Ein Verbrecherboss steigt an die Macht und wird größenwahnsinnig, während ein eigenwilliger Polizeidetektiv schwört, ihn aufzuhalten.Ein Verbrecherboss steigt an die Macht und wird größenwahnsinnig, während ein eigenwilliger Polizeidetektiv schwört, ihn aufzuhalten.Ein Verbrecherboss steigt an die Macht und wird größenwahnsinnig, während ein eigenwilliger Polizeidetektiv schwört, ihn aufzuhalten.
- Auszeichnungen
- 1 Gewinn & 6 Nominierungen insgesamt
Ice-T
- Det. Scotty Appleton
- (as Ice T)
Handlung
WUSSTEST DU SCHON:
- WissenswertesWesley Snipes originally wanted to play Scotty Appleton. However, Mario Van Peebles and Barry Michael Cooper insisted that he play Nino Brown, as the part was written especially for him.
- PatzerPookie's time inside the Carter was extensively videotaped, and those tapes, which included G Money giving the order to kill Pookie after his cover is blown, were all saved by the cops. Despite all that taped evidence that could be used to either convict G Money and several others and/or flip them as witnesses against Nino, the operation is declared a total failure and the tapes are never used.
- Zitate
Nino Brown: [to Gee Money] You fucked up. You fucked up big time. You're incapable of running this shit.
[Gee Money stands up]
Nino Brown: *Sit* your five-dollar ass down before I make change!
- Alternative VersionenGerman VHS & first DVD releases were edited for violence in two scenes (Nino kills a cop by cutting his throat/Scotty beats Nino at the end of the film), probably to secure a "Not under 16" rating. On TV the film was broadcast uncut. On the 2006 Special Edition DVD the film was released uncut.
- VerbindungenFeatured in Christopher Williams: I'm Dreamin' (1991)
Ausgewählte Rezension
Van Peebles directs a great cast in this detached-from-reality film about a truly evil drug-lord with a head for business and murder (Snipes), and a tough, street-wise pair of cops (Ice-T and Judd Nelson) hell-bent on bringing him down. The message is an important one - slogans are not going to win the war on drugs, and the way the message is carried in the film is more subtle than you might expect. The end of the film makes the point very clear, and I won't discuss it because I do not write spoilers. Like many of the more intelligent films made in the early 1990s, New Jack City is also an indictment of the euphoria of the Reagan years - telling the true story of what that time was like for those living from paycheck to paycheck, or trying to live without one, and dealing with the invisible "war on drugs" which had little to no effect on anybody in our inner-city neighborhoods.
Snipes, Ice-T, Allen Payne and Chris Rock give stand-out performances, and the rest of the cast provide excellent support. The film also stars New York City, and definitely has an NYC flavor (seasoned with more than a pinch of Hollywood). The cinematography is a little breathless - not unusual for the genre but in this case a bit extreme. The script is good, but perhaps too dense with rich plot details. And the editing provides a few pacing problems toward the middle of the film which, combined with the over-abundance of subplots, detract from the development of the main themes. The soundtrack is excellent - including a nice mix of hip-hop, rap, contemporary soul, and dance music - all blended nicely with the imagery of the film. Van Peebles style is well developed in this film, but I felt that some aspects of the plot were a little too outrageous for the seriousness of the film's message, and I fear that the message may have been lost on many of the film's viewers.
Overall, this is a good film. Entertaining and thoughtful, but definitely not for everybody.
Snipes, Ice-T, Allen Payne and Chris Rock give stand-out performances, and the rest of the cast provide excellent support. The film also stars New York City, and definitely has an NYC flavor (seasoned with more than a pinch of Hollywood). The cinematography is a little breathless - not unusual for the genre but in this case a bit extreme. The script is good, but perhaps too dense with rich plot details. And the editing provides a few pacing problems toward the middle of the film which, combined with the over-abundance of subplots, detract from the development of the main themes. The soundtrack is excellent - including a nice mix of hip-hop, rap, contemporary soul, and dance music - all blended nicely with the imagery of the film. Van Peebles style is well developed in this film, but I felt that some aspects of the plot were a little too outrageous for the seriousness of the film's message, and I fear that the message may have been lost on many of the film's viewers.
Overall, this is a good film. Entertaining and thoughtful, but definitely not for everybody.
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- La fortaleza del vicio
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 8.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 47.624.353 $
- Eröffnungswochenende in den USA und in Kanada
- 7.039.622 $
- 10. März 1991
- Weltweiter Bruttoertrag
- 47.624.353 $
- Laufzeit1 Stunde 37 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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