User reviews

New Jack City is directed by Mario Van Peebles (who also co-stars) and written by Thomas Lee Wright and Barry Michael Cooper. It stars Wesley Snipes, Ice-T, Judd Nelson, Allen Payne, Chris Rock, Bill Nunn, Bill Cobbs and Michael Michele. Music is by Vassal Benford and Michael Colombier and cinematography by Francis Kenny.

New York City, 1986 and crack cocaine is the drug of choice and Nino Brown (Snipes) and his gang, the Cash Money Brothers, are building a violent empire and cornering the market. Enter streetwise cop Scotty Appleton (Ice-T) and loose cannon Nick Peretti (Nelson), who form an uneasy partnership willing to push the law's boundaries to bring Nino down…

The Black Scarface!

On narrative terms it's basically an urban modernisation of the Scarface story, the themes at work were nothing new back then, never mind in cinema post 1991. That it is predominantly an African American film caused many at the time to call it a Blaxploitation picture for the 90s set, which is unfair, because it has more on offer than that and doesn't shy away from the dramatics available with such a story. True, it isn't pulling up any trees or breaking new ground in the drug/crime order of cinema, but it's incendiary enough to be thrilling whilst never romanticising the lifestyle of the drug gang. It paints a stark world of a drug infested city populated by colourful gang members, hapless addicts and edgy coppers, all sound tracked by pulse pounding hip-hop beats.

This was Van Peebles' first big screen directing outing and it's a hugely impressive debut. So much so it begs the question on why his subsequent directing career has been something of a none event? Here he delves deep into the realm of neo-noir to provide the picture with many visual smarts and techniques. Backgrounds are often showing oblique angles, colour schemes such as garish greens feature in striking compositions, a flashing red light is used adroitly on a character's face as he struggles to hold his rage, a POV shot of a basketball and the opening of the film with a slow zoom in on a crime about to be committed on a bridge, these are just some of the flair tricks showcased by Peebles.

While some of the key characters that form Nino's gang are under developed, Peebles does garner a great performance out of Snipes and very good turns from Ice-T and Nelson. Snipes provides Brown with a sinister swagger, yet a charm exudes from him that makes it believable that people would be willing to be led by him. Ice and Nelson are a cool double act, both Scotty and Nick pulse with machismo but are equally flawed as characters. The other important character and performance is Pookie played by Rock, a reformed crack addict now helping the police. Peebles is unsubtle in his handling of the Pookie situation, but it strikes the requisite emotional chord and puts further dramatic worth into an already tense filled thriller.

It's not as revolutionary as was once heralded, there is some formula familiarity and the finale is telegraphed too easily, but this has energy and style to burn. Making it one of the leading lights of the drug crime sub-genre of neo-noir. It's a damn shame Peebles was never this good again. 8/10

20 years after his father, Melvin Van Peebles, had made a revolutionary film called Sweet Sweetback's Badasssss Song, Mario Van Peebles would direct something of a classic himself with New Jack City. He plays the superior officer of a detective played by rapper Ice-T who we find out has personal reasons for wanting the drug dealer Nino Brown, played by Wesley Snipes, dead. Assisting him is partner Judd Nelson and a former user played by Chris Rock before he joined the cast of "Saturday Night Live". While Rock is better known as a comedian, he gives a fine dramatic performance here. Of course, it's Snipes who gets the lion's share of the acting highlights especially when his character's on trial. While it seems initially the drug lifestyle is glamorous here, it does show eventually that crime doesn't pay. So on that note, New Jack City gets a high recommendation from me. P.S. While I managed to watch this on YouTube, some parts were missing so I checked the Italian upload on the site to watch what I missed and I managed to understand what was going on despite the Italian dubbing.

