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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 31 232 151 it is the complementary color RGB 224 23 104. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 31 232 151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 31 232 151 shade: RGB 36 232 146, RGB 53 250 165, RGB 70 255 184, RGB 87 255 203 and RGB 104 255 222

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 31 232 151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 31 232 151 shade: RGB 31 232 151, RGB 14 214 132, RGB 0 196 113, RGB 0 178 94 and RGB 0 160 75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 31 232 151 shade: RGB 33 231 151, RGB 33 231 98, RGB 33 231 44, RGB 75 231 33 and RGB 128 231 33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 31 232 151 shade: RGB 33 231 151, RGB 33 231 205, RGB 33 204 231, RGB 33 151 231 and RGB 33 97 231

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 31 232 151 shade matches the following richer shades: RGB 33 231 151 and RGB 13 251 155

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 31 232 151 shade: RGB 33 231 151, RGB 53 211 147, RGB 73 192 144, RGB 92 172 140 and RGB 112 152 136

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 31 232 151 shade: RGB 33 231 43, RGB 33 231 96, RGB 33 231 149, RGB 33 231 202 and RGB 33 208 231

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 31 232 151 shade: RGB 17 165 105, RGB 21 202 129, RGB 33 231 151, RGB 70 235 169 and RGB 108 239 186

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 31 232 151 shade: RGB 31 232 151, RGB 33 76 231 and RGB 231 69 33

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 31 232 151 shade: RGB 31 232 151, RGB 149 33 231 and RGB 231 149 33

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 31 232 151 shade: RGB 31 232 151, RGB 33 76 231, RGB 231 33 116 and RGB 231 188 33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 31 232 151 shade: RGB 31 232 151, RGB 49 33 231, RGB 231 33 116 and RGB 215 231 33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 35 / 9

HEX #1FE897

RGB 31 232 151

HSL 155.82, 0.81%, 0.52%

LAB 81.97, -63.87, 26.8

 

Complementary color

CMYK 0 / 90 / 54 / 12

HEX #E01768

RGB 224 23 104

HSL 335.82, 0.81%, 0.48%

LAB 48.83, 73.89, 9.19

 

CMYK 84 / 0 / 37 / 9

HEX #24E892

RGB 36 232 146

HSL 153.67, 0.81%, 0.53%

LAB 81.93, -64.5, 29.31

 

CMYK 79 / 0 / 34 / 2

HEX #35FAA5

RGB 53 250 165

HSL 154.11, 0.95%, 0.59%

LAB 87.89, -65.64, 27.73

 

CMYK 73 / 0 / 28 / 0

HEX #46FFB8

RGB 70 255 184

HSL 156.97, 1%, 0.64%

LAB 89.99, -61.64, 20.99

 

CMYK 66 / 0 / 20 / 0

HEX #57FFCB

RGB 87 255 203

HSL 161.43, 1%, 0.67%

LAB 90.72, -55.09, 12.31

 

CMYK 59 / 0 / 13 / 0

HEX #68FFDE

RGB 104 255 222

HSL 166.89, 1%, 0.7%

LAB 91.57, -47.87, 3.78

 

CMYK 87 / 0 / 35 / 9

HEX #1FE897

RGB 31 232 151

HSL 155.82, 0.81%, 0.52%

LAB 81.97, -63.87, 26.8

 

CMYK 93 / 0 / 38 / 16

HEX #0ED684

RGB 14 214 132

HSL 155.4, 0.88%, 0.45%

LAB 75.98, -62.22, 28.51

 

CMYK 100 / 0 / 42 / 23

HEX #00C471

RGB 0 196 113

HSL 154.59, 1%, 0.38%

LAB 69.95, -60.14, 30.33

 

CMYK 100 / 0 / 47 / 30

HEX #00B25E

RGB 0 178 94

HSL 151.69, 1%, 0.35%

LAB 63.88, -57.47, 32.3

 

CMYK 100 / 0 / 53 / 37

HEX #00A04B

RGB 0 160 75

HSL 148.13, 1%, 0.31%

LAB 57.7, -54.63, 34.27

 

