ÉVALUATION IMDb
6,9/10
3,4 k
MA NOTE
Ajouter une intrigue dans votre langueTodd and Rory are intellectual soul mates. He might be gay. She might not care. A romantic-comedy drama with a twist; a love story without the thrill of copulation.Todd and Rory are intellectual soul mates. He might be gay. She might not care. A romantic-comedy drama with a twist; a love story without the thrill of copulation.Todd and Rory are intellectual soul mates. He might be gay. She might not care. A romantic-comedy drama with a twist; a love story without the thrill of copulation.
- Prix
- 1 victoire et 2 nominations au total
Joshua Diaz
- Zane
- (as Josh Diaz)
Jon E. Darby
- Student Director
- (as Jon Darby)
Histoire
Le saviez-vous
- AnecdotesAt one point, multiple distributors were interested in acquiring Straight Up, but none of them would accept the film in its intended aspect ratio of 4:3. James Sweeney was instructed to deliver in 16:9, excise 25 percent of the frame. He refused to give up his creative vision and eventually found a distributor who agreed.
- GaffesAlthough not impossible, the opening conversation between the Todd and Rory (not a give-away because it is literally the opening of the movie) develops from Rory saying Todd might generally be mistaken for an employee based on his putting things (for instance organizing books) in order.
Todd replied that no, someone mistook him for a Staples employee, asking where the paperweights are, and he wasn't doing anything, just standing there.
Perhaps it is a dig at Staples employees who just stand there, or a play on the fact that he was not doing anything and was asked about paperweights. Yes, there are decorative desk things they sell as 'paperweights' at Staples, but nobody ever went to Staples to buy a paperweight. Inventing some scenario that didn't happen or joking is out of character.
- Citations
Dr. Larson: Are you sure you're a boy?
Todd: [pause] Well, I was until now.
- ConnexionsReferences Le fidèle vagabond (1957)
- Bandes originalesScoobidoo Love
Written by Paul Rothman
Commentaire en vedette
If you're searching for an explanation of successful millennial romantic relationships, it might be characterized by bisexuality without sex. If you're searching for an unconventional romantic comedy? that's what writer/director/star James Sweeney offers in the brilliant Straight Up.
It's a rom-com whose roots are firmly placed in the Howard Hawke's world of His Girl Friday, where sex is a form of screwball comedy banter, brilliantly pop-cultured and offered by brainiac characters who want sex but accept words as more forgiving: "You called me." "No, I didn't." "Yes, you did." "My butt dialed you." "Well, I think your butt knows what your heart wants." You might also thin of the less biting, but still bright, Will & Grace.
Todd (Sweeney) and Rory (Katie Findlay) meet cute in a library and exchange super-charged dialogue titillating in its wit and emotionally fulfilling like good sex. He is OCD-his whole life is that analytical way-- arranging the books here making her think he's a librarian. He house sits rather than create a home. It's perhaps his OCD that keeps him from a satisfying sexuality, so preoccupied he is with deconstructing life that he misses its joys. He, however, knows he does not want to be alone his whole life.
The difference between Hawkes' dialogue or, say Wes Anderson's in The Grand Budapest Hotel, is that Straight Up relies on machinegunned words, whereas the earlier screwball comedies come out almost gently from sweet origins in the head with smoother delivery (Cary Grant and Rosalind Russell, for example).
Besides the smart dialogue, Straight Up offers, for the main characters' insistence otherwise, benign almost sexless love, which seems counterintuitive but ends up between the two principals an almost ideal state. Yet both characters long for love, a universal desire the lasts throughout the modern biracial and bisexual modes.
The comedy lampoons the correctness of our century while it offers a sober commentary on fulfilling relationships that rely on mind over matter.
Listen up you uncertain millennials, it's the mind that matters
It's a rom-com whose roots are firmly placed in the Howard Hawke's world of His Girl Friday, where sex is a form of screwball comedy banter, brilliantly pop-cultured and offered by brainiac characters who want sex but accept words as more forgiving: "You called me." "No, I didn't." "Yes, you did." "My butt dialed you." "Well, I think your butt knows what your heart wants." You might also thin of the less biting, but still bright, Will & Grace.
Todd (Sweeney) and Rory (Katie Findlay) meet cute in a library and exchange super-charged dialogue titillating in its wit and emotionally fulfilling like good sex. He is OCD-his whole life is that analytical way-- arranging the books here making her think he's a librarian. He house sits rather than create a home. It's perhaps his OCD that keeps him from a satisfying sexuality, so preoccupied he is with deconstructing life that he misses its joys. He, however, knows he does not want to be alone his whole life.
The difference between Hawkes' dialogue or, say Wes Anderson's in The Grand Budapest Hotel, is that Straight Up relies on machinegunned words, whereas the earlier screwball comedies come out almost gently from sweet origins in the head with smoother delivery (Cary Grant and Rosalind Russell, for example).
Besides the smart dialogue, Straight Up offers, for the main characters' insistence otherwise, benign almost sexless love, which seems counterintuitive but ends up between the two principals an almost ideal state. Yet both characters long for love, a universal desire the lasts throughout the modern biracial and bisexual modes.
The comedy lampoons the correctness of our century while it offers a sober commentary on fulfilling relationships that rely on mind over matter.
Listen up you uncertain millennials, it's the mind that matters
- JohnDeSando
- 29 juin 2020
- Lien permanent
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Détails
Box-office
- Brut – États-Unis et Canada
- 16 080 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 4 075 $ US
- 1 mars 2020
- Brut – à l'échelle mondiale
- 16 080 $ US
- Durée1 heure 35 minutes
- Couleur
- Rapport de forme
- 1.33 : 1
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