As British TV is so bad at the moment I'm re-watching many of my DVDs. I dug this out. Wesley Snipes is a very underrated actor just like his peer Laurence Fishburne. He is excellent in this, and as another user has commented, you see especially in the trial scene that his character isn't quite the dumb-head he appears to be just misguided. It has a fine cast. I dug the film out to watch Judd Nelson's performance again in it as I've just re-watched the Breakfast Club and wanted to compare. I can't remember who directed NJC but it's very reminiscent of a Spike Lee film and just as hard hitting. It is just as relevant today as it was back in 1991 in fact more relevant here in Manchester, United Kingdom as we have seen over the past 7 years some serious divisions within the black community.

This is one great movie, but the thing that really made it special was Wesley Snipes portrayal of a totally despicable character in Nino Brown. He didn't portray Nino as the stereotypical drug dealer. Instead he portrayed Nino as a highly intelligent man who you wonder what would have happened if he had put his intelligence to more productive pursuits. Also, Ice-T wasn't bad in his first major role and you can see how much he has improved by watching Law and Order: SVU.

This is not your typical movie about the drug culture.

Van Peebles directs a great cast in this detached-from-reality film about a truly evil drug-lord with a head for business and murder (Snipes), and a tough, street-wise pair of cops (Ice-T and Judd Nelson) hell-bent on bringing him down. The message is an important one - slogans are not going to win the war on drugs, and the way the message is carried in the film is more subtle than you might expect. The end of the film makes the point very clear, and I won't discuss it because I do not write spoilers. Like many of the more intelligent films made in the early 1990s, New Jack City is also an indictment of the euphoria of the Reagan years - telling the true story of what that time was like for those living from paycheck to paycheck, or trying to live without one, and dealing with the invisible "war on drugs" which had little to no effect on anybody in our inner-city neighborhoods.

Snipes, Ice-T, Allen Payne and Chris Rock give stand-out performances, and the rest of the cast provide excellent support. The film also stars New York City, and definitely has an NYC flavor (seasoned with more than a pinch of Hollywood). The cinematography is a little breathless - not unusual for the genre but in this case a bit extreme. The script is good, but perhaps too dense with rich plot details. And the editing provides a few pacing problems toward the middle of the film which, combined with the over-abundance of subplots, detract from the development of the main themes. The soundtrack is excellent - including a nice mix of hip-hop, rap, contemporary soul, and dance music - all blended nicely with the imagery of the film. Van Peebles style is well developed in this film, but I felt that some aspects of the plot were a little too outrageous for the seriousness of the film's message, and I fear that the message may have been lost on many of the film's viewers.

Overall, this is a good film. Entertaining and thoughtful, but definitely not for everybody.

New Jack City is one brutal ad uncompromising look at the drug scene in New York in the Reagan-Bush era. It's seen thriough the eyes of Wesley Snipes who rules Harlem for a while and through the team of narcotics detectives who are given the task of taking him diwn,

Snipes is mesmerizing in his evil. He sees himself as a Reagan era entrepreneur and is pretty ruthless about stamping out competition. He even goes to war with Mafia don John Aprea and each takes significant losses.

As for the team that goes after Snipes they are a diverse lot consisting of director Mario Van Peebles, Ice-T, Judd Nelson and Russell Wong. Each brings a skill set to the eam.

Two supporting cast members really stand out. One is Chris Rock a eather luckless junkie informer planted in Snipes organization. The other is Vanessa Williams one deadly ht woman who works for Snipes.

Almost 40 years later New Jack City is still a powerful film. And sadly the drug problem remains.

New Jack City is a pretty standard affair which tackles the drug problem which plagues America's streets, more so during the time that this film is set, that being the late 1980's. It delivers it in such a way that you just know there are some flaws abound yet pin pointing them is a pretty hard thing to do, this is probably why the film seems to have such a love/hate relationship with most people, hence the films mediocre rating of about 'average'.

