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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 42 118 156 it is the complementary color RGB 213 137 99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 42 118 156. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 42 118 156 shade: RGB 47 118 151, RGB 64 136 170, RGB 81 154 189, RGB 98 172 208 and RGB 115 190 227

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 42 118 156. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 42 118 156 shade: RGB 42 118 156, RGB 25 100 137, RGB 8 82 118, RGB 0 64 99 and RGB 0 46 80

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 42 118 156 shade: RGB 41 118 157, RGB 41 87 157, RGB 41 56 157, RGB 58 41 157 and RGB 89 41 157

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 42 118 156 shade: RGB 41 118 157, RGB 41 87 157, RGB 41 56 157 and RGB 41 41 157

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 42 118 156 shade matches the following richer shades: RGB 41 118 157, RGB 25 124 173 and RGB 9 129 189

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 42 118 156 shade: RGB 41 118 157, RGB 57 113 141, RGB 73 107 124, RGB 90 102 108 and RGB 106 97 92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 42 118 156 shade: RGB 41 157 134, RGB 41 149 157, RGB 41 118 157, RGB 41 87 157 and RGB 41 57 157

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 42 118 156 shade: RGB 24 69 91, RGB 33 94 124, RGB 41 118 157, RGB 50 143 189 and RGB 74 162 206

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 42 118 156 shade: RGB 42 118 156, RGB 103 41 157 and RGB 157 149 41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 42 118 156 shade: RGB 42 118 156, RGB 157 41 118 and RGB 118 157 41

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 42 118 156 shade: RGB 42 118 156, RGB 103 41 157, RGB 157 80 41 and RGB 95 157 41

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 42 118 156 shade: RGB 42 118 156, RGB 137 41 157, RGB 157 80 41 and RGB 60 157 41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 24 / 0 / 39

HEX #2A769C

RGB 42 118 156

HSL 200, 0.58%, 0.39%

LAB 46.78, -10.14, -27.19

 

Complementary color

CMYK 0 / 36 / 54 / 16

HEX #D58963

RGB 213 137 99

HSL 20, 0.58%, 0.61%

LAB 64.11, 25.09, 32.31

 

CMYK 69 / 22 / 0 / 41

HEX #2F7697

RGB 47 118 151

HSL 199.04, 0.53%, 0.39%

LAB 46.71, -11.11, -24.34

 

CMYK 62 / 20 / 0 / 33

HEX #4088AA

RGB 64 136 170

HSL 199.25, 0.45%, 0.46%

LAB 53.6, -11.95, -24.71

 

CMYK 57 / 19 / 0 / 26

HEX #519ABD

RGB 81 154 189

HSL 199.44, 0.45%, 0.53%

LAB 60.37, -12.56, -25.04

 

CMYK 53 / 17 / 0 / 18

HEX #62ACD0

RGB 98 172 208

HSL 199.64, 0.54%, 0.6%

LAB 67.02, -13.02, -25.36

 

CMYK 49 / 16 / 0 / 11

HEX #73BEE3

RGB 115 190 227

HSL 199.82, 0.67%, 0.67%

LAB 73.56, -13.37, -25.67

 

CMYK 73 / 24 / 0 / 39

HEX #2A769C

RGB 42 118 156

HSL 200, 0.58%, 0.39%

LAB 46.78, -10.14, -27.19

 

CMYK 82 / 27 / 0 / 46

HEX #196489

RGB 25 100 137

HSL 199.82, 0.69%, 0.32%

LAB 39.79, -8.67, -26.78

 

CMYK 93 / 31 / 0 / 54

HEX #085276

RGB 8 82 118

HSL 199.64, 0.87%, 0.25%

LAB 32.69, -6.58, -26.29

 

CMYK 100 / 35 / 0 / 61

HEX #004063

RGB 0 64 99

HSL 201.21, 1%, 0.19%

LAB 25.47, -3.58, -25.63

 

CMYK 100 / 43 / 0 / 69

HEX #002E50

RGB 0 46 80

HSL 205.5, 1%, 0.16%

LAB 18.07, 0.35, -24.86

 

