Un pianista lleno de talento acepta un trato con el diablo para tratar de sobrepasar a su hermana en una prestigiosa institución que forma a estudiantes de música clásica.Un pianista lleno de talento acepta un trato con el diablo para tratar de sobrepasar a su hermana en una prestigiosa institución que forma a estudiantes de música clásica.Un pianista lleno de talento acepta un trato con el diablo para tratar de sobrepasar a su hermana en una prestigiosa institución que forma a estudiantes de música clásica.
- Premios
- 2 nominaciones en total
Argumento
¿Sabías que...?
- CuriosidadesThe word nocturne is defined as a short composition of a romantic or dreamy character suggestive of night, typically for piano.
- Citas
Dr. Cask: Her technique is no better than yours.
Juliet: That's not...
Dr. Cask: Take the compliment. Her technique is no better. Her efficiency is worse. So, what makes Vivian the star and you the... whatever you are? She plays like the devil is at the door.
Juliet: What about Moira?
Dr. Cask: Moira?
Juliet: She beat Vi the first time around. Is that how she played?
Dr. Cask: She played like the devil was in the room.
- ConexionesReferences Un americano en París (1951)
Juliet (Sydney Sweeney) lives under the shadow of her twin sister Vivian (Madison Iseman). Though both are talented pianists, Juliet's demeanour means that Vivian is graduating to Julliard but she is not. Moira (Ji Eun Hwang), their current schools most gifted student, takes her own life, which means the final concerts solo is vacant. Vivian seems the natural person to claim it, until Juliet finds Moira's notebook, a cryptic and dark series of notes, markings and illustrations. The book has an effect on Juliet, increasing her confidence, but how far is she willing to go to claim that solo.
As with "Black Box" I feel that there's lots to admire with this film, but little to love. It does feel like a budget version of "Black Swan", with its story of pressure are the higher end of artistic achievement. The performances from the two leads, Iselman and Sweeney, are really good. Art direction and cinematherapy are decent, the effects - such as they are - aren't bad - though it does help that they often aren't looking for realism, rather part of a fantastic dream type sequence. I do feel like I'm prepared to give the film a whole point for the final shot (to say anything more is a bit too spoilery).
But plot wise it's a bit too humdrum and predictable. You'll be well in advance of Juliet in terms of what is happening and you'll probably see the ending coming a mile off. There are a couple of minor twists that the film doesn't do a great job of disguising and it's all just a little too flat, and lacking in originality and invention to recommend it as worthwhile.
Negatives ultimately outweighed the positives for me, but at least there were positives.
- southdavid
- 12 nov 2020
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Detalles
- Duración1 hora 30 minutos
- Color
- Relación de aspecto
- 2.39:1