One thing is for sure, and this glares throughout, is the sloppy editing this film has. It's quick, disorientating, dodgy montage editing technique which crops up now and again is a throw back to what poor edit jobs on television programmes were like and now and again, the camera seems to cut away a little too quickly when someone is giving a line of dialogue; this was very frustrating as just a little bit of lingering camera now and again would have made the film a little more atmospheric. At times, it felt a little like a music video given the chorus of song that sometimes some characters burst into. This was another little annoying flaw which cropped up two or three times. This is a shame as the film had rolled along fairly nicely.

Another thing was the characters themselves. Everyone just seemed to be a little too 'whiney'. They were all too scared to stand up to everybody else, and this included Snipes' character (The so-called black Tony Montana) who really only agreed and went with the flow throughout. Nobody really seemed to actually take charge of the whole set up and authority was only really drilled home after exactly an hour on the clock when, during a scene involving everyone involved, Nino Brown (Snipes) pierces someone's hand with some sort of hidden ice pick he has built into his cane. This was a shame as a shocking; violent scene like this earlier on in the film would have worked wonders and would have punched home any doubts we might have over Brown not being the man to lead this operation we've been introduced to.

I didn't like the construction of some of the scenes, either. This fault is twinned with the bad editing (already mentioned) and one in particular is with the relative ease in which Brown's gang manages to take over a multi storey building. This was early on in the film and this was another chance to stamp some ruthlessness and authority into the film, particularly once again with the character of Nino Brown. The odd execution or anything else the writers could have come up with that Brown maybe would have done would have been most welcome, however instead of good crime film conventions we get sloppy editing with the siege over in a flash as well as a bad hierarchy montage. It's also about as bloodthirsty as an episode of 'Barney the Dinosaur'. This is also a shame as this was a good chance for an action scene of some sort, following on from the good chase scene at the very start of the film.

One other thing was the rather forceful and abrupt message at the end which wasn't too well timed given we're not NEARLY given enough time to catch our breath from the films climax. A pause, some better music and then the title would have done. What's the rush?

Apart from these things, the acting from the police characters; including the internal feud between two of them and the whole involvement of a rehabilitated character joining in was good and was used well to create some suspense in the film, most notably the drug factory scene, even if his behaviour WAS a little unprofessional. I can see why this spring boarded Snipes' career as there are some things going for it but I couldn't give it a second watch so soon after the first and not everyone will like this film but if you go into it knowing of these few flaws I've talked about, it could be a very entertaining crime drama.

When New Jack City was released I was fascinated by the characters and mesmerised by its power – I was also 17.

Now almost 20 years on I see some of the flaws and broad strokes used that detract a little from the effectiveness of the film, but it is still a pretty solid genre piece with a standout performance from Wesley Snipes in what turned out to be a career defining role.

A great opening sequence introduces us to Nino Brown on the job. It is 1986 and while Nino is already large he is not yet LAAAAAARRRRRGE! As he will be a little later on… Nino is the personification of hip-hop cool, he wears clothes that might be described as "fly", rocks several ostentatious gold chains and items of jewelry and almost always wears the obligatory early 90s Kangol hat. He also has a slick tongue and an ear for a quotable line.

Nino's is practically posse-less at this early stage but his right hand man Gee Money (Allen Payne) is already in place. On this day Gee Money brings something new to the conversation, a new drug named Crack that is apparently already creating a buzz in urban areas.

Nino devises a plan that sees the newly formed gang the CMB (Cash Money Brothers) take over an entire apartment building called the Carter in a low income area, using force where necessary. Once under their control they convert the whole building into a home base to run a high tech, organised drug selling premises, complete with employee uniforms and membership cards! The Carter rapidly becomes the hub of operations and a well known no-go zone in the local area… unless you're looking to score.

Fast forward three years to 1989 and crack rules, this time Nino is indeed LAAAAAARRRRRGE, and the CMB are runnin' thangs in a big way, but he has even greater aspirations.

