The Blue Gardenia is the first of Fritz Lang's so-called "newspaper trilogy" (While The City Sleeps, and Beyond A Reasonable Doubt are the other two).
This one is my favorite of the three. It's ironic because Lang himself didn't care for the picture saying, "The story itself wasn't original and the acting wasn't engaging enough to elevate it past being a mild thriller."
I disagree with the master. Lang was coming off some personally turbulent years and was fed up with Hollywood. Perhaps he was not happy with the performance of Richard Conti, the newspaper reporter. Lang wanted Dana Andrews, who would go on to work on the next two pictures of the newspaper trilogy.
But, I think Anne Baxter is great as a jilted woman who impetuously goes out on a date with a wolf, played to perfection by Raymond Burr, and finds herself literally fighting off his sexual attack while in an inebriated state. She blacks out, awakens in her bed unaware of how she got there. Later, she learns Burr's character has been murdered and now finds herself on a journey to discover if she's a killer or not.
Lang's frustration with Hollywood's limitations were starting to show up with his lackluster camera movement (as compared to previous pictures). But, a movie made by a disillusioned Fritz Lang is still a must-watch.
This one is my favorite of the three. It's ironic because Lang himself didn't care for the picture saying, "The story itself wasn't original and the acting wasn't engaging enough to elevate it past being a mild thriller."
I disagree with the master. Lang was coming off some personally turbulent years and was fed up with Hollywood. Perhaps he was not happy with the performance of Richard Conti, the newspaper reporter. Lang wanted Dana Andrews, who would go on to work on the next two pictures of the newspaper trilogy.
But, I think Anne Baxter is great as a jilted woman who impetuously goes out on a date with a wolf, played to perfection by Raymond Burr, and finds herself literally fighting off his sexual attack while in an inebriated state. She blacks out, awakens in her bed unaware of how she got there. Later, she learns Burr's character has been murdered and now finds herself on a journey to discover if she's a killer or not.
Lang's frustration with Hollywood's limitations were starting to show up with his lackluster camera movement (as compared to previous pictures). But, a movie made by a disillusioned Fritz Lang is still a must-watch.