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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #27B1B3 it is the complementary color #D84E4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #27B1B3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #27B1B3 shade: #2CB1AE, #3DC3C1, #4ED5D4, #5FE7E7 and #70F9FA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #27B1B3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #27B1B3 shade: #27B1B3, #169FA0, #058D8D, #007B7A and #006967

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #27B1B3 shade: #27B1B3, #278BB3, #2766B3, #2740B3 and #3427B3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #27B1B3 shade: #27B1B3, #278BB3, #2766B3, #2740B3 and #2727B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #27B1B3 shade matches the following richer shades: #27B1B3, #15C3C5 and #03D4D7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #27B1B3 shade: #27B1B3, #39A0A2, #4A8F90, #5C7E7E and #6E6C6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #27B1B3 shade: #27B368, #27B38E, #27B3B3, #278EB3 and #2768B3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #27B1B3 shade: #186E70, #209091, #27B1B3, #32CFD2 and #54D7D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #27B1B3 shade: #27B1B3, #4327B3 and #B37B27

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #27B1B3 shade: #27B1B3, #B327B3 and #B3B327

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #27B1B3 shade: #27B1B3, #4327B3, #B32727 and #97B327

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #27B1B3 shade: #27B1B3, #6D27B3, #B32727 and #6DB327

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 1 / 0 / 30

HEX #27B1B3

RGB 39 177 179

HSL 180.86, 0.64%, 0.43%

LAB 65.85, -33.75, -11.23

 

Complementary color

CMYK 0 / 64 / 65 / 15

HEX #D84E4C

RGB 216 78 76

HSL 0.86, 0.64%, 0.57%

LAB 52.48, 53.94, 30.61

 

CMYK 75 / 0 / 2 / 31

HEX #2CB1AE

RGB 44 177 174

HSL 178.65, 0.6%, 0.43%

LAB 65.78, -34.71, -8.55

 

CMYK 69 / 0 / 1 / 24

HEX #3DC3C1

RGB 61 195 193

HSL 179.1, 0.53%, 0.5%

LAB 72.14, -35.51, -9.48

 

CMYK 63 / 0 / 0 / 16

HEX #4ED5D4

RGB 78 213 212

HSL 179.56, 0.62%, 0.57%

LAB 78.44, -36.09, -10.33

 

CMYK 59 / 0 / 0 / 9

HEX #5FE7E7

RGB 95 231 231

HSL 180, 0.74%, 0.64%

LAB 84.67, -36.51, -11.1

 

CMYK 55 / 0 / 0 / 2

HEX #70F9FA

RGB 112 249 250

HSL 180.43, 0.93%, 0.71%

LAB 90.82, -36.81, -11.81

 

CMYK 78 / 1 / 0 / 30

HEX #27B1B3

RGB 39 177 179

HSL 180.86, 0.64%, 0.43%

LAB 65.85, -33.75, -11.23

 

CMYK 86 / 1 / 0 / 37

HEX #169FA0

RGB 22 159 160

HSL 180.43, 0.76%, 0.36%

LAB 59.44, -32.43, -10.2

 

CMYK 96 / 0 / 0 / 45

HEX #058D8D

RGB 5 141 141

HSL 180, 0.93%, 0.29%

LAB 52.96, -30.7, -9.04

 

CMYK 100 / 0 / 1 / 52

HEX #007B7A

RGB 0 123 122

HSL 179.51, 1%, 0.24%

LAB 46.41, -28.35, -7.7

 

CMYK 100 / 0 / 2 / 59

HEX #006967

RGB 0 105 103

HSL 178.86, 1%, 0.21%

LAB 39.72, -25.71, -6.24

 

CMYK 78 / 1 / 0 / 30

HEX #27B1B3

RGB 39 177 179

HSL 180.86, 0.64%, 0.43%

LAB 65.85, -33.75, -11.23

 

CMYK 78 / 22 / 0 / 30

HEX #278BB3

RGB 39 139 179

HSL 197.14, 0.64%, 0.43%

LAB 54.19, -14.31, -29.02

 

