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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E74521 it is the complementary color #18BADE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E74521. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E74521 shade: #EC451C, #FD572F, #FF6942, #FF7B55 and #FF8D68

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E74521. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E74521 shade: #E74521, #D6330E, #C52100, #B40F00 and #A30000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E74521 shade: #E64622 and #E62222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E74521 shade: #E64622, #E67B22, #E6AF22, #E6E422 and #B3E622

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E74521 shade matches the following richer shades: #E64622 and #FA390E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E74521 shade: #E64622, #D25236, #BE5F4A, #AB6C5E and #977871

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E74521 shade: #E6226A, #E62236, #E64322, #E67722 and #E6AB22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E74521 shade: #A42C12, #C93616, #E64622, #EA6547 and #EE846C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E74521 shade: #E74521, #9EE622 and #2250E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E74521 shade: #E74521, #22E643 and #4322E6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E74521 shade: #E74521, #9EE622, #22C5E6 and #6A22E6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E74521 shade: #E74521, #63E622, #22C5E6 and #A522E6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 86 / 9

HEX #E74521

RGB 231 69 33

HSL 10.91, 0.8%, 0.52%

LAB 53.34, 60.74, 54.78

 

Complementary color

CMYK 89 / 16 / 0 / 13

HEX #18BADE

RGB 24 186 222

HSL 190.91, 0.8%, 0.48%

LAB 69.88, -25.57, -28.79

 

CMYK 0 / 71 / 88 / 7

HEX #EC451C

RGB 236 69 28

HSL 11.83, 0.85%, 0.52%

LAB 54.21, 62.22, 57.87

 

CMYK 0 / 66 / 81 / 1

HEX #FD572F

RGB 253 87 47

HSL 11.65, 0.98%, 0.59%

LAB 59.8, 61.31, 55.73

 

CMYK 0 / 59 / 74 / 0

HEX #FF6942

RGB 255 105 66

HSL 12.38, 1%, 0.63%

LAB 63.14, 55.03, 50

 

CMYK 0 / 52 / 67 / 0

HEX #FF7B55

RGB 255 123 85

HSL 13.41, 1%, 0.67%

LAB 66.58, 47.57, 44.09

 

CMYK 0 / 45 / 59 / 0

HEX #FF8D68

RGB 255 141 104

HSL 14.7, 1%, 0.7%

LAB 70.39, 39.85, 38.65

 

CMYK 0 / 70 / 86 / 9

HEX #E74521

RGB 231 69 33

HSL 10.91, 0.8%, 0.52%

LAB 53.34, 60.74, 54.78

 

CMYK 0 / 76 / 93 / 16

HEX #D6330E

RGB 214 51 14

HSL 11.1, 0.88%, 0.45%

LAB 47.87, 61.27, 56.41

 

CMYK 0 / 83 / 100 / 23

HEX #C52100

RGB 197 33 0

HSL 10.05, 1%, 0.39%

LAB 42.7, 61.11, 55.98

 

CMYK 0 / 92 / 100 / 29

HEX #B40F00

RGB 180 15 0

HSL 5, 1%, 0.35%

LAB 37.92, 59.89, 51.97

 

CMYK 0 / 100 / 100 / 36

HEX #A30000

RGB 163 0 0

HSL 0, 1%, 0.32%

LAB 33.53, 57.32, 47.71

 

CMYK 0 / 70 / 85 / 10

HEX #E64622

RGB 230 70 34

HSL 11.02, 0.8%, 0.52%

LAB 53.3, 60.07, 54.25

 

CMYK 0 / 85 / 85 / 10

HEX #E62222

RGB 230 34 34

HSL 0, 0.8%, 0.52%

LAB 49.6, 70.42, 51.13

 

CMYK 0 / 70 / 85 / 10

HEX #E64622

RGB 230 70 34

HSL 11.02, 0.8%, 0.52%

LAB 53.3, 60.07, 54.25

 

CMYK 0 / 47 / 85 / 10

HEX #E67B22

RGB 230 123 34

HSL 27.24, 0.8%, 0.52%

LAB 62.6, 35.94, 61.99

 

CMYK 0 / 24 / 85 / 10

HEX #E6AF22

RGB 230 175 34

HSL 43.16, 0.8%, 0.52%

LAB 74.57, 8.48, 71.84

 

CMYK 0 / 1 / 85 / 10

HEX #E6E422

RGB 230 228 34

HSL 59.39, 0.8%, 0.52%

LAB 88.17, -18.52, 82.94

 

CMYK 22 / 0 / 85 / 10

HEX #B3E622

RGB 179 230 34

HSL 75.61, 0.8%, 0.52%

LAB 85.15, -40.09, 78.97

 

CMYK 0 / 70 / 85 / 10

HEX #E64622

RGB 230 70 34

HSL 11.02, 0.8%, 0.52%

LAB 53.3, 60.07, 54.25

 

CMYK 0 / 77 / 94 / 2

HEX #FA390E

RGB 250 57 14

HSL 10.93, 0.96%, 0.52%

LAB 55.36, 70.1, 64.36

 

CMYK 0 / 70 / 85 / 10

HEX #E64622

RGB 230 70 34

HSL 11.02, 0.8%, 0.52%

LAB 53.3, 60.07, 54.25

 

CMYK 0 / 61 / 74 / 18

HEX #D25236

RGB 210 82 54

HSL 10.77, 0.63%, 0.52%

LAB 51.84, 49, 41.9

 

