceptional effort, but unfairly misjudged. The supporting players are very good too, particularly Paul Shenar as the suave Alejandro Sosa.
Powerful, occasionally humorous, sometimes shocking, and continually controversial. "Scarface" is one of the films of the eighties (whatever that might mean to you). An essential and accessible gangster flick, and a pop-culture landmark. 9/10
- akpiggott
- 11 sept. 2004
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Scarface
- Lieux de tournage
- 656 Park Ln, Santa Barbara, Californie, États-Unis(Alejandro Sosa's Bolivian Estate)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 50 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 45 967 303 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 4 597 536 $ US
- 11 déc. 1983
- Brut – à l'échelle mondiale
- 66 443 303 $ US
- Durée2 heures 50 minutes
- Couleur
- Mixage
- 4-Track Stereo(original release)
- Rapport de forme
- 2.39 : 1
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