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Color name
RGB 39 180 68

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 39 180 68 it is the complementary color RGB 216 75 187. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 39 180 68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 39 180 68 shade: RGB 44 180 63, RGB 61 198 82, RGB 78 216 101, RGB 95 234 120 and RGB 112 252 139

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 39 180 68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 39 180 68 shade: RGB 39 180 68, RGB 22 162 49, RGB 5 144 30, RGB 0 126 11 and RGB 0 108 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 39 180 68 shade: RGB 39 179 68, RGB 48 179 39, RGB 86 179 39, RGB 124 179 39 and RGB 162 179 39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 39 180 68 shade: RGB 39 179 68, RGB 39 179 106, RGB 39 179 144, RGB 39 177 179 and RGB 39 139 179

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 39 180 68 shade matches the following richer shades: RGB 39 179 68, RGB 21 197 57 and RGB 3 215 47

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 39 180 68 shade: RGB 39 179 68, RGB 57 162 78, RGB 74 144 89, RGB 92 126 99 and RGB 110 108 110

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 39 180 68 shade: RGB 86 179 39, RGB 48 179 39, RGB 39 179 67, RGB 39 179 104 and RGB 39 179 142

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 39 180 68 shade: RGB 24 112 42, RGB 32 145 55, RGB 39 179 68, RGB 50 210 83 and RGB 84 217 111

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 39 180 68 shade: RGB 39 180 68, RGB 39 123 179 and RGB 179 39 67

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 39 180 68 shade: RGB 39 180 68, RGB 67 39 179 and RGB 179 67 39

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 39 180 68 shade: RGB 39 180 68, RGB 39 123 179, RGB 179 39 151 and RGB 179 95 39

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 39 180 68 shade: RGB 39 180 68, RGB 39 81 179, RGB 179 39 151 and RGB 179 137 39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 62 / 29

HEX #27B444

RGB 39 180 68

HSL 132.34, 0.64%, 0.43%

LAB 64.56, -59.03, 45.82

 

Complementary color

CMYK 0 / 65 / 13 / 15

HEX #D84BBB

RGB 216 75 187

HSL 312.34, 0.64%, 0.57%

LAB 55.3, 66.77, -30.75

 

CMYK 76 / 0 / 65 / 29

HEX #2CB43F

RGB 44 180 63

HSL 128.38, 0.61%, 0.44%

LAB 64.59, -58.89, 48.08

 

CMYK 69 / 0 / 59 / 22

HEX #3DC652

RGB 61 198 82

HSL 129.2, 0.55%, 0.51%

LAB 70.86, -59.96, 46.84

 

CMYK 64 / 0 / 53 / 15

HEX #4ED865

RGB 78 216 101

HSL 130, 0.64%, 0.58%

LAB 77.08, -60.61, 45.49

 

CMYK 59 / 0 / 49 / 8

HEX #5FEA78

RGB 95 234 120

HSL 130.79, 0.77%, 0.65%

LAB 83.25, -60.98, 44.12

 

CMYK 56 / 0 / 45 / 1

HEX #70FC8B

RGB 112 252 139

HSL 131.57, 0.96%, 0.71%

LAB 89.36, -61.14, 42.78

 

CMYK 78 / 0 / 62 / 29

HEX #27B444

RGB 39 180 68

HSL 132.34, 0.64%, 0.43%

LAB 64.56, -59.03, 45.82

 

CMYK 86 / 0 / 70 / 36

HEX #16A231

RGB 22 162 49

HSL 131.57, 0.76%, 0.36%

LAB 58.26, -57.25, 47

 

CMYK 97 / 0 / 79 / 44

HEX #05901E

RGB 5 144 30

HSL 130.79, 0.93%, 0.29%

LAB 51.92, -54.61, 47.64

 

CMYK 100 / 0 / 91 / 51

HEX #007E0B

RGB 0 126 11

HSL 125.24, 1%, 0.25%

LAB 45.56, -50.68, 47.07

 

CMYK 100 / 0 / 100 / 58

HEX #006C00

RGB 0 108 0

HSL 120, 1%, 0.21%

LAB 39.11, -45.79, 44.19

 

