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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 30 248 28 it is the complementary color RGB 225 7 227. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 30 248 28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 30 248 28 shade: RGB 35 248 23, RGB 52 255 42, RGB 69 255 61, RGB 86 255 80 and RGB 103 255 99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 30 248 28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 30 248 28 shade: RGB 30 248 28, RGB 13 230 9, RGB 0 212 0, RGB 0 194 0 and RGB 0 176 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 30 248 28 shade: RGB 29 247 27, RGB 88 247 27, RGB 148 247 27, RGB 207 247 27 and RGB 247 228 27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 30 248 28 shade: RGB 29 247 27, RGB 27 247 84, RGB 27 247 144, RGB 27 247 203 and RGB 27 232 247

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 30 248 28 shade matches the following richer shades: RGB 29 247 27

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 30 248 28 shade: RGB 29 247 27, RGB 48 228 46, RGB 66 210 65, RGB 85 191 84 and RGB 103 172 103

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 30 248 28 shade: RGB 148 247 27, RGB 89 247 27, RGB 31 247 27, RGB 27 247 82 and RGB 27 247 141

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 30 248 28 shade: RGB 7 187 5, RGB 9 227 7, RGB 29 247 27, RGB 69 249 67 and RGB 108 250 107

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 30 248 28 shade: RGB 30 248 28, RGB 27 207 247 and RGB 247 27 119

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 30 248 28 shade: RGB 30 248 28, RGB 27 31 247 and RGB 247 27 31

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 30 248 28 shade: RGB 30 248 28, RGB 27 207 247, RGB 244 27 247 and RGB 247 67 27

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 30 248 28 shade: RGB 30 248 28, RGB 27 141 247, RGB 244 27 247 and RGB 247 134 27

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 89 / 3

HEX #1EF81C

RGB 30 248 28

HSL 119.45, 0.94%, 0.54%

LAB 85.75, -82.57, 78.71

 

Complementary color

CMYK 1 / 97 / 0 / 11

HEX #E107E3

RGB 225 7 227

HSL 299.45, 0.94%, 0.46%

LAB 53.71, 89.19, -56.03

 

CMYK 86 / 0 / 91 / 3

HEX #23F817

RGB 35 248 23

HSL 116.8, 0.94%, 0.53%

LAB 85.78, -82.34, 79.5

 

CMYK 80 / 0 / 84 / 0

HEX #34FF2A

RGB 52 255 42

HSL 117.18, 1%, 0.58%

LAB 88.17, -81.98, 78.21

 

CMYK 73 / 0 / 76 / 0

HEX #45FF3D

RGB 69 255 61

HSL 117.53, 1%, 0.62%

LAB 88.51, -78.73, 73.62

 

CMYK 66 / 0 / 69 / 0

HEX #56FF50

RGB 86 255 80

HSL 117.94, 1%, 0.66%

LAB 88.96, -74.48, 67.8

 

CMYK 60 / 0 / 61 / 0

HEX #67FF63

RGB 103 255 99

HSL 118.46, 1%, 0.69%

LAB 89.54, -69.26, 61.08

 

CMYK 88 / 0 / 89 / 3

HEX #1EF81C

RGB 30 248 28

HSL 119.45, 0.94%, 0.54%

LAB 85.75, -82.57, 78.71

 

CMYK 94 / 0 / 96 / 10

HEX #0DE609

RGB 13 230 9

HSL 118.91, 0.92%, 0.47%

LAB 80.01, -79.13, 76.21

 

CMYK 100 / 0 / 100 / 17

HEX #00D400

RGB 0 212 0

HSL 120, 1%, 0.42%

LAB 74.25, -74.98, 72.36

 

CMYK 100 / 0 / 100 / 24

HEX #00C200

RGB 0 194 0

HSL 120, 1%, 0.38%

LAB 68.45, -70.16, 67.71

 

CMYK 100 / 0 / 100 / 31

HEX #00B000

RGB 0 176 0

HSL 120, 1%, 0.35%

LAB 62.55, -65.26, 62.99

 

CMYK 88 / 0 / 89 / 3

HEX #1DF71B

RGB 29 247 27

HSL 119.45, 0.93%, 0.54%

LAB 85.43, -82.4, 78.59

 

CMYK 64 / 0 / 89 / 3

HEX #58F71B

RGB 88 247 27

HSL 103.36, 0.93%, 0.54%

LAB 86.34, -74.47, 79.73

 