Nino's escalation of operations sees himself get noticed by the Mafia who aren't too ecstatic with their decreasing market share, and the cops, who decide to take action… after only three years! A taskforce is built to take down the CMB – not much of a task force but a task force nonetheless. It is comprised of 4 guys and only three merit description aside from "the Asian guy who hardly talks". These three are leader Detective Stone (Mario Van Peebles), maverick black cop Scotty Appleton (Ice T) and maverick white cop Nick Peretti (Judd Nelson).

These three spend most of each day debating race and drugs, without ever seeming to think "Gee maybe if we take down the apartment building drug complex that might do some good".

As the cops escalate things by getting a reformed crack addict named Pookie (Chris Rock) to infiltrate the Carter and report back, tensions increase between power hungry Nino and former best bud Gee Money. It doesn't help things when a gold digging hoochie named Uniqua (I wish I made that up!) gets involved and strings both of them along by their zippers.

I'll leave the action there aside from mentioning that when an initial police operation fails things move quickly from there until the end, leading to some pretty ludicrous events.

New Jack City is quotable at times, but just as cringe worthy at others with some of the attempts at catchy lines falling very flat. The dialogue between cops is often most lamentable of all, which seems strange as Mevin Van Peebles plays lead detective Stone, and he directed the thing! In 1991 I had no idea just how broadly stereotyped the characters were, all Nino seems to do is play basketball and watch Scarface, and the less said about the Italian Mafia the better.

New Jack City hasn't dated like the flat top haircuts and formation dancing that both appear in the film, but certain scenes pop and Wesley Snipes puts in an over the top performance as the insanely confident and driven Nino Brown that serves as the centrepiece of the film.

Final Rating – 7.5 / 10. For a couple years I thought New Jack City was the best film ever… It isn't. But while it hasn't aged well it is still a solid pic with some memorable scenes and a great bad guy.

This is a very stylish movie. All the elements seem to have combined to give it a very distinctive look and feel. The soundtrack is excellent and complements the story perfectly, almost like it is a part of the story. All the performances are great but special mention has to go to Wesley Snipes and the great Judd Nelson/Ice T double act. Okay the plot doesn't really tax your brain but if you are a fan of gangster movies or want a bit of mindless entertainment then you won't go wrong with this film.

It's 1986. Nino Brown (Wesley Snipes) and his Cash Money Brothers become dominant in NYC with crack cocaine and violence. They take over the Carter apartment building as their own fortress. For the next few years, they become the scourge of the New Jack City. Stone (Mario Van Peebles) recruits renegade undercover cops Scotty Appleton (Ice-T) and Nick Peretti (Judd Nelson) to take down the gang. They clean up drug-addict Pookie (Chris Rock). Pookie infiltrates the gang for his friend Scotty.

It's an over-the-top gangster movie. It has the flashy gangster style. Nino Brown is a super villain. Ice-T pulls off a good hardcore streetwise cop but Judd Nelson is too fake overplaying his crazy cop role. Chris Rock is terrific. Most of times, it's got the fun Scarface-cool ridiculousness. Other times, it's goes overboard into bad campy ridiculousness. It is generally more cool than camp.

Mario Van Peebles made his feature film directorial debut in New Jack City where he also co-stars with Ice T, Judd Nelson, Chris Rock and Wesley Snipes in this urban thriller dealing with the rise of a black gangster from the mid 1980s in New York City as he deals in crack cocaine and takes out the competition.

Wesley Snipes is the smart but ruthless aspiring Crime Lord very much modelled on Al Pacino's Scarface. In fact at one point we even see footage of Scarface on the big screen playing in the background. However the film also introduces elements of The Untouchables as Ice T and Judd Nelson play combative detectives in a crime unit trying to bring the gang down.

The film was very hip when it was released as it starts with fast cuts, hip hop music and strong violence as it sets out its stall but as the film progresses things are more measured as the pace slows down to introduce drama as the police try to close in on Nino who starts having problems of his own as schisms start to appear in his gang.

