PUNTUACIÓN EN IMDb
6,8/10
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TU PUNTUACIÓN
Una telefonista acaba borracha y a merced de un canalla en su apartamento. A la mañana siguiente se despierta con resaca y el terrible temor de ser una asesina.Una telefonista acaba borracha y a merced de un canalla en su apartamento. A la mañana siguiente se despierta con resaca y el terrible temor de ser una asesina.Una telefonista acaba borracha y a merced de un canalla en su apartamento. A la mañana siguiente se despierta con resaca y el terrible temor de ser una asesina.
Fay Baker
- Switchboard Monitor
- (sin acreditar)
Robert Bice
- Policeman
- (sin acreditar)
Larry J. Blake
- Music Shop Clerk
- (sin acreditar)
Lela Bliss
- Miss Stanley
- (sin acreditar)
Gail Bonney
- Policewoman
- (sin acreditar)
Edward Clark
- News Stand Dealer
- (sin acreditar)
Papa John Creach
- Violinist
- (sin acreditar)
Mike Donovan
- Fingerprint Officer
- (sin acreditar)
Argumento
¿Sabías que...?
- CuriosidadesDirector Fritz Lang and cinematographer Nicholas Musuraca developed a revolutionary dolly for the camera that allowed for sustained tracking shots and intimate close-ups while shooting this film. Lang preferred the practice of tracking into a close-up shot of an actor as opposed to cutting to a close-up in editing. He believed the tracking close-up captured more of the actors' intimacy and emotions.
- PifiasPerhaps unaware that his hands on the keyboard are visible in the mirror behind him, Nat 'King' Cole plays a strikingly different piano arrangement of "Blue Gardenia" than the one heard.
- Citas
Sally Ellis: I didn't like Prebble when he was alive. But now that he's been murdered, that always makes a man so romantic.
- ConexionesFeatured in Noir Alley: The Blue Gardenia (2017)
- Banda sonoraBlue Gardenia
Written by Bob Russell and Lester Lee
Performed by Nat 'King' Cole
Arranged by Nelson Riddle
[Nat King Cole performs the song at the Blue Gardenia during Norah and Harry's date, then the song is played frequently in the movie thereafter]
Reseña destacada
The Blue Gardenia is the first of Fritz Lang's so-called "newspaper trilogy" (While The City Sleeps, and Beyond A Reasonable Doubt are the other two).
This one is my favorite of the three. It's ironic because Lang himself didn't care for the picture saying, "The story itself wasn't original and the acting wasn't engaging enough to elevate it past being a mild thriller."
I disagree with the master. Lang was coming off some personally turbulent years and was fed up with Hollywood. Perhaps he was not happy with the performance of Richard Conti, the newspaper reporter. Lang wanted Dana Andrews, who would go on to work on the next two pictures of the newspaper trilogy.
But, I think Anne Baxter is great as a jilted woman who impetuously goes out on a date with a wolf, played to perfection by Raymond Burr, and finds herself literally fighting off his sexual attack while in an inebriated state. She blacks out, awakens in her bed unaware of how she got there. Later, she learns Burr's character has been murdered and now finds herself on a journey to discover if she's a killer or not.
Lang's frustration with Hollywood's limitations were starting to show up with his lackluster camera movement (as compared to previous pictures). But, a movie made by a disillusioned Fritz Lang is still a must-watch.
This one is my favorite of the three. It's ironic because Lang himself didn't care for the picture saying, "The story itself wasn't original and the acting wasn't engaging enough to elevate it past being a mild thriller."
I disagree with the master. Lang was coming off some personally turbulent years and was fed up with Hollywood. Perhaps he was not happy with the performance of Richard Conti, the newspaper reporter. Lang wanted Dana Andrews, who would go on to work on the next two pictures of the newspaper trilogy.
But, I think Anne Baxter is great as a jilted woman who impetuously goes out on a date with a wolf, played to perfection by Raymond Burr, and finds herself literally fighting off his sexual attack while in an inebriated state. She blacks out, awakens in her bed unaware of how she got there. Later, she learns Burr's character has been murdered and now finds herself on a journey to discover if she's a killer or not.
Lang's frustration with Hollywood's limitations were starting to show up with his lackluster camera movement (as compared to previous pictures). But, a movie made by a disillusioned Fritz Lang is still a must-watch.
- aldo-49527
- 19 jun 2021
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- The Blue Gardenia
- Localizaciones del rodaje
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
- Duración1 hora 25 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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Principal laguna de datos
By what name was Gardenia azul (1953) officially released in India in English?
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