CMYK 78 / 43 / 0 / 30

HEX #2766B3

RGB 39 102 179

HSL 213, 0.64%, 0.43%

LAB 43.05, 7.81, -46.58

 

CMYK 78 / 64 / 0 / 30

HEX #2740B3

RGB 39 64 179

HSL 229.29, 0.64%, 0.43%

LAB 32.6, 32.76, -63.51

 

CMYK 71 / 78 / 0 / 30

HEX #3427B3

RGB 52 39 179

HSL 245.57, 0.64%, 0.43%

LAB 27.94, 48.81, -71.15

 

CMYK 78 / 1 / 0 / 30

HEX #27B1B3

RGB 39 177 179

HSL 180.86, 0.64%, 0.43%

LAB 65.85, -33.75, -11.23

 

CMYK 78 / 22 / 0 / 30

HEX #278BB3

RGB 39 139 179

HSL 197.14, 0.64%, 0.43%

LAB 54.19, -14.31, -29.02

 

CMYK 78 / 43 / 0 / 30

HEX #2766B3

RGB 39 102 179

HSL 213, 0.64%, 0.43%

LAB 43.05, 7.81, -46.58

 

CMYK 78 / 64 / 0 / 30

HEX #2740B3

RGB 39 64 179

HSL 229.29, 0.64%, 0.43%

LAB 32.6, 32.76, -63.51

 

CMYK 78 / 78 / 0 / 30

HEX #2727B3

RGB 39 39 179

HSL 240, 0.64%, 0.43%

LAB 27.12, 47.78, -72.53

 

CMYK 78 / 1 / 0 / 30

HEX #27B1B3

RGB 39 177 179

HSL 180.86, 0.64%, 0.43%

LAB 65.85, -33.75, -11.23

 

CMYK 89 / 1 / 0 / 23

HEX #15C3C5

RGB 21 195 197

HSL 180.68, 0.81%, 0.43%

LAB 71.7, -37.97, -12.38

 

CMYK 99 / 1 / 0 / 16

HEX #03D4D7

RGB 3 212 215

HSL 180.85, 0.97%, 0.43%

LAB 77.29, -40.86, -13.75

 

CMYK 78 / 1 / 0 / 30

HEX #27B1B3

RGB 39 177 179

HSL 180.86, 0.64%, 0.43%

LAB 65.85, -33.75, -11.23

 

CMYK 65 / 1 / 0 / 36

HEX #39A0A2

RGB 57 160 162

HSL 181.14, 0.48%, 0.43%

LAB 60.44, -28.29, -9.76

 

CMYK 49 / 1 / 0 / 44

HEX #4A8F90

RGB 74 143 144

HSL 180.86, 0.32%, 0.43%

LAB 55.19, -21.43, -7.28

 

CMYK 27 / 0 / 0 / 51

HEX #5C7E7E

RGB 92 126 126

HSL 180, 0.16%, 0.43%

LAB 50.34, -11.95, -3.91

 

CMYK 0 / 2 / 2 / 57

HEX #6E6C6C

RGB 110 108 108

HSL 0, 0.01%, 0.43%

LAB 45.8, 0.78, 0.27

 

CMYK 78 / 0 / 42 / 30

HEX #27B368

RGB 39 179 104

HSL 147.86, 0.64%, 0.43%

LAB 64.7, -53.18, 28.23

 

CMYK 78 / 0 / 21 / 30

HEX #27B38E

RGB 39 179 142

HSL 164.14, 0.64%, 0.43%

LAB 65.46, -44.85, 8.69

 

CMYK 78 / 0 / 0 / 30

HEX #27B3B3

RGB 39 179 179

HSL 180, 0.64%, 0.43%

LAB 66.46, -34.69, -10.31

 

CMYK 78 / 21 / 0 / 30

HEX #278EB3

RGB 39 142 179

HSL 195.86, 0.64%, 0.43%

LAB 55.11, -15.96, -27.6

 

