PUNTUACIÓN EN IMDb
6,5/10
13 mil
TU PUNTUACIÓN
Mickey, un árbitro de la NBA, se encuentra con Ellen, una funcionaria de una aerolínea estadounidense, en París. Ese encuentro se desarrolla en una relación de altibajos.Mickey, un árbitro de la NBA, se encuentra con Ellen, una funcionaria de una aerolínea estadounidense, en París. Ese encuentro se desarrolla en una relación de altibajos.Mickey, un árbitro de la NBA, se encuentra con Ellen, una funcionaria de una aerolínea estadounidense, en París. Ese encuentro se desarrolla en una relación de altibajos.
- Premios
- 1 premio en total
Argumento
¿Sabías que...?
- CuriosidadesThe film provides a credit for the "lighting of the Eiffel Tower." According to Billy Crystal, Paris officials required the credit in order to allow filming that showed the tower.
- PifiasThis is actually a correction to the last geographical goof. They are all in a restaurant in NYC. They are at Helen's. They even say it several times, and they also make reference to the fact that it was a Nicks game. So they are supposed to be in NYC not LA. They have all flown in to NYC for the wedding.
- Créditos adicionalesAt one point Mickey's father-in-law Arthur moves in with them and drives him crazy by singing the Toyota slogan, "You asked for it...you got it," doing it just like the commercial. At the end of the end credits, Arthur is reading the paper at the table while Mickey is having breakfast. Arthur starts the slogan but waits about half a minute before finally finishing the line.
- Banda sonoraLove Is Here To Stay
Written by George Gershwin and Ira Gershwin
Performed by Billie Holiday
Courtesy of Verve Records
By arrangment with PloyGram Special Markets
Reseña destacada
I wanted to like this. It does not shirk from showing the real difficulties marriage has - or the anti-climax marriage can prove after the romance of courtship.
I also applaud its realism - many matters don't prove right in the end in real life - nor in this movie - no matter how much they try. Reconciliations fade in light of fundamental issues that exist from the beginning of the marriage.
However, as comedy, the movie usually seemed lame - it had its moments but they were too few. And as drama, there weren't enough moments of real suspense. As a romance, it fails - it's too realistic and I never felt any magic in Debra Winger's character. She was fairly nice, fairly attractive, but rather humdrum in personality. We are taken down a lane familiar to married couples - with all the aggravations real life produces and an occasional chuckle.
The movie is the rather tedious alternative to "happily ever after" - and though the movie rings more truly than "happily ever after",it's not as satisfying. Very little would be needed to darken this movie into "An Unmarried Woman". I preferred Mr. Saturday Night for its dark look at the life of a Milton Berle sort of character - at least it was unfamiliar and interesting territory - this isn't. I do wish I could say otherwise and again think well of Crystal in one respect: he doesn't sugarcoat his tale.
I also applaud its realism - many matters don't prove right in the end in real life - nor in this movie - no matter how much they try. Reconciliations fade in light of fundamental issues that exist from the beginning of the marriage.
However, as comedy, the movie usually seemed lame - it had its moments but they were too few. And as drama, there weren't enough moments of real suspense. As a romance, it fails - it's too realistic and I never felt any magic in Debra Winger's character. She was fairly nice, fairly attractive, but rather humdrum in personality. We are taken down a lane familiar to married couples - with all the aggravations real life produces and an occasional chuckle.
The movie is the rather tedious alternative to "happily ever after" - and though the movie rings more truly than "happily ever after",it's not as satisfying. Very little would be needed to darken this movie into "An Unmarried Woman". I preferred Mr. Saturday Night for its dark look at the life of a Milton Berle sort of character - at least it was unfamiliar and interesting territory - this isn't. I do wish I could say otherwise and again think well of Crystal in one respect: he doesn't sugarcoat his tale.
- trpdean
- 27 mar 2002
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Detalles
Taquilla
- Recaudación en Estados Unidos y Canadá
- 33.177.694 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 5.812.656 US$
- 21 may 1995
- Recaudación en todo el mundo
- 33.177.694 US$
- Duración1 hora 41 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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By what name was Olvídate de París (1995) officially released in India in English?
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