CMYK 78 / 0 / 62 / 30

HEX #27B344

RGB 39 179 68

HSL 132.43, 0.64%, 0.43%

LAB 64.23, -58.7, 45.45

 

CMYK 73 / 0 / 78 / 30

HEX #30B327

RGB 48 179 39

HSL 116.14, 0.64%, 0.43%

LAB 64.17, -60.02, 56.76

 

CMYK 52 / 0 / 78 / 30

HEX #56B327

RGB 86 179 39

HSL 99.86, 0.64%, 0.43%

LAB 65.25, -51.23, 58.17

 

CMYK 31 / 0 / 78 / 30

HEX #7CB327

RGB 124 179 39

HSL 83.57, 0.64%, 0.43%

LAB 67.03, -38.39, 60.48

 

CMYK 9 / 0 / 78 / 30

HEX #A2B327

RGB 162 179 39

HSL 67.29, 0.64%, 0.43%

LAB 69.52, -23.01, 63.68

 

CMYK 78 / 0 / 62 / 30

HEX #27B344

RGB 39 179 68

HSL 132.43, 0.64%, 0.43%

LAB 64.23, -58.7, 45.45

 

CMYK 78 / 0 / 41 / 30

HEX #27B36A

RGB 39 179 106

HSL 148.71, 0.64%, 0.43%

LAB 64.73, -52.8, 27.21

 

CMYK 78 / 0 / 20 / 30

HEX #27B390

RGB 39 179 144

HSL 165, 0.64%, 0.43%

LAB 65.5, -44.35, 7.66

 

CMYK 78 / 1 / 0 / 30

HEX #27B1B3

RGB 39 177 179

HSL 180.86, 0.64%, 0.43%

LAB 65.85, -33.75, -11.23

 

CMYK 78 / 22 / 0 / 30

HEX #278BB3

RGB 39 139 179

HSL 197.14, 0.64%, 0.43%

LAB 54.19, -14.31, -29.02

 

CMYK 78 / 0 / 62 / 30

HEX #27B344

RGB 39 179 68

HSL 132.43, 0.64%, 0.43%

LAB 64.23, -58.7, 45.45

 

CMYK 89 / 0 / 71 / 23

HEX #15C539

RGB 21 197 57

HSL 132.27, 0.81%, 0.43%

LAB 69.74, -67.25, 55.95

 

CMYK 99 / 0 / 78 / 16

HEX #03D72F

RGB 3 215 47

HSL 132.45, 0.97%, 0.43%

LAB 75.34, -74, 64.9

 

CMYK 78 / 0 / 62 / 30

HEX #27B344

RGB 39 179 68

HSL 132.43, 0.64%, 0.43%

LAB 64.23, -58.7, 45.45

 

CMYK 65 / 0 / 52 / 36

HEX #39A24E

RGB 57 162 78

HSL 132, 0.48%, 0.43%

LAB 59.21, -48.22, 34.79

 

CMYK 49 / 0 / 38 / 44

HEX #4A9059

RGB 74 144 89

HSL 132.86, 0.32%, 0.43%

LAB 54.16, -34.62, 22.6

 

CMYK 27 / 0 / 21 / 51

HEX #5C7E63

RGB 92 126 99

HSL 132.35, 0.16%, 0.43%

LAB 49.61, -17.97, 10.87

 

CMYK 0 / 2 / 0 / 57

HEX #6E6C6E

RGB 110 108 110

HSL 300, 0.01%, 0.43%

LAB 45.86, 1.18, -0.85

 

CMYK 52 / 0 / 78 / 30

HEX #56B327

RGB 86 179 39

HSL 99.86, 0.64%, 0.43%

LAB 65.25, -51.23, 58.17

 

CMYK 73 / 0 / 78 / 30

HEX #30B327

RGB 48 179 39

HSL 116.14, 0.64%, 0.43%

LAB 64.17, -60.02, 56.76

 

CMYK 78 / 0 / 63 / 30

HEX #27B343

RGB 39 179 67

HSL 132, 0.64%, 0.43%

LAB 64.22, -58.82, 45.89

 

