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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 34 93 123 it is the complementary color RGB 221 162 132. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 34 93 123. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 34 93 123 shade: RGB 39 93 118, RGB 56 111 137, RGB 73 129 156, RGB 90 147 175 and RGB 107 165 194

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 34 93 123. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 34 93 123 shade: RGB 34 93 123, RGB 17 75 104, RGB 0 57 85, RGB 0 39 66 and RGB 0 21 47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 34 93 123 shade: RGB 33 93 124, RGB 33 69 124, RGB 33 45 124, RGB 47 33 124 and RGB 71 33 124

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 34 93 123 shade: RGB 33 93 124, RGB 33 69 124, RGB 33 45 124 and RGB 33 33 124

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 34 93 123 shade matches the following richer shades: RGB 33 93 124, RGB 21 97 136 and RGB 8 102 149

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 34 93 123 shade: RGB 33 93 124, RGB 46 89 111, RGB 59 85 98, RGB 72 81 85 and RGB 85 77 72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 34 93 123 shade: RGB 33 124 106, RGB 33 118 124, RGB 33 94 124, RGB 33 70 124 and RGB 33 46 124

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 34 93 123 shade: RGB 16 44 59, RGB 25 69 91, RGB 33 93 124, RGB 42 118 156 and RGB 51 142 188

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 34 93 123 shade: RGB 34 93 123, RGB 82 33 124 and RGB 124 118 33

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 34 93 123 shade: RGB 34 93 123, RGB 124 33 94 and RGB 94 124 33

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 34 93 123 shade: RGB 34 93 123, RGB 82 33 124, RGB 124 64 33 and RGB 76 124 33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 34 93 123 shade: RGB 34 93 123, RGB 109 33 124, RGB 124 64 33 and RGB 49 124 33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 24 / 0 / 52

HEX #225D7B

RGB 34 93 123

HSL 200.22, 0.57%, 0.31%

LAB 37.11, -8.46, -22.42

 

Complementary color

CMYK 0 / 27 / 40 / 13

HEX #DDA284

RGB 221 162 132

HSL 20.22, 0.57%, 0.69%

LAB 71.47, 18.08, 24.19

 

CMYK 67 / 21 / 0 / 54

HEX #275D76

RGB 39 93 118

HSL 198.99, 0.5%, 0.31%

LAB 37.06, -9.37, -19.42

 

CMYK 59 / 19 / 0 / 46

HEX #386F89

RGB 56 111 137

HSL 199.26, 0.42%, 0.38%

LAB 44.26, -10.07, -19.79

 

CMYK 53 / 17 / 0 / 39

HEX #49819C

RGB 73 129 156

HSL 199.52, 0.36%, 0.45%

LAB 51.29, -10.55, -20.13

 

CMYK 49 / 16 / 0 / 31

HEX #5A93AF

RGB 90 147 175

HSL 199.76, 0.35%, 0.52%

LAB 58.17, -10.89, -20.46

 

CMYK 45 / 15 / 0 / 24

HEX #6BA5C2

RGB 107 165 194

HSL 200, 0.42%, 0.59%

LAB 64.91, -11.15, -20.79

 

CMYK 72 / 24 / 0 / 52

HEX #225D7B

RGB 34 93 123

HSL 200.22, 0.57%, 0.31%

LAB 37.11, -8.46, -22.42

 

CMYK 84 / 28 / 0 / 59

HEX #114B68

RGB 17 75 104

HSL 200, 0.72%, 0.24%

LAB 29.79, -7, -22.02

 

CMYK 100 / 33 / 0 / 67

HEX #003955

RGB 0 57 85

HSL 199.76, 1%, 0.17%

LAB 22.24, -5.02, -21.58

 

CMYK 100 / 41 / 0 / 74

HEX #002742

RGB 0 39 66

HSL 204.55, 1%, 0.13%

LAB 14.65, -1.12, -20.73

 

CMYK 100 / 55 / 0 / 82

HEX #00152F

RGB 0 21 47

HSL 213.19, 1%, 0.09%

LAB 6.7, 3.13, -19.84

 