CMYK 74 / 25 / 0 / 38

HEX #29769D

RGB 41 118 157

HSL 200.17, 0.59%, 0.39%

LAB 46.79, -9.92, -27.75

 

CMYK 74 / 45 / 0 / 38

HEX #29579D

RGB 41 87 157

HSL 216.21, 0.59%, 0.39%

LAB 37.34, 9.3, -42.69

 

CMYK 74 / 64 / 0 / 38

HEX #29389D

RGB 41 56 157

HSL 232.24, 0.59%, 0.39%

LAB 28.73, 30.04, -56.62

 

CMYK 63 / 74 / 0 / 38

HEX #3A299D

RGB 58 41 157

HSL 248.79, 0.59%, 0.39%

LAB 26.5, 41.46, -60.23

 

CMYK 43 / 74 / 0 / 38

HEX #59299D

RGB 89 41 157

HSL 264.83, 0.59%, 0.39%

LAB 29.77, 46.35, -54.75

 

CMYK 74 / 25 / 0 / 38

HEX #29769D

RGB 41 118 157

HSL 200.17, 0.59%, 0.39%

LAB 46.79, -9.92, -27.75

 

CMYK 74 / 45 / 0 / 38

HEX #29579D

RGB 41 87 157

HSL 216.21, 0.59%, 0.39%

LAB 37.34, 9.3, -42.69

 

CMYK 74 / 64 / 0 / 38

HEX #29389D

RGB 41 56 157

HSL 232.24, 0.59%, 0.39%

LAB 28.73, 30.04, -56.62

 

CMYK 74 / 74 / 0 / 38

HEX #29299D

RGB 41 41 157

HSL 240, 0.59%, 0.39%

LAB 25.23, 39.48, -62.37

 

CMYK 74 / 25 / 0 / 38

HEX #29769D

RGB 41 118 157

HSL 200.17, 0.59%, 0.39%

LAB 46.79, -9.92, -27.75

 

CMYK 86 / 28 / 0 / 32

HEX #197CAD

RGB 25 124 173

HSL 199.86, 0.75%, 0.39%

LAB 49.06, -9.3, -33.59

 

CMYK 95 / 32 / 0 / 26

HEX #0981BD

RGB 9 129 189

HSL 200, 0.91%, 0.39%

LAB 51.19, -7.08, -39.47

 

CMYK 74 / 25 / 0 / 38

HEX #29769D

RGB 41 118 157

HSL 200.17, 0.59%, 0.39%

LAB 46.79, -9.92, -27.75

 

CMYK 60 / 20 / 0 / 45

HEX #39718D

RGB 57 113 141

HSL 200, 0.42%, 0.39%

LAB 45.09, -9.71, -20.89

 

CMYK 41 / 14 / 0 / 51

HEX #496B7C

RGB 73 107 124

HSL 200, 0.26%, 0.39%

LAB 43.34, -7.46, -13.31

 

CMYK 17 / 6 / 0 / 58

HEX #5A666C

RGB 90 102 108

HSL 200, 0.09%, 0.39%

LAB 42.4, -3.17, -4.93

 

CMYK 0 / 8 / 13 / 58

HEX #6A615C

RGB 106 97 92

HSL 21.43, 0.07%, 0.39%

LAB 41.82, 2.64, 4.14

 

CMYK 74 / 0 / 15 / 38

HEX #299D86

RGB 41 157 134

HSL 168.1, 0.59%, 0.39%

LAB 58.33, -37.15, 2.93

 

CMYK 74 / 5 / 0 / 38

HEX #29959D

RGB 41 149 157

HSL 184.14, 0.59%, 0.39%

LAB 56.49, -26.66, -12.9

 

CMYK 74 / 25 / 0 / 38

HEX #29769D

RGB 41 118 157

HSL 200.17, 0.59%, 0.39%

LAB 46.79, -9.92, -27.75

 

CMYK 74 / 45 / 0 / 38

HEX #29579D

RGB 41 87 157

HSL 216.21, 0.59%, 0.39%

LAB 37.34, 9.3, -42.69

 