CMYK 78 / 0 / 42 / 30

HEX #27B368

RGB 39 179 104

HSL 147.86, 0.64%, 0.43%

LAB 64.7, -53.18, 28.23

 

CMYK 78 / 0 / 21 / 30

HEX #27B38E

RGB 39 179 142

HSL 164.14, 0.64%, 0.43%

LAB 65.46, -44.85, 8.69

 

CMYK 79 / 0 / 63 / 56

HEX #18702A

RGB 24 112 42

HSL 132.27, 0.65%, 0.27%

LAB 41.14, -40.88, 31.2

 

CMYK 78 / 0 / 62 / 43

HEX #209137

RGB 32 145 55

HSL 132.21, 0.64%, 0.35%

LAB 52.77, -49.75, 38.31

 

CMYK 78 / 0 / 62 / 30

HEX #27B344

RGB 39 179 68

HSL 132.43, 0.64%, 0.43%

LAB 64.23, -58.7, 45.45

 

CMYK 76 / 0 / 60 / 18

HEX #32D253

RGB 50 210 83

HSL 132.38, 0.64%, 0.51%

LAB 74.44, -65.58, 50.47

 

CMYK 61 / 0 / 49 / 15

HEX #54D96F

RGB 84 217 111

HSL 132.18, 0.64%, 0.59%

LAB 77.67, -58.34, 41.45

 

CMYK 78 / 0 / 62 / 29

HEX #27B444

RGB 39 180 68

HSL 132.34, 0.64%, 0.43%

LAB 64.56, -59.03, 45.82

 

CMYK 78 / 31 / 0 / 30

HEX #277BB3

RGB 39 123 179

HSL 204, 0.64%, 0.43%

LAB 49.32, -5.13, -36.63

 

CMYK 0 / 78 / 63 / 30

HEX #B32743

RGB 179 39 67

HSL 348, 0.64%, 0.43%

LAB 40.31, 56.29, 19.14

 

CMYK 78 / 0 / 62 / 29

HEX #27B444

RGB 39 180 68

HSL 132.34, 0.64%, 0.43%

LAB 64.56, -59.03, 45.82

 

CMYK 63 / 78 / 0 / 30

HEX #4327B3

RGB 67 39 179

HSL 252, 0.64%, 0.43%

LAB 29.16, 50.32, -69.1

 

CMYK 0 / 63 / 78 / 30

HEX #B34327

RGB 179 67 39

HSL 12, 0.64%, 0.43%

LAB 43.86, 44.06, 39.82

 

CMYK 78 / 0 / 62 / 29

HEX #27B444

RGB 39 180 68

HSL 132.34, 0.64%, 0.43%

LAB 64.56, -59.03, 45.82

 

CMYK 78 / 31 / 0 / 30

HEX #277BB3

RGB 39 123 179

HSL 204, 0.64%, 0.43%

LAB 49.32, -5.13, -36.63

 

CMYK 0 / 78 / 16 / 30

HEX #B32797

RGB 179 39 151

HSL 312, 0.64%, 0.43%

LAB 43.17, 64.91, -28.89

 

CMYK 0 / 47 / 78 / 30

HEX #B35F27

RGB 179 95 39

HSL 24, 0.64%, 0.43%

LAB 49.39, 29.93, 45.37

 

CMYK 78 / 0 / 62 / 29

HEX #27B444

RGB 39 180 68

HSL 132.34, 0.64%, 0.43%

LAB 64.56, -59.03, 45.82

 

CMYK 78 / 55 / 0 / 30

HEX #2751B3

RGB 39 81 179

HSL 222, 0.64%, 0.43%

LAB 37.06, 21.53, -56.23

 

CMYK 0 / 78 / 16 / 30

HEX #B32797

RGB 179 39 151

HSL 312, 0.64%, 0.43%

LAB 43.17, 64.91, -28.89

 

CMYK 0 / 23 / 78 / 30

HEX #B38927

RGB 179 137 39

HSL 42, 0.64%, 0.43%

LAB 59.55, 6.68, 55.08

 

Description

Color code: RGB 39 180 68 | qconv.com Color code: RGB 39 180 68 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 180 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 180 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 62 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 62% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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