CMYK 78 / 42 / 0 / 30

HEX #2768B3

RGB 39 104 179

HSL 212.14, 0.64%, 0.43%

LAB 43.63, 6.53, -45.64

 

CMYK 79 / 2 / 0 / 56

HEX #186E70

RGB 24 110 112

HSL 181.36, 0.65%, 0.27%

LAB 42.02, -23.25, -8.23

 

CMYK 78 / 1 / 0 / 43

HEX #209091

RGB 32 144 145

HSL 180.53, 0.64%, 0.35%

LAB 54.34, -28.97, -9.25

 

CMYK 78 / 1 / 0 / 30

HEX #27B1B3

RGB 39 177 179

HSL 180.86, 0.64%, 0.43%

LAB 65.85, -33.75, -11.23

 

CMYK 76 / 1 / 0 / 18

HEX #32CFD2

RGB 50 207 210

HSL 181.13, 0.64%, 0.51%

LAB 76.04, -37.47, -12.89

 

CMYK 61 / 1 / 0 / 15

HEX #54D7D9

RGB 84 215 217

HSL 180.9, 0.64%, 0.59%

LAB 79.33, -34.7, -11.66

 

CMYK 78 / 1 / 0 / 30

HEX #27B1B3

RGB 39 177 179

HSL 180.86, 0.64%, 0.43%

LAB 65.85, -33.75, -11.23

 

CMYK 63 / 78 / 0 / 30

HEX #4327B3

RGB 67 39 179

HSL 252, 0.64%, 0.43%

LAB 29.16, 50.32, -69.1

 

CMYK 0 / 31 / 78 / 30

HEX #B37B27

RGB 179 123 39

HSL 36, 0.64%, 0.43%

LAB 55.98, 14.47, 51.74

 

CMYK 78 / 1 / 0 / 30

HEX #27B1B3

RGB 39 177 179

HSL 180.86, 0.64%, 0.43%

LAB 65.85, -33.75, -11.23

 

CMYK 0 / 78 / 0 / 30

HEX #B327B3

RGB 179 39 179

HSL 300, 0.64%, 0.43%

LAB 44.65, 69.11, -43.26

 

CMYK 0 / 0 / 78 / 30

HEX #B3B327

RGB 179 179 39

HSL 60, 0.64%, 0.43%

LAB 70.85, -15.71, 65.38

 

CMYK 78 / 1 / 0 / 30

HEX #27B1B3

RGB 39 177 179

HSL 180.86, 0.64%, 0.43%

LAB 65.85, -33.75, -11.23

 

CMYK 63 / 78 / 0 / 30

HEX #4327B3

RGB 67 39 179

HSL 252, 0.64%, 0.43%

LAB 29.16, 50.32, -69.1

 

CMYK 0 / 78 / 78 / 30

HEX #B32727

RGB 179 39 39

HSL 0, 0.64%, 0.43%

LAB 39.88, 54.93, 35.68

 

CMYK 16 / 0 / 78 / 30

HEX #97B327

RGB 151 179 39

HSL 72, 0.64%, 0.43%

LAB 68.73, -27.63, 62.67

 

CMYK 78 / 1 / 0 / 30

HEX #27B1B3

RGB 39 177 179

HSL 180.86, 0.64%, 0.43%

LAB 65.85, -33.75, -11.23

 

CMYK 39 / 78 / 0 / 30

HEX #6D27B3

RGB 109 39 179

HSL 270, 0.64%, 0.43%

LAB 33.89, 56.16, -61.15

 

CMYK 0 / 78 / 78 / 30

HEX #B32727

RGB 179 39 39

HSL 0, 0.64%, 0.43%

LAB 39.88, 54.93, 35.68

 

CMYK 39 / 0 / 78 / 30

HEX #6DB327

RGB 109 179 39

HSL 90, 0.64%, 0.43%

LAB 66.24, -43.85, 59.46

 

Description

Color code: HEX #27B1B3 | qconv.com Color code: HEX #27B1B3 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 177 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 177 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 1 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 1% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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