Trois affiches tout près d'Ebbing, Missouri
Titre original : Three Billboards Outside Ebbing, Missouri
Une mère prend les choses en main lorsque les autorités locales ne parviennent pas à résoudre le meurtre de sa fille et attraper le coupable.Une mère prend les choses en main lorsque les autorités locales ne parviennent pas à résoudre le meurtre de sa fille et attraper le coupable.Une mère prend les choses en main lorsque les autorités locales ne parviennent pas à résoudre le meurtre de sa fille et attraper le coupable.
- A remporté 2 oscars
- 132 victoires et 233 nominations au total
Histoire
Le saviez-vous
- AnecdotesWriter and director Martin McDonagh was inspired to write the movie after seeing billboards about an unsolved crime while travelling "somewhere down in the Georgia, Florida, Alabama corner."
- GaffesWhen the mail assistant hands Red the envelope of money she is heard talking but when the camera pans to her she is not moving her lips.
- Citations
Mildred Hayes: Hey fuckhead!
Dixon: What?
Desk Sergeant: Don't say what, Dixon. When she comes in calling you a "fuckhead."
- ConnexionsFeatured in Roeper's Reviews: Best Movies of 2017 (2017)
- Bandes originalesLast Rose of Summer (Thomas Moore)
Written by Thomas Moore (poem)
Performed by Renée Fleming, English Chamber Orchestra, Jeffrey Tate
Courtesy of Decca Music Group Limited
Under license from Universal Music Operations Ltd.
Music by Friedrich von Flotow (uncredited)
Commentaire en vedette
Frances McDormand is a grieving mother who puts up "Three Billboards Outside of Ebbing, Missouri" in this 2017 black comedy directed by Martin McDonagh.
Mildred Hayes (McDormand) is disgusted that the police haven't found her daughter's rapist and killer, so she takes out billboards asking why the chief of police, Willoughby (Woody Harrelson) hasn't done anything about the case.
The billboards set off anger, violence, and revenge motifs in this small town. Things become worse when a pent-up police officer, Dixon (Sam Rockwell) becomes enraged and starts acting out.
Lots of swearing, lots of violence, and lots of laughs to be had in this film. It was strange to watch as I had just seen another film, Past Life, that focused on the subject of anger and pain, and how it can eat a person up and destroy them. This film is yet another good illustration of that, as Mildred stops at nothing to make a point.
The one-liners are amazing, and Mildred's speech to the priest who comes by to ask her to remove the billboards is hilarious. The movie is filled with strong performances and equally well-developed characters. We see all of their sides - violent, kind, vengeful, angry, sad; we finally realize they're just people driven in some cases to extremes.
Harrelson's performance is touching -- we're prepared to dislike him but his sincerity and humanity come through. As Dixon, Rockwell seems like a monster, but once he acts out, he's able to focus his energy a little better.
And then there's McDormand, a powerhouse. She's not good ol' Marge in Fargo. She's a tough woman with a broken heart who takes out her anger any way she can. It's a beautiful, multilayered performance. Highly recommended, asking the questions of where revenge and hatred can take us, and deciding when and if it stops.
Mildred Hayes (McDormand) is disgusted that the police haven't found her daughter's rapist and killer, so she takes out billboards asking why the chief of police, Willoughby (Woody Harrelson) hasn't done anything about the case.
The billboards set off anger, violence, and revenge motifs in this small town. Things become worse when a pent-up police officer, Dixon (Sam Rockwell) becomes enraged and starts acting out.
Lots of swearing, lots of violence, and lots of laughs to be had in this film. It was strange to watch as I had just seen another film, Past Life, that focused on the subject of anger and pain, and how it can eat a person up and destroy them. This film is yet another good illustration of that, as Mildred stops at nothing to make a point.
The one-liners are amazing, and Mildred's speech to the priest who comes by to ask her to remove the billboards is hilarious. The movie is filled with strong performances and equally well-developed characters. We see all of their sides - violent, kind, vengeful, angry, sad; we finally realize they're just people driven in some cases to extremes.
Harrelson's performance is touching -- we're prepared to dislike him but his sincerity and humanity come through. As Dixon, Rockwell seems like a monster, but once he acts out, he's able to focus his energy a little better.
And then there's McDormand, a powerhouse. She's not good ol' Marge in Fargo. She's a tough woman with a broken heart who takes out her anger any way she can. It's a beautiful, multilayered performance. Highly recommended, asking the questions of where revenge and hatred can take us, and deciding when and if it stops.
- blanche-2
- 6 déc. 2017
- Lien permanent
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Three Billboards Outside Ebbing, Missouri
- Lieux de tournage
- Black Mountain, Caroline du Nord, États-Unis(billboards on North Fork Left Fork Road)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 15 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 54 513 740 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 322 168 $ US
- 12 nov. 2017
- Brut – à l'échelle mondiale
- 162 729 321 $ US
- Durée1 heure 55 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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What is the streaming release date of Trois affiches tout près d'Ebbing, Missouri (2017) in Canada?
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