The film is uneven, Snipes is very good but Ice T is not. Rock shows promise in an early role but his subsequent career shows that he did not progress much as a screen actor with his comedy shtick. Its also preachy here and there with its anti drug message and not a well written movie. Just look at the clunky way the war with the Italian mafia is dealt with as the Don is sitting on a table outside soon after he has tried to kill Nino.

Once the opening zest and energy of the film dissipates it becomes very much a routine thriller, a stylish one but routine.

Wesley Snipes got two of his most important roles in 1991. In Spike Lee's "Jungle Fever" he played a man in a relationship with a white woman, causing strife in both communities. In Mario Van Peebles's "New Jack City", he played a drug lord. The movie sort of plays with the audience: on the one hand we know that crack devastated the black community (and the authorities used it as an excuse to imprison large numbers of black men, leaving two generations of black youth fatherless). But at the same time, the movie makes you root for Snipes's ruthless Nino as he rises to power. It's sort of like "The Godfather" in that sense.

A message at the end of the movie notes that the drug epidemic will continue unless we see action instead of empty slogans. Only in the past few years have we started to see states dial down the so-called War on Drugs, and some have even legalized recreational marijuana. It's only now, after we've seen entire neighborhoods ruined and countries destabilized, that we've started taking a common-sense approach.

Anyway, it's not a masterpiece, but still worth seeing. The rest of the cast includes Van Peebles, Ice-T, Judd Nelson, Chris Rock, Vanessa Williams and Bill Cobbs.

"Nino Brown" (Wesley Snipes) is a vicious drug dealer in New York City who has just learned of a new method for making cocaine even more addictive. Realizing the money to be made on this new novelty called "crack" he immediately corners the market and profits handsomely from those he has made addicted. Naturally, where there are huge profits there are also competitors who want in on the action. Ditto the fact that the police also want to corral him. But while they have been unsuccessful so far a new person named "Detective Stone" (Mario Van Peebles) is now assigned the task and he hires the two most aggressive cops he can find named "Scotty Appleton" (Ice T) and "Nick Peretti" (Judd Nelson) in order to nail Neno once and for all. Anyway, rather than detail the entire story and risk spoiling the film for those who haven't seen it I will just say that this was a pretty good blaxploitation movie for the most part. I especially liked the performances of both Wesley Snipes and Chris Rock (as the drug addict "Pookie"). Along with that it certainly didn't hurt having two attractive actresses like Michael Michele (as "Selena") and Vanessa Williams ("Keisha") either. And while the movie was pretty graphic I thought the director (Mario Van Peebles) handled the subject matter quite competently. As such I rate it as above average.

New Jack City is a film to appreciate on many levels. It really means well, enforcing the message of addiction, and choosing the path between right and wrong. It's a lot to enjoy, and you somewhere feel the movie is presented in an over rated style, if trying to be better than it really is. I think where it fails, is because everything in it, we've seen all before. It's really an enthusiastic effort, seen from the good performances the movie brings out, some rock solid, like Nelson and Peebles who directed the movie, which even stars, oddly, Russell Wong, one of my favourite Asian actors as part of Peeble's squad. It's just isn't as good as other drug movies like Deep Cover or Sugar Hill. Wesley is fantastic in a villainary role, such a different contrast to his well meaning cop-hating Larry Fishburne character in King Of New York. This is a movie where he really shines, and may'be at his brightest, if reaching his peak of acting quality, the accolades he got for this, come as no surprise. He plays Nino Brown, who created a big drug empire, taking over residence in New York, even if it means kicking out people, or burning down buildings, the speech of defence he gives in the courtroom, at the end, going on about how he wasn't brought up in riches, was so cliché'd, as in the drug pusher trying to save his own skin scenario, his fate minutes later, of righteous justice was a beautiful shock. He and his empire are at war too with the Italian mafia. Snipes who's really a scummy and weak character, who will do anything to save his own skin, like using kids for bullet proof vests, doesn't take too kindly to insults from the wops either, when given a gift of ridicule. Chris Rock as a drug addicted teen, who Ice T takes under his wing, is so frickin' believable, I couldn't believe it, where seeing it many times, didn't recognize it was him. Away from the drug meetings and selling, and the open violence on the streets, that includes a retaliation by the Wops, using Uzi's, the movie has potent moments like, the rehabilitation scenes with Tucker, who we feel so sorry for. And for flesh dancing, we have one of Snipes's floozies, doing an animated hot bra and panties dance to George Michael's "I wanna sex you up". Highly appropriate and arousing. The unorthodox and hot tempered undercover cop, Ice T, goes undercover, bonding with Snipes, a good reason behind it too. Ice is far from your ordinary undercover cop, as is Nelson, who again I must say is really good, who's just out there, who's paired with him. NJC is good action fare with a story and heart, but there are just a few pieces of stuff, missing from the film, that could of made it better. It's just the feeling I got overall. But director Peebles has impressed, and done something good with this.