CMYK 0 / 50 / 61 / 25

HEX #BE5F4A

RGB 190 95 74

HSL 10.86, 0.47%, 0.52%

LAB 51.41, 36.34, 29.54

 

CMYK 0 / 37 / 45 / 33

HEX #AB6C5E

RGB 171 108 94

HSL 10.91, 0.31%, 0.52%

LAB 52.05, 23.48, 18.32

 

CMYK 0 / 21 / 25 / 41

HEX #977871

RGB 151 120 113

HSL 11.05, 0.15%, 0.52%

LAB 53.17, 10.96, 8.43

 

CMYK 0 / 85 / 54 / 10

HEX #E6226A

RGB 230 34 106

HSL 337.96, 0.8%, 0.52%

LAB 50.7, 73.63, 10.75

 

CMYK 0 / 85 / 77 / 10

HEX #E62236

RGB 230 34 54

HSL 353.88, 0.8%, 0.52%

LAB 49.78, 70.96, 40.74

 

CMYK 0 / 71 / 85 / 10

HEX #E64322

RGB 230 67 34

HSL 10.1, 0.8%, 0.52%

LAB 52.9, 61.17, 53.91

 

CMYK 0 / 48 / 85 / 10

HEX #E67722

RGB 230 119 34

HSL 26.02, 0.8%, 0.52%

LAB 61.77, 37.98, 61.3

 

CMYK 0 / 26 / 85 / 10

HEX #E6AB22

RGB 230 171 34

HSL 41.94, 0.8%, 0.52%

LAB 73.59, 10.59, 71.04

 

CMYK 0 / 73 / 89 / 36

HEX #A42C12

RGB 164 44 18

HSL 10.68, 0.8%, 0.36%

LAB 37.37, 47.87, 43.11

 

CMYK 0 / 73 / 89 / 21

HEX #C93616

RGB 201 54 22

HSL 10.73, 0.8%, 0.44%

LAB 45.79, 56.36, 51.01

 

CMYK 0 / 70 / 85 / 10

HEX #E64622

RGB 230 70 34

HSL 11.02, 0.8%, 0.52%

LAB 53.3, 60.07, 54.25

 

CMYK 0 / 57 / 70 / 8

HEX #EA6547

RGB 234 101 71

HSL 11.04, 0.8%, 0.6%

LAB 59.21, 49.65, 42.14

 

CMYK 0 / 45 / 55 / 7

HEX #EE846C

RGB 238 132 108

HSL 11.08, 0.79%, 0.68%

LAB 66.34, 38.28, 30.88

 

CMYK 0 / 70 / 86 / 9

HEX #E74521

RGB 231 69 33

HSL 10.91, 0.8%, 0.52%

LAB 53.34, 60.74, 54.78

 

CMYK 31 / 0 / 85 / 10

HEX #9EE622

RGB 158 230 34

HSL 82.04, 0.8%, 0.52%

LAB 83.95, -47.94, 77.49

 

CMYK 85 / 65 / 0 / 10

HEX #2250E6

RGB 34 80 230

HSL 225.92, 0.8%, 0.52%

LAB 40.88, 40.95, -79.5

 

CMYK 0 / 70 / 86 / 9

HEX #E74521

RGB 231 69 33

HSL 10.91, 0.8%, 0.52%

LAB 53.34, 60.74, 54.78

 

CMYK 85 / 0 / 71 / 10

HEX #22E643

RGB 34 230 67

HSL 130.1, 0.8%, 0.52%

LAB 80.37, -75.07, 63.33

 

CMYK 71 / 85 / 0 / 10

HEX #4322E6

RGB 67 34 230

HSL 250.1, 0.8%, 0.52%

LAB 34.09, 66.75, -90.67

 

CMYK 0 / 70 / 86 / 9

HEX #E74521

RGB 231 69 33

HSL 10.91, 0.8%, 0.52%

LAB 53.34, 60.74, 54.78

 

CMYK 31 / 0 / 85 / 10

HEX #9EE622

RGB 158 230 34

HSL 82.04, 0.8%, 0.52%

LAB 83.95, -47.94, 77.49

 

CMYK 85 / 14 / 0 / 10

HEX #22C5E6

RGB 34 197 230

HSL 190.1, 0.8%, 0.52%

LAB 73.54, -27.86, -27.51

 

CMYK 54 / 85 / 0 / 10

HEX #6A22E6

RGB 106 34 230

HSL 262.04, 0.8%, 0.52%

LAB 37.7, 69.83, -84.58

 

CMYK 0 / 70 / 86 / 9

HEX #E74521

RGB 231 69 33

HSL 10.91, 0.8%, 0.52%

LAB 53.34, 60.74, 54.78

 

CMYK 57 / 0 / 85 / 10

HEX #63E622

RGB 99 230 34

HSL 100.1, 0.8%, 0.52%

LAB 81.49, -66.22, 74.4

 

CMYK 85 / 14 / 0 / 10

HEX #22C5E6

RGB 34 197 230

HSL 190.1, 0.8%, 0.52%

LAB 73.54, -27.86, -27.51

 

CMYK 28 / 85 / 0 / 10

HEX #A522E6

RGB 165 34 230

HSL 280.1, 0.8%, 0.52%

LAB 45.44, 77.02, -71.59

 

Description

Color code: HEX #E74521 | qconv.com Color code: HEX #E74521 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 69 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 69 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 86 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 86% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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