Zwei Schüler aus unterschiedlichen Schichten verlieben sich im Sommer, bevor sie aufs College gehen.Zwei Schüler aus unterschiedlichen Schichten verlieben sich im Sommer, bevor sie aufs College gehen.Zwei Schüler aus unterschiedlichen Schichten verlieben sich im Sommer, bevor sie aufs College gehen.
- Auszeichnungen
- 1 Gewinn & 3 Nominierungen insgesamt
Pamela Adlon
- Rebecca
- (as Pamela Segall)
Johnny Green
- Luke
- (as John Green Jr.)
Handlung
WUSSTEST DU SCHON:
- WissenswertesDirectorial debut of Cameron Crowe.
- PatzerWhen Lloyd first calls Diane, he gives 555-1342 as his phone number. But when Diane reads the message taken by her father, the number is 555-2342. Even though she has the wrong number written down, it still works.
- Zitate
Lloyd Dobler: I don't want to sell anything, buy anything, or process anything as a career. I don't want to sell anything bought or processed, or buy anything sold or processed, or process anything sold, bought, or processed, or repair anything sold, bought, or processed. You know, as a career, I don't want to do that.
- Crazy CreditsThe end credits roll up slowly
- VerbindungenEdited into Saturday Night Live: Joseph Gordon-Levitt/Dave Matthews Band (2009)
- SoundtracksAll For Love
Written by John Bettis and Martin Page
Produced by Richie Zito
Performed by Nancy Wilson
Courtesy of Capitol Records
Ausgewählte Rezension
In "Say Anything" Cameron Crowe has crafted a one-of-a-kind romantic comedy which avoids at least 90% of the pitfalls one would commonly associate with films within the genre. How does he do it? Simply by avoiding sappy moments, by creating a script that more or less mirrors the bittersweet experience of first love, and by simply, but tastefully guiding the film's visuals and outstanding acting.
"Say Anything" is not completely anti-conventions, and actually uses some wildly popular rom-com conventions to its advantage, but the role reversal (Dobbler being the 'lost' one), interjection of successfully genuine drama, and simple, understated romantic moments make this a wild success. That's not to say that Crowe isn't successful when he goes for the wildly over-the-top sap, because he knows it's sappy, but it does happen in real life. I mean, the over-the-top gestures like the stereo outside the window do occur in reality, and they guys who do them usually are just like Lloyd Dobbler.
Great characters, a great cast, really good writing, and simple but solid direction make this a real winner that is deservedly recognized as a romantic classic.
8.5/10
"Say Anything" is not completely anti-conventions, and actually uses some wildly popular rom-com conventions to its advantage, but the role reversal (Dobbler being the 'lost' one), interjection of successfully genuine drama, and simple, understated romantic moments make this a wild success. That's not to say that Crowe isn't successful when he goes for the wildly over-the-top sap, because he knows it's sappy, but it does happen in real life. I mean, the over-the-top gestures like the stereo outside the window do occur in reality, and they guys who do them usually are just like Lloyd Dobbler.
Great characters, a great cast, really good writing, and simple but solid direction make this a real winner that is deservedly recognized as a romantic classic.
8.5/10
- ametaphysicalshark
- 22. Feb. 2008
- Permalink
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 20.781.385 $
- Eröffnungswochenende in den USA und in Kanada
- 4.058.496 $
- 16. Apr. 1989
- Weltweiter Bruttoertrag
- 21.515.196 $
- Laufzeit1 Stunde 40 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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