CMYK 73 / 25 / 0 / 51

HEX #215D7C

RGB 33 93 124

HSL 200.44, 0.58%, 0.31%

LAB 37.13, -8.25, -23.01

 

CMYK 73 / 44 / 0 / 51

HEX #21457C

RGB 33 69 124

HSL 216.26, 0.58%, 0.31%

LAB 29.5, 7.22, -35.04

 

CMYK 73 / 64 / 0 / 51

HEX #212D7C

RGB 33 45 124

HSL 232.09, 0.58%, 0.31%

LAB 22.5, 23.92, -46.36

 

CMYK 62 / 73 / 0 / 51

HEX #2F217C

RGB 47 33 124

HSL 249.23, 0.58%, 0.31%

LAB 20.62, 33.81, -49.38

 

CMYK 43 / 73 / 0 / 51

HEX #47217C

RGB 71 33 124

HSL 265.05, 0.58%, 0.31%

LAB 23.28, 38.06, -44.94

 

CMYK 73 / 25 / 0 / 51

HEX #215D7C

RGB 33 93 124

HSL 200.44, 0.58%, 0.31%

LAB 37.13, -8.25, -23.01

 

CMYK 73 / 44 / 0 / 51

HEX #21457C

RGB 33 69 124

HSL 216.26, 0.58%, 0.31%

LAB 29.5, 7.22, -35.04

 

CMYK 73 / 64 / 0 / 51

HEX #212D7C

RGB 33 45 124

HSL 232.09, 0.58%, 0.31%

LAB 22.5, 23.92, -46.36

 

CMYK 73 / 73 / 0 / 51

HEX #21217C

RGB 33 33 124

HSL 240, 0.58%, 0.31%

LAB 19.5, 31.91, -51.27

 

CMYK 73 / 25 / 0 / 51

HEX #215D7C

RGB 33 93 124

HSL 200.44, 0.58%, 0.31%

LAB 37.13, -8.25, -23.01

 

CMYK 85 / 29 / 0 / 47

HEX #156188

RGB 21 97 136

HSL 200.35, 0.73%, 0.31%

LAB 38.7, -7.65, -27.89

 

CMYK 95 / 32 / 0 / 42

HEX #086695

RGB 8 102 149

HSL 200, 0.9%, 0.31%

LAB 40.77, -6.52, -32.48

 

CMYK 73 / 25 / 0 / 51

HEX #215D7C

RGB 33 93 124

HSL 200.44, 0.58%, 0.31%

LAB 37.13, -8.25, -23.01

 

CMYK 59 / 20 / 0 / 56

HEX #2E596F

RGB 46 89 111

HSL 200.31, 0.41%, 0.31%

LAB 35.74, -7.91, -17.1

 

CMYK 40 / 13 / 0 / 62

HEX #3B5562

RGB 59 85 98

HSL 200, 0.25%, 0.31%

LAB 34.62, -6.06, -10.64

 

CMYK 15 / 5 / 0 / 67

HEX #485155

RGB 72 81 85

HSL 198.46, 0.08%, 0.31%

LAB 33.81, -2.61, -3.56

 

CMYK 0 / 9 / 15 / 67

HEX #554D48

RGB 85 77 72

HSL 23.08, 0.08%, 0.31%

LAB 33.36, 2.34, 4.16

 

CMYK 73 / 0 / 15 / 51

HEX #217C6A

RGB 33 124 106

HSL 168.13, 0.58%, 0.31%

LAB 46.68, -30.76, 2.25

 

CMYK 73 / 5 / 0 / 51

HEX #21767C

RGB 33 118 124

HSL 183.96, 0.58%, 0.31%

LAB 45.27, -22.34, -10.55

 

CMYK 73 / 24 / 0 / 51

HEX #215E7C

RGB 33 94 124

HSL 199.78, 0.58%, 0.31%

LAB 37.45, -8.85, -22.51

 

CMYK 73 / 44 / 0 / 51

HEX #21467C

RGB 33 70 124

HSL 215.6, 0.58%, 0.31%

LAB 29.81, 6.54, -34.55

 