Nice thriller stars Nino Brown (Wesley Snipes), he is an up-and-coming drug pusher. His brother and right-hand-man, Gee Money (Allen Payne) introduces Nino to a new drug: freebased "crack" cocaine . Ruthless Nino Brown lords it over a New York neighbourhood with an empire built on crack and violence. He and Gee and Duh Man (Bill Nunn) go about getting cooperation through violence and coercion, while they take the poor neighborhoods of New York by storm. The crime lord ascends to power and becomes megalomaniacal while a maverick police team vows to stop him. Detective Stone (Mario Van Peebles) wants to bring Nino to justice, but no one on the police force is crazy enough to go against Nino. Stone decides to call in Scotty Appleton (Ice-T), a plain clothes cop who is currently serving a suspension for shooting an unarmed suspect who ran during a failed drug deal. Scotty is a disenchanted streetwise African-American officer of the law who's convinced by Stone to infiltrate Nino's organization, with the help of another burned-out cop, Nick Paretti (Judd Nelson). It was a time that there was a new gangster in.........They're a new breed of gangster !. The new public enemy !. The new family of crime !. Where survival depends on friends, trust and power... !An organized crime family out to run this city is up against cops who knows its streets !.

New Jack City (1991) is presented with punch and precision, being efficiently shot. This is a very violent, but crisp and cleanly made narcotics thriller. Just say no ghetto-melodrama but an action movie with thrills, intrigue, shoot'em up, suspenseful, and lots of violence. Depicting a slight study of drug proliferation, violent gangs and its effects on poor neighborhoods. The film pays lip service to social analysis while delighting paraphernalia of action and violence. As such, it's a superior example of what used to be called blaxploitation, with Mario Van Peebles piling on corruption and carnage for all he's worth. Powerful acting for the always versatil Wesley Snipes as wealthy Harlem drug lord sought by rebels cops Ice-T, Mario Van Peebles and Judd Nelson. Fine playing all around otherwise, los of action and strong dialogue you can hear, other familiar secondary actors include the following: Chris Rock, Michael Michele, Bill Nunn, Russell Wong, Bill Cobbs, Christopher Williams, Vanessa Williams, Tracy Camilla Johns, Nick Ashford, Thalmus Rasulala, John Aprea and several others.

It contains an adequate musical score fitting to enviroment from Michael Colombier and songs from Johnny Hill, 2 Live crew, Ice-T and others. Likewise, an atmospheric and evocative cinematography by Francis Kenny. Nicely put together in an old fashioned style by Mario Van Peebles who also plays one of his features roles. Mario is son of director Melvin Van Peebles and German actress Maria Marx. He's a known actor and filmmaker. His movie debut came when he was 12 in his father's 1971 film Sweet Sweetback's Baadasssss Song. Mario has his own movie production company named "MVP Filmz". He has directed a number of films, both, TV and cinema , such as: ¨Armed, Superstition, USS Indianapolis: Men of Courage, Renegades, Road to redemption, We the party, Boss, All Things Fall Apart, Panther, Wiseguys, Hard Luck, Love kills¨, among others. New Jack City(1991) rating: 6.5/10. Nothing new here but incisively made.

