Journalist Steve O'Malley (Spencer Tracy) wants to write a biography of a national hero who died when his car ran off a bridge. Steve receives conflicting reports and tales that make him que... Read allJournalist Steve O'Malley (Spencer Tracy) wants to write a biography of a national hero who died when his car ran off a bridge. Steve receives conflicting reports and tales that make him question what the truth about the hero is.Journalist Steve O'Malley (Spencer Tracy) wants to write a biography of a national hero who died when his car ran off a bridge. Steve receives conflicting reports and tales that make him question what the truth about the hero is.
- Freddie Ridges
- (as Horace McNally)
- Jason Rickards
- (as Howard da Silva)
- Mourner
- (uncredited)
- Forward American Boy
- (uncredited)
- William
- (uncredited)
- Reporter
- (uncredited)
- Boy
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaLouis B. Mayer was very unhappy about the film's political content, thinking it noncommercial. Katharine Hepburn too felt that the storyline was too dull and needed to be pepped up with some romance. She complained to producer Victor Saville about this but he ignored her comments, so Hepburn went directly to Mayer who was only too happy to make the film into a more conventional Hollywood romance.
- GoofsIn the denouement scene in the arsenal, while standing near the safe, Christine begins wearing a rain coat which then becomes a fuzzy cloth coat.
- Quotes
Christine Forrest: But what was really shocking to me, was the complete cynicism of the plan. Each of the groups was simply to be used until its usefulness was exhausted. Hates were to be played against hates. If one group threatened to get too powerful, it would be killed off by another group. And in the end, those poor little people who never knew to what purpose they were lending themselves would be in the same chains, cowed and enslaved.
- ConnectionsEdited into Dead Men Don't Wear Plaid (1982)
- SoundtracksMarcia Funebre
(uncredited)
from "Symphony No.3 in E Flat Major "Eroica", Op.55" (1806)
Music by Ludwig van Beethoven
played as background music during the funeral
The plot is easily summarized. A reporter, O'Malley (Spencer Tracy) wants to write -- what? he's not certain -- a piece on an icon who people revere in the same way they might (say) Washington or Lincoln, The first part of the film is documents how to get to see the icon's wife. She's reclusive and her servants are dedicated to preserving her sanctity. What's behind this isolation? That in itself is a bothersome question for O'Malley. Something is not ringing right. She was the wife of a popular public figure. Why wouldn't she cooperate? As he digs, he finds he cannot write the story, at first because he does not know enough, and then because he knows too much of the wrong thing and finally because he suspects he does not know what is hidden from him and it is critical.
And as he untwists the Gordian knot that is presented to him, he finds there is duplicity and mendacity on every level. But nothing is as simple as it seems. Instead of writing about the icon, he picks the wife.
But that is not the depth of the film. The depth is revealed as we learn about the Hepburn character and Tracy's response. He moves from someone who can ignore genuine interest in him by a woman, (Audrey Christie), and seek his goal. What develops is first a genuine friendship followed by an admiration that transcends almost any other kind of relationship.
That is a very complicated situation to convey in the simple straight forward acting method of Tracy's (but he always manages to do what is required of him), and mysterious sophisticated quality that Hepburn always wears like some garment only given once by the gods who give such gifts.
This is not an easy exercise. Don't get caught in the datedness. Watch how the actors, directors and writers put together something that is admirable in its mixture of simplicity and complexity -- what others have called pealing the onionskin off the inion.
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Details
- Release date
- Country of origin
- Language
- Also known as
- Čuvari plamena
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $1,172,000 (estimated)
- Gross worldwide
- $15,392
- Runtime1 hour 40 minutes
- Color
- Aspect ratio
- 1.37 : 1