CMYK 73 / 63 / 0 / 51

HEX #212E7C

RGB 33 46 124

HSL 231.43, 0.58%, 0.31%

LAB 22.77, 23.23, -45.92

 

CMYK 73 / 25 / 0 / 77

HEX #102C3B

RGB 16 44 59

HSL 200.93, 0.57%, 0.15%

LAB 16.64, -4.89, -12.71

 

CMYK 73 / 24 / 0 / 64

HEX #19455B

RGB 25 69 91

HSL 200, 0.57%, 0.23%

LAB 27.35, -7.08, -17.48

 

CMYK 73 / 25 / 0 / 51

HEX #215D7C

RGB 33 93 124

HSL 200.44, 0.58%, 0.31%

LAB 37.13, -8.25, -23.01

 

CMYK 73 / 24 / 0 / 39

HEX #2A769C

RGB 42 118 156

HSL 200, 0.58%, 0.39%

LAB 46.78, -10.14, -27.19

 

CMYK 73 / 24 / 0 / 26

HEX #338EBC

RGB 51 142 188

HSL 200.15, 0.57%, 0.47%

LAB 55.77, -11.37, -31.68

 

CMYK 72 / 24 / 0 / 52

HEX #225D7B

RGB 34 93 123

HSL 200.22, 0.57%, 0.31%

LAB 37.11, -8.46, -22.42

 

CMYK 34 / 73 / 0 / 51

HEX #52217C

RGB 82 33 124

HSL 272.31, 0.58%, 0.31%

LAB 24.75, 40.32, -42.47

 

CMYK 0 / 5 / 73 / 51

HEX #7C7621

RGB 124 118 33

HSL 56.04, 0.58%, 0.31%

LAB 48.7, -8.29, 45.1

 

CMYK 72 / 24 / 0 / 52

HEX #225D7B

RGB 34 93 123

HSL 200.22, 0.57%, 0.31%

LAB 37.11, -8.46, -22.42

 

CMYK 0 / 73 / 24 / 51

HEX #7C215E

RGB 124 33 94

HSL 319.78, 0.58%, 0.31%

LAB 29.86, 45.05, -14.66

 

CMYK 24 / 0 / 73 / 51

HEX #5E7C21

RGB 94 124 33

HSL 79.78, 0.58%, 0.31%

LAB 48.14, -24.95, 43.75

 

CMYK 72 / 24 / 0 / 52

HEX #225D7B

RGB 34 93 123

HSL 200.22, 0.57%, 0.31%

LAB 37.11, -8.46, -22.42

 

CMYK 34 / 73 / 0 / 51

HEX #52217C

RGB 82 33 124

HSL 272.31, 0.58%, 0.31%

LAB 24.75, 40.32, -42.47

 

CMYK 0 / 48 / 73 / 51

HEX #7C4021

RGB 124 64 33

HSL 20.44, 0.58%, 0.31%

LAB 34.11, 23.31, 29.97

 

CMYK 39 / 0 / 73 / 51

HEX #4C7C21

RGB 76 124 33

HSL 91.65, 0.58%, 0.31%

LAB 47.06, -32.16, 42.3

 

CMYK 72 / 24 / 0 / 52

HEX #225D7B

RGB 34 93 123

HSL 200.22, 0.57%, 0.31%

LAB 37.11, -8.46, -22.42

 

CMYK 12 / 73 / 0 / 51

HEX #6D217C

RGB 109 33 124

HSL 290.11, 0.58%, 0.31%

LAB 28.89, 46.35, -35.6

 

CMYK 0 / 48 / 73 / 51

HEX #7C4021

RGB 124 64 33

HSL 20.44, 0.58%, 0.31%

LAB 34.11, 23.31, 29.97

 

CMYK 60 / 0 / 73 / 51

HEX #317C21

RGB 49 124 33

HSL 109.45, 0.58%, 0.31%

LAB 45.88, -40.96, 40.72

 

Description

Color code: RGB 34 93 123 | qconv.com Color code: RGB 34 93 123 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 93 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 93 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 24 magenta, none yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 24% 0% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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