New Jack City is from is probably an example of an early 90's blaxpilotian flick which is straight up with other greats like Boyz'n'Hood. However this focus's on more of the 1980's era when the crack cocaine problem broke out onto the streets on New York City. The movie is brilliant because unlike most gangster or mafia flicks which almost portrait a hedonistic view , New Jack City is very urban and down to earth . The film waste no time breaking into action with no OTT clichés which we have all gotten used to seeing. The script was great with a lot sharp twists and turns. Ice T performance was certainly note worthy and it is easy to see how he would go onto play Law and Order , although I felt there were some stereotypical 'black cop' moments in his performance which I am afraid I just did not by and his partner did not really do much apart pass sarcasm and comes up with probably one good idea in the movie. Having said that the star of the show was truly Wesley Snipes because truly without him this movie would have been nothing , although I am aware that he models him-self after Tony Montana in certain aspects he was actually basing his performance on a real life gangster , and it was a pleasure to see him on screen because he was not portraying a typical hood rat! Instead we have got a person who almost reminds one of Al Capone with his untouchable attitude but at the same time is very intelligent! One might even be charmed or might find him-self agreeing with the stuff he comes out with but Snipes does a masterful job of showing us how evil this man really is although with Robin Hood and his Merry men crew also it note checking out Chris Rocks performance although he was added for humour he did not shy away from the dangers of crack. The film only faulted with a few minor things like the ending which probably everyone saw coming however have said that , New Jack City was from time when I was growing up where the word 'cool' was at an all time high with wacky track-suits and hair cuts but the rap music still has not lost its shine along with a very sharp anti-drugs message. I would recommend this one to fans of blaxpoltation,Law and Order and also gangster flicks or just for Snipes performance alone as you will watch one man who exploits the misery of others as a business opportunity all in the name of the American Way!

NEW JACK CITY : 8.6 OUT OF 10

'You gotta rob to be rich in the Reagan Era!' - Nino Brown (played by Wesley Snipes)

Alright fiction, this really made the drug scene in inner cities look intense and gritty. Nino Brown was a great villain. Arrogant and smart. My main gripe were the action scenes. No one could shoot! Everyone missed. Of course a few people died but they were all lousy shots.

I loved the ending. It has always stuck with me after all these years.

I don't normally write reviews, but this film annoyed me so much I felt compelled to put some of my opinions forward.

Firstly, the script. I really couldn't get over how terrible it was, given the good reviews I'd read before watching the film. Don't get me wrong, I like a brainless, thoughtless actioner as much as anyone, maybe more, but I at least want my action scenes to be strung together with some kind of purpose. Here, stuff just happened. The film would be going in one direction and then, with the flick of a switch, that idea would be abandoned and we'd go after something else. The end in particular suffered from this problem, and left me thinking, "WHY DIDN'T YOU JUST DO THAT IN THE FIRST PLACE?!"

Another massive problem I had was with the acting. I'm sure Ice-T has plenty of fans out there, but I couldn't even put up with how bad his acting was in this. It was just atrocious. I wasn't even able to enjoy it in an amused way, because I really got the impression he thought he was being cool. Judd Nelson as his partner also annoyed me, because he seemed to be in the film for no reason other than to have a white guy in the cast. Most of the time he said and did nothing, and in the one scene where he actually takes part in a conversation, I couldn't help but feel that whatever he was saying was irrelevant.