CMYK 86 / 0 / 35 / 9

HEX #21E797

RGB 33 231 151

HSL 155.76, 0.8%, 0.52%

LAB 81.68, -63.37, 26.41

 

CMYK 86 / 0 / 58 / 9

HEX #21E762

RGB 33 231 98

HSL 139.7, 0.8%, 0.52%

LAB 80.94, -72.16, 51.28

 

CMYK 86 / 0 / 81 / 9

HEX #21E72C

RGB 33 231 44

HSL 123.33, 0.8%, 0.52%

LAB 80.55, -77.02, 70.71

 

CMYK 68 / 0 / 86 / 9

HEX #4BE721

RGB 75 231 33

HSL 107.27, 0.8%, 0.52%

LAB 81.16, -71.85, 74.07

 

CMYK 45 / 0 / 86 / 9

HEX #80E721

RGB 128 231 33

HSL 91.21, 0.8%, 0.52%

LAB 82.83, -58.47, 76.17

 

CMYK 86 / 0 / 35 / 9

HEX #21E797

RGB 33 231 151

HSL 155.76, 0.8%, 0.52%

LAB 81.68, -63.37, 26.41

 

CMYK 86 / 0 / 11 / 9

HEX #21E7CD

RGB 33 231 205

HSL 172.12, 0.8%, 0.52%

LAB 82.85, -50.69, -0.17

 

CMYK 86 / 12 / 0 / 9

HEX #21CCE7

RGB 33 204 231

HSL 188.18, 0.8%, 0.52%

LAB 75.62, -31.02, -24.86

 

CMYK 86 / 35 / 0 / 9

HEX #2197E7

RGB 33 151 231

HSL 204.24, 0.8%, 0.52%

LAB 60.09, -2.92, -49.03

 

CMYK 86 / 58 / 0 / 9

HEX #2161E7

RGB 33 97 231

HSL 220.61, 0.8%, 0.52%

LAB 45.14, 30.48, -73.09

 

CMYK 86 / 0 / 35 / 9

HEX #21E797

RGB 33 231 151

HSL 155.76, 0.8%, 0.52%

LAB 81.68, -63.37, 26.41

 

CMYK 95 / 0 / 38 / 2

HEX #0DFB9B

RGB 13 251 155

HSL 155.8, 0.97%, 0.52%

LAB 87.7, -70.49, 32.45

 

CMYK 86 / 0 / 35 / 9

HEX #21E797

RGB 33 231 151

HSL 155.76, 0.8%, 0.52%

LAB 81.68, -63.37, 26.41

 

CMYK 75 / 0 / 30 / 17

HEX #35D393

RGB 53 211 147

HSL 155.7, 0.64%, 0.52%

LAB 75.73, -54.85, 20.42

 

CMYK 62 / 0 / 25 / 25

HEX #49C090

RGB 73 192 144

HSL 155.8, 0.49%, 0.52%

LAB 70.27, -44.66, 14.5

 

CMYK 47 / 0 / 19 / 33

HEX #5CAC8C

RGB 92 172 140

HSL 156, 0.33%, 0.52%

LAB 64.7, -32.27, 8.93

 

CMYK 26 / 0 / 11 / 40

HEX #709888

RGB 112 152 136

HSL 156, 0.16%, 0.52%

LAB 59.6, -17.22, 3.98

 

CMYK 86 / 0 / 81 / 9

HEX #21E72B

RGB 33 231 43

HSL 123.03, 0.8%, 0.52%

LAB 80.54, -77.07, 70.96

 

CMYK 86 / 0 / 58 / 9

HEX #21E760

RGB 33 231 96

HSL 139.09, 0.8%, 0.52%

LAB 80.92, -72.41, 52.15

 

CMYK 86 / 0 / 35 / 9

HEX #21E795

RGB 33 231 149

HSL 155.15, 0.8%, 0.52%

LAB 81.64, -63.78, 27.39

 

CMYK 86 / 0 / 13 / 9

HEX #21E7CA

RGB 33 231 202

HSL 171.21, 0.8%, 0.52%

LAB 82.77, -51.48, 1.3

 

