Rob, ein Plattenladenbesitzer und zwanghafter Listenhersteller, berichtet über seine fünf erinnerungswürdigsten Trennungen, einschließlich der aktuellen.Rob, ein Plattenladenbesitzer und zwanghafter Listenhersteller, berichtet über seine fünf erinnerungswürdigsten Trennungen, einschließlich der aktuellen.Rob, ein Plattenladenbesitzer und zwanghafter Listenhersteller, berichtet über seine fünf erinnerungswürdigsten Trennungen, einschließlich der aktuellen.
- Nominiert für 1 BAFTA Award
- 3 Gewinne & 22 Nominierungen insgesamt
Handlung
WUSSTEST DU SCHON:
- WissenswertesJohn Cusack and the screenwriters wrote the script with Jack Black in mind for the role of Barry. He nearly turned the role down, but reconsidered.
- Patzer"Janie Jones" by The Clash is listed as a "side one, track one." While it is indeed the first track on The Clash's British debut album, and the book was set in England, the film was moved to the USA, where the album started with "Clash City Rockers." But as record geeks, they would have been familiar with the British album as well, and could well have regarded it as the true debut album.
- Zitate
[first lines]
Rob: What came first, the music or the misery? People worry about kids playing with guns, or watching violent videos, that some sort of culture of violence will take them over. Nobody worries about kids listening to thousands, literally thousands of songs about heartbreak, rejection, pain, misery and loss. Did I listen to pop music because I was miserable? Or was I miserable because I listened to pop music?
- Crazy CreditsCatherine Zeta Jones is only credited in the final cast list and not in main credits
- Alternative VersionenBeverly D'Angelo appears as a woman attempting to sell her husband's vintage record collection to John Cusack's character. The scene was deleted but included with several others on the DVD release.
- VerbindungenFeatured in Siskel & Ebert & the Movies: The Early Line: The Academy Awards (2000)
- SoundtracksYou're Gonna Miss Me
Written by Roky Erickson
Performed by 13th Floor Elevators (as The Thirteenth Floor Elevators)
Courtesy of Charly Licensing APS
By Arrangement with Celebrity Licensing Inc.
Personally, I think John Cusack's character is one of the most engaging in the comedy genre of the last decade. This is the kind of character I like: simple and complex at the same time, just like in real life. Somebody likable but annoying at times. Again, I feel a deep personal connection with him, and I understand him every time, even when he acts stupid.
But he is not alone. The rest of the cast is terrific.
Anyway, don't forget this is a comedy. You will laugh your ass off with some situations and dialogue. Hilarity comes from many different sources: you've got black humor, silly humor, complex (people would say "intelligent", but I despise the term) humor... Special mention goes to Tim Robbins paying a visit to the record store. Genius.
On a very personal level, I think there's a magnificent scene that sums up the heart and the brains of this movie. John Cusack talks to the camera (something that happens often) instructing the audience on how to make a perfect music compilation for your loved one. If you like that concept, the movie will grab you and won't let you go. If that idea doesn't sound seductive to you, you might just have a good time. If you are a rock music devotee, this flick is heaven.
RATING: 9.0
- Patuquitos
- 8. Okt. 2005
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- Alta fidelidad
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 30.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 27.287.137 $
- Eröffnungswochenende in den USA und in Kanada
- 6.429.107 $
- 2. Apr. 2000
- Weltweiter Bruttoertrag
- 47.126.295 $
- Laufzeit1 Stunde 53 Minuten
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1