The film did, however, have one saving grace - Wesley Snipes. As bad as everything else was, Snipes was really having fun here, and it shows. Like a black Tony Montana, he chews up every scene he's in, (mostly) overcoming the lame script he has to work with. Sadly though, it's not enough to save what was otherwise a very long 90 minutes. Check it out for Snipes, but don't necessarily expect to come away smiling.

One of the very best movies ever produced. Wesley Snipes was superb as gangsta Nino Brown as was Alan Payne as G-Money, Nino Brown's side-kick. In fact, the entire movie was wonderfully cast.

As other reviewers have mentioned, the movie delivers an important message...yet at the same time it is riveting and hilarious at the same time. There are many politically incorrect racial and ethic slurs tossed about so the sensitive viewers may want to beware.

Non-stop action that is marvelously delivered by all the actors and actresses. This movie has been described as a sort of Gone With The Wind for the Gangsta population and a break through film for Wesley Snipes.

A wholeheartedly 90's film that's excesses are both strengths and weaknesses, Mario Van Peebles mid-tier hit has managed to stand the test of time these 30 years on from initial release with his endlessly quotable and sometimes downright righteously enjoyable crime thriller a blast to watch thanks to the energy and street smarts that lay at its core.

Directing his at the time first feature length film, Van Peebles throws subtilty out the window with his in your face exploration of the crime and drug pandemic in New York City in the late 80's and early 90's and there's a constant no holds barred approach to everything that occurs as we follow Ice-T and Judd Nelson's detectives, Chris Rock's crack fiend no-hoper Pookie and Wesley Snipes bling covered Kangol wearing gangster Nino ("Am I my brothers keeper?") Brown through a journey of good vs evil as the law has too bend the rules to stop Brown and his Cash Money Brothers gang from inflicting anymore pain on the apartment complex his taken over or the city he resides in.

Across a brisk sub-100 minute runtime, a runtime that in this case would've benefited from more fleshing out, particularly when it comes to the films rushed final act and underutilized plot points such as Brown's ingenious drug operation that feels like it would be at home in a Dread comic, Peebles throws in typically squib heavy gunfights, more hip hop jams than a 90's mixtape and copious amounts of scenery chewing from its cast that ensures this time capsule of a film is a genuine relic of its era that would never see the light of day as it stands if it were to be produced in this day and age.

Through all the over the top antics and stylistic flourishes there is a film with a message buried deep within and also a film with some unexpectedly great acting turns that in a more seriously tinged or directed film would've garnered significant acclaim.

In one of his earliest feature roles Chris Rock is convincing as the troubled and sad Pookie (an inspiration for The Wire's famed Bubbles perhaps?) and its a great experience seeing his early work on show here while Ice-T is having a blast as the tough as nails Scotty Appleton who gets to go toe to toe with an on-song Wesley Snipes who is relishing every minute he gets in the spotlight as the nefarious and cold-blooded Brown, a modern day Tony Montana that will grasp for the American Dream at all costs.

As a whole this is a flaw-filled and sometimes downright poorly executed exercise but there are also ample moments of creativity, spark and greatness and as a telling example of 90's Hollywood, New Jack City stands out from a crowded crime crowd.

Final Say -

There's little chance we would get a film like New Jack City in today's movie-making age but this over the top and imperfect ride is an undeniably fun watch that has managed to create quite the name for itself over the last 30 years and deservedly so.

3 Kangol hats out of 5.

Anyone who has seen gangster movies from the 30's or later films such as "Scarface" will immediately recognize that they've seen this tired old plot over and over and over again. At the time it came out, attempts were made to herald it as groundbreaking, but that was merely pure hype. There are only two ways the film was any different than many older gangster movies: 1) the gangsters aren't Italians, Irishmen, or Cuban, instead they are black, and 2) instead of being criminal gang members with speakeasies during Prohibition, they have a crack house. Big deal! Changing these two things are minor variations in the story and NOT groundbreaking film-making. Avoid this regurgitated derivative garbage like the plague.