CMYK 86 / 10 / 0 / 9

HEX #21D0E7

RGB 33 208 231

HSL 186.97, 0.8%, 0.52%

LAB 76.8, -32.94, -23.06

 

CMYK 90 / 0 / 36 / 35

HEX #11A569

RGB 17 165 105

HSL 155.68, 0.81%, 0.36%

LAB 59.93, -49.87, 21.31

 

CMYK 90 / 0 / 36 / 21

HEX #15CA81

RGB 21 202 129

HSL 155.8, 0.81%, 0.44%

LAB 72.22, -58.23, 25.04

 

CMYK 86 / 0 / 35 / 9

HEX #21E797

RGB 33 231 151

HSL 155.76, 0.8%, 0.52%

LAB 81.68, -63.37, 26.41

 

CMYK 70 / 0 / 28 / 8

HEX #46EBA9

RGB 70 235 169

HSL 156, 0.8%, 0.6%

LAB 83.75, -57.15, 20.05

 

CMYK 55 / 0 / 22 / 6

HEX #6CEFBA

RGB 108 239 186

HSL 155.73, 0.8%, 0.68%

LAB 86.24, -48.37, 14.85

 

CMYK 87 / 0 / 35 / 9

HEX #1FE897

RGB 31 232 151

HSL 155.82, 0.81%, 0.52%

LAB 81.97, -63.87, 26.8

 

CMYK 86 / 67 / 0 / 9

HEX #214CE7

RGB 33 76 231

HSL 226.97, 0.8%, 0.52%

LAB 40.02, 43.72, -81.48

 

CMYK 0 / 70 / 86 / 9

HEX #E74521

RGB 231 69 33

HSL 10.91, 0.8%, 0.52%

LAB 53.34, 60.74, 54.78

 

CMYK 87 / 0 / 35 / 9

HEX #1FE897

RGB 31 232 151

HSL 155.82, 0.81%, 0.52%

LAB 81.97, -63.87, 26.8

 

CMYK 35 / 86 / 0 / 9

HEX #9521E7

RGB 149 33 231

HSL 275.15, 0.8%, 0.52%

LAB 43.13, 75.26, -76.01

 

CMYK 0 / 35 / 86 / 9

HEX #E79521

RGB 231 149 33

HSL 35.15, 0.8%, 0.52%

LAB 68.46, 22.69, 67.17

 

CMYK 87 / 0 / 35 / 9

HEX #1FE897

RGB 31 232 151

HSL 155.82, 0.81%, 0.52%

LAB 81.97, -63.87, 26.8

 

CMYK 86 / 67 / 0 / 9

HEX #214CE7

RGB 33 76 231

HSL 226.97, 0.8%, 0.52%

LAB 40.02, 43.72, -81.48

 

CMYK 0 / 86 / 50 / 9

HEX #E72174

RGB 231 33 116

HSL 334.85, 0.8%, 0.52%

LAB 51.08, 74.79, 5.23

 

CMYK 0 / 19 / 86 / 9

HEX #E7BC21

RGB 231 188 33

HSL 46.97, 0.8%, 0.52%

LAB 77.91, 2.07, 74.86

 

CMYK 87 / 0 / 35 / 9

HEX #1FE897

RGB 31 232 151

HSL 155.82, 0.81%, 0.52%

LAB 81.97, -63.87, 26.8

 

CMYK 79 / 86 / 0 / 9

HEX #3121E7

RGB 49 33 231

HSL 244.85, 0.8%, 0.52%

LAB 32.94, 66.46, -93.18

 

CMYK 0 / 86 / 50 / 9

HEX #E72174

RGB 231 33 116

HSL 334.85, 0.8%, 0.52%

LAB 51.08, 74.79, 5.23

 

CMYK 7 / 0 / 86 / 9

HEX #D7E721

RGB 215 231 33

HSL 64.85, 0.8%, 0.52%

LAB 87.83, -26.2, 82.38

 

Description

Color code: RGB 31 232 151 | qconv.com Color code: RGB 31 232 151 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 232 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 232 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 35 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 35% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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