CMYK 74 / 64 / 0 / 38

HEX #29399D

RGB 41 57 157

HSL 231.72, 0.59%, 0.39%

LAB 28.98, 29.38, -56.21

 

CMYK 74 / 24 / 0 / 64

HEX #18455B

RGB 24 69 91

HSL 199.7, 0.58%, 0.23%

LAB 27.31, -7.26, -17.53

 

CMYK 73 / 24 / 0 / 51

HEX #215E7C

RGB 33 94 124

HSL 199.78, 0.58%, 0.31%

LAB 37.45, -8.85, -22.51

 

CMYK 74 / 25 / 0 / 38

HEX #29769D

RGB 41 118 157

HSL 200.17, 0.59%, 0.39%

LAB 46.79, -9.92, -27.75

 

CMYK 74 / 24 / 0 / 26

HEX #328FBD

RGB 50 143 189

HSL 199.86, 0.58%, 0.47%

LAB 56.08, -11.72, -31.75

 

CMYK 64 / 21 / 0 / 19

HEX #4AA2CE

RGB 74 162 206

HSL 200, 0.57%, 0.55%

LAB 63.14, -12.9, -30.3

 

CMYK 73 / 24 / 0 / 39

HEX #2A769C

RGB 42 118 156

HSL 200, 0.58%, 0.39%

LAB 46.78, -10.14, -27.19

 

CMYK 34 / 74 / 0 / 38

HEX #67299D

RGB 103 41 157

HSL 272.07, 0.59%, 0.39%

LAB 31.59, 48.97, -51.72

 

CMYK 0 / 5 / 74 / 38

HEX #9D9529

RGB 157 149 41

HSL 55.86, 0.59%, 0.39%

LAB 60.63, -9.7, 54.59

 

CMYK 73 / 24 / 0 / 39

HEX #2A769C

RGB 42 118 156

HSL 200, 0.58%, 0.39%

LAB 46.78, -10.14, -27.19

 

CMYK 0 / 74 / 25 / 38

HEX #9D2976

RGB 157 41 118

HSL 320.17, 0.59%, 0.39%

LAB 37.95, 54.4, -17.02

 

CMYK 25 / 0 / 74 / 38

HEX #769D29

RGB 118 157 41

HSL 80.17, 0.59%, 0.39%

LAB 60, -30.56, 52.97

 

CMYK 73 / 24 / 0 / 39

HEX #2A769C

RGB 42 118 156

HSL 200, 0.58%, 0.39%

LAB 46.78, -10.14, -27.19

 

CMYK 34 / 74 / 0 / 38

HEX #67299D

RGB 103 41 157

HSL 272.07, 0.59%, 0.39%

LAB 31.59, 48.97, -51.72

 

CMYK 0 / 49 / 74 / 38

HEX #9D5029

RGB 157 80 41

HSL 20.17, 0.59%, 0.39%

LAB 42.86, 28.95, 36.62

 

CMYK 39 / 0 / 74 / 38

HEX #5F9D29

RGB 95 157 41

HSL 92.07, 0.59%, 0.39%

LAB 58.7, -39.31, 51.25

 

CMYK 73 / 24 / 0 / 39

HEX #2A769C

RGB 42 118 156

HSL 200, 0.58%, 0.39%

LAB 46.78, -10.14, -27.19

 

CMYK 13 / 74 / 0 / 38

HEX #89299D

RGB 137 41 157

HSL 289.66, 0.59%, 0.39%

LAB 36.63, 55.94, -43.33

 

CMYK 0 / 49 / 74 / 38

HEX #9D5029

RGB 157 80 41

HSL 20.17, 0.59%, 0.39%

LAB 42.86, 28.95, 36.62

 

CMYK 62 / 0 / 74 / 38

HEX #3C9D29

RGB 60 157 41

HSL 110.17, 0.59%, 0.39%

LAB 57.3, -49.9, 49.38

 

Description

Color code: RGB 42 118 156 | qconv.com Color code: RGB 42 118 156 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 118 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 118 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 24 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 24% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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