Ein alternder Filmstar und eine vernachlässigte junge Frau gehen eine ungewöhnliche Bindung ein, als sich ihre Wege in Tokio kreuzen.Ein alternder Filmstar und eine vernachlässigte junge Frau gehen eine ungewöhnliche Bindung ein, als sich ihre Wege in Tokio kreuzen.Ein alternder Filmstar und eine vernachlässigte junge Frau gehen eine ungewöhnliche Bindung ein, als sich ihre Wege in Tokio kreuzen.
- 1 Oscar gewonnen
- 97 Gewinne & 133 Nominierungen insgesamt
- Sausalito Piano
- (as Francois du Bois)
- Commercial Director
- (as Yutaka Tadokoro)
Handlung
WUSSTEST DU SCHON:
- WissenswertesBill Murray's favorite film of his own.
- PatzerWhen John (Giovanni Ribisi) first runs into Kelly (Anna Faris) in the lobby of the hotel he calls her Anna.
- Zitate
Bob: It gets a whole lot more complicated when you have kids.
Charlotte: It's scary.
Bob: The most terrifying day of your life is the day the first one is born.
Charlotte: Nobody ever tells you that.
Bob: Your life, as you know it... is gone. Never to return. But they learn how to walk, and they learn how to talk... and you want to be with them. And they turn out to be the most delightful people you will ever meet in your life.
Charlotte: That's nice.
- Crazy CreditsAt the end of the closing credits, Hiromix (Hiromi Toshikawa), seen throughout most of the party sequence, waves to the camera.
- VerbindungenFeatured in Kevin Shields: City Girl (2003)
- SoundtracksBrass in Pocket
(1980)
Written by Chrissie Hynde and James Honeyman-Scott
Performed by Scarlett Johansson (as Scarlett T. Johansson)
My wife and I saw it tonight on DVD, with DTS 5.1 sound and both think it is a remarkable movie. I like Bill Murray in just about everything, and this will go down as one of his strongest performances, as Bob, the actor in Japan for a week doing whisky commercials. Scarlett Johansson plays Charlotte, the young wife virtually abandoned in the city to do her own thing as her photographer husband (Ribisi) goes to various locations for shoots.
What I liked most was the realistic feel. Being in a strange city, with unusual customs and a language you have no hope of understanding. Meeting someone who because of circumstances (age, marital status) will only ever be a friend. Being able to talk freely. Reflecting on where we've been and where we might be going. Many of the negative comments about this movie relate to an impression that it is 'boring.' I'll put on my 'maturity hat' and state that anyone who thinks 'Lost In Translation' is boring simply was not able, at least while they watched it, appreciate the inner beauty of this movie.
The scene that made the whole story come together for me was when they were in one of their hotel rooms (doesn't matter which), overhead shot, they were in bed talking, fully clothed, he is on his back staring at the ceiling, she is on her side, eyes probably closed, the tips of her feet barely touching the side of his leg, and he moves his hand and puts it on her feet. Then the scene fades to black. It is the kind of tender, non-sexual touch that tells us how close they have become, and that theirs is a relationship of mutual trust and admiration, not one of lust.
People like Bob and Charlotte really exist, and they really do meet up in very similar situations. After a week, they must go their separate ways, he to his family and activities of his kids, she to wait for her husband and figure out how to get out of the rut. We sense that he does not love her the way she needs, and we wonder what will happen.
Before IMDb eliminated its discussion feature there was a lot of dialog about what he whispered to her in the street at the end of the movie. To have made it obscure is suitable, it allows each viewer to imagine what they thought he would have said. In real life he is 34 years older, he does have a family, she is still just trying to figure her life out, to me it would have been a comment of genuine affection and encouragement that things will work out well for her, either with her husband or with someone else.
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Perdidos en Tokio
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 4.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 44.585.453 $
- Eröffnungswochenende in den USA und in Kanada
- 925.087 $
- 14. Sept. 2003
- Weltweiter Bruttoertrag
- 118.688.756 $
- Laufzeit1 Stunde 42 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1