Ein alternder Filmstar und eine vernachlässigte junge Frau gehen eine ungewöhnliche Bindung ein, als sich ihre Wege in Tokio kreuzen.Ein alternder Filmstar und eine vernachlässigte junge Frau gehen eine ungewöhnliche Bindung ein, als sich ihre Wege in Tokio kreuzen.Ein alternder Filmstar und eine vernachlässigte junge Frau gehen eine ungewöhnliche Bindung ein, als sich ihre Wege in Tokio kreuzen.
- 1 Oscar gewonnen
- 97 Gewinne & 133 Nominierungen insgesamt
- Sausalito Piano
- (as Francois du Bois)
- Commercial Director
- (as Yutaka Tadokoro)
Handlung
WUSSTEST DU SCHON:
- WissenswertesBill Murray's favorite film of his own.
- PatzerWhen John (Giovanni Ribisi) first runs into Kelly (Anna Faris) in the lobby of the hotel he calls her Anna.
- Zitate
Bob: It gets a whole lot more complicated when you have kids.
Charlotte: It's scary.
Bob: The most terrifying day of your life is the day the first one is born.
Charlotte: Nobody ever tells you that.
Bob: Your life, as you know it... is gone. Never to return. But they learn how to walk, and they learn how to talk... and you want to be with them. And they turn out to be the most delightful people you will ever meet in your life.
Charlotte: That's nice.
- Crazy CreditsAt the end of the closing credits, Hiromix (Hiromi Toshikawa), seen throughout most of the party sequence, waves to the camera.
- VerbindungenFeatured in Kevin Shields: City Girl (2003)
- SoundtracksBrass in Pocket
(1980)
Written by Chrissie Hynde and James Honeyman-Scott
Performed by Scarlett Johansson (as Scarlett T. Johansson)
So what can I say about Lost In Translation that hasn't been said a million times already? It's all true. It's subtle, down-to-earth, and allows the audience to observe and relate to the characters, Bob and Charlotte. Both of them have a life crisis to deal with, and I guess if you're thousands and thousands of miles away from your problems it makes it easier to take an objective look at them, even if they do follow you. Bob and Charlotte confide in each other and develop a relationship. That's what it's all about, and every scene is precious. It's a real and true to life kind of film. We never hear the lines: "Oh, Charlotte, I'm so glad I went to Japan. You've changed my life in such a profound way and you'll always be in my heart." That's because that just isn't the way it goes in real life. The feeling is there, the characters know it, the audience knows it, so it has to be left at that.
So, yeah, I love this movie. It's clearly the highlight of Bill Murray's career and marks the perfect first real stand-out in Scarlett Johanson's. It's so rare to see a movie that only has an interest in its characters (and only two of them, at that!) and makes them so charming, lovable, and familiar. This is a great example of non-Hollywood Hollywood films: the well-known actors and producers going to the roots of independent film-making. In an age where half the movies out there are packed with CGI, this is refreshing to see.
My rating: 10/10
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Perdidos en Tokio
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 4.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 44.585.453 $
- Eröffnungswochenende in den USA und in Kanada
- 925.087 $
- 14. Sept. 2003
- Weltweiter Bruttoertrag
- 118.688.756 $
- Laufzeit1 Stunde 42 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1