IMDb RATING
6.3/10
2.5K
YOUR RATING
On America's frontier, a St. Louis woman marries a New Mexico cattleman who is seen as a tyrant by the locals.On America's frontier, a St. Louis woman marries a New Mexico cattleman who is seen as a tyrant by the locals.On America's frontier, a St. Louis woman marries a New Mexico cattleman who is seen as a tyrant by the locals.
William 'Bill' Phillips
- Banty - Brewton Ranch Hand
- (as Wm. 'Bill' Phillips)
Eddie Acuff
- Cattleman
- (uncredited)
Henry Adams
- Gambler
- (uncredited)
Storyline
Did you know
- TriviaThis film was very successful at the box office, earning MGM a profit of $742,000 ($10.2M in 2023) according to studio records. This was the most profitable of all the Spencer Tracy-Katharine Hepburn MGM films.
- GoofsWhen Col. Brewton returns home from his trip after the blizzard died down, he is wearing a winter coat which is fully buttoned up right before he enters the house. But when he enters the house and is greeted by Lutie, the top coat button is unbuttoned.
- Quotes
Brice Chamberlain: Why do women insist on loving men for what they want them to be instead of what they are?
- Crazy creditsCard at beginning: This story takes place for the most part against the background of the sea of grass - that vast grazing empire which once covered the western part of north America from the great plains to the rocky mountains, and beyond.
- ConnectionsFeatured in Katharine Hepburn: All About Me (1993)
Featured review
The Sea Of Grass is slow moving and talky, but not as bad as many have portrayed it. If I told you without cluing you in on the title I had a top-production 1947 MGM picture staring Spencer Tracy, Katharine Hepburn, and Melvyn Douglas, you would be expecting a glossy white telephone movie with a love triangle and lots of high melodrama from the three stars. That's essentially what you get here, only replace the white telephones with elk antler hat racks, the swank park avenue apartments with rambling ranch houses, and the busy New York street scenes with a dusty, one-horse, Nineteenth Century New Mexico town. The Sea Of Grass is a soap opera dressed up as a Western. If that is what you are expecting, instead of a traditional shoot-'em-up, you may be much more pleased with it.
The three stars deliver their usual stellar performances and three fine, textured character studies. Old, smoothie Douglas is particularly effective as a hard-edged attorney and later judge, cattle baron Tracy's stalwart opponent and Katherine's illicit lover, father of her second child. The large supporting cast shines, led by Edgar Buchanan and Harry Carry. Over rated Robert Walker is over-the-top as usual, but fun to watch. Production values are superb with terrific luminous, old nitrate black and white cinematography typical of the era, a rich Herbert Stodhart score, good, authentic costumes, great sets with some spectacular location scenery dovetailed in for long shots of Southwest grasslands and cliffs. Principally concentrating on relationships, the story moves along at a glacial pace, but the stars and an intelligent, if messy, script hold interest. Some of the dialog is a little preachy and overblown, but it is generally believable and satisfying. There is hardly any action until the last reels, and even then it is half-hearted and ultimately just peters out. The major subplot is the traditional Western theme of cattlemen versus homesteaders, but the eventual showdown comes early and is anti-climatic. Nevertheless, the movie is engrossing and enjoyable for the acting and the production values. It is refreshing to see a movie about the Old West that concentrates on decent real people and their real life problems instead of just dwelling on brawls between lowlifes who hang out in brothels and saloons.
The Sea Of Grass is not bad, but not as good as it should have been with all it had going for it. Director Elia Kazan reportedly said he was ashamed of the picture, and he should have been. The overly slow pacing, lack of spark between Tracy and Hepburn (they were off-screen lovers!) , and other problems clearly resulted from his flabby direction. With three top stars at the peaks of their careers, an intriguing story, and a big budget, The Sea Of Grass should have been a much better picture. And it would have been if Raoul Walsh had directed it.
The three stars deliver their usual stellar performances and three fine, textured character studies. Old, smoothie Douglas is particularly effective as a hard-edged attorney and later judge, cattle baron Tracy's stalwart opponent and Katherine's illicit lover, father of her second child. The large supporting cast shines, led by Edgar Buchanan and Harry Carry. Over rated Robert Walker is over-the-top as usual, but fun to watch. Production values are superb with terrific luminous, old nitrate black and white cinematography typical of the era, a rich Herbert Stodhart score, good, authentic costumes, great sets with some spectacular location scenery dovetailed in for long shots of Southwest grasslands and cliffs. Principally concentrating on relationships, the story moves along at a glacial pace, but the stars and an intelligent, if messy, script hold interest. Some of the dialog is a little preachy and overblown, but it is generally believable and satisfying. There is hardly any action until the last reels, and even then it is half-hearted and ultimately just peters out. The major subplot is the traditional Western theme of cattlemen versus homesteaders, but the eventual showdown comes early and is anti-climatic. Nevertheless, the movie is engrossing and enjoyable for the acting and the production values. It is refreshing to see a movie about the Old West that concentrates on decent real people and their real life problems instead of just dwelling on brawls between lowlifes who hang out in brothels and saloons.
The Sea Of Grass is not bad, but not as good as it should have been with all it had going for it. Director Elia Kazan reportedly said he was ashamed of the picture, and he should have been. The overly slow pacing, lack of spark between Tracy and Hepburn (they were off-screen lovers!) , and other problems clearly resulted from his flabby direction. With three top stars at the peaks of their careers, an intriguing story, and a big budget, The Sea Of Grass should have been a much better picture. And it would have been if Raoul Walsh had directed it.
- oldblackandwhite
- Mar 21, 2012
- Permalink
- How long is The Sea of Grass?Powered by Alexa
Details
Box office
- Budget
- $2,349,000 (estimated)
- Runtime2 hours 3 minutes
- Color
- Aspect ratio
- 1.37 : 1
Contribute to this page
Suggest an edit or add missing content