CMYK 40 / 0 / 89 / 3

HEX #94F71B

RGB 148 247 27

HSL 87, 0.93%, 0.54%

LAB 88.4, -58.37, 82.28

 

CMYK 16 / 0 / 89 / 3

HEX #CFF71B

RGB 207 247 27

HSL 70.91, 0.93%, 0.54%

LAB 91.62, -36.92, 86.24

 

CMYK 0 / 8 / 89 / 3

HEX #F7E41B

RGB 247 228 27

HSL 54.82, 0.93%, 0.54%

LAB 89.55, -11.53, 85.87

 

CMYK 88 / 0 / 89 / 3

HEX #1DF71B

RGB 29 247 27

HSL 119.45, 0.93%, 0.54%

LAB 85.43, -82.4, 78.59

 

CMYK 89 / 0 / 66 / 3

HEX #1BF754

RGB 27 247 84

HSL 135.55, 0.93%, 0.54%

LAB 85.7, -78.93, 62.55

 

CMYK 89 / 0 / 42 / 3

HEX #1BF790

RGB 27 247 144

HSL 151.91, 0.93%, 0.54%

LAB 86.39, -70.59, 36.2

 

CMYK 89 / 0 / 18 / 3

HEX #1BF7CB

RGB 27 247 203

HSL 168, 0.93%, 0.54%

LAB 87.52, -57.97, 7.63

 

CMYK 89 / 6 / 0 / 3

HEX #1BE8F7

RGB 27 232 247

HSL 184.09, 0.93%, 0.54%

LAB 84.31, -39.53, -20.19

 

CMYK 88 / 0 / 89 / 3

HEX #1DF71B

RGB 29 247 27

HSL 119.45, 0.93%, 0.54%

LAB 85.43, -82.4, 78.59

 

CMYK 88 / 0 / 89 / 3

HEX #1DF71B

RGB 29 247 27

HSL 119.45, 0.93%, 0.54%

LAB 85.43, -82.4, 78.59

 

CMYK 79 / 0 / 80 / 11

HEX #30E42E

RGB 48 228 46

HSL 119.34, 0.77%, 0.54%

LAB 79.79, -74.53, 69.53

 

CMYK 69 / 0 / 69 / 18

HEX #42D241

RGB 66 210 65

HSL 119.59, 0.62%, 0.54%

LAB 74.59, -64.89, 58.19

 

CMYK 55 / 0 / 56 / 25

HEX #55BF54

RGB 85 191 84

HSL 119.44, 0.46%, 0.54%

LAB 69.35, -51.96, 44.29

 

CMYK 40 / 0 / 40 / 33

HEX #67AC67

RGB 103 172 103

HSL 120, 0.29%, 0.54%

LAB 64.46, -36.15, 28.81

 

CMYK 40 / 0 / 89 / 3

HEX #94F71B

RGB 148 247 27

HSL 87, 0.93%, 0.54%

LAB 88.4, -58.37, 82.28

 

CMYK 64 / 0 / 89 / 3

HEX #59F71B

RGB 89 247 27

HSL 103.09, 0.93%, 0.54%

LAB 86.37, -74.26, 79.76

 

CMYK 87 / 0 / 89 / 3

HEX #1FF71B

RGB 31 247 27

HSL 118.91, 0.93%, 0.54%

LAB 85.45, -82.26, 78.61

 

CMYK 89 / 0 / 67 / 3

HEX #1BF752

RGB 27 247 82

HSL 135, 0.93%, 0.54%

LAB 85.69, -79.12, 63.31

 

CMYK 89 / 0 / 43 / 3

HEX #1BF78D

RGB 27 247 141

HSL 151.09, 0.93%, 0.54%

LAB 86.34, -71.12, 37.62

 

CMYK 96 / 0 / 97 / 27

HEX #07BB05

RGB 7 187 5

HSL 119.34, 0.95%, 0.38%

LAB 66.21, -67.84, 65.33

 

CMYK 96 / 0 / 97 / 11

HEX #09E307

RGB 9 227 7

HSL 119.45, 0.94%, 0.46%

LAB 79.05, -78.51, 75.6

 

CMYK 88 / 0 / 89 / 3

HEX #1DF71B

RGB 29 247 27

HSL 119.45, 0.93%, 0.54%

LAB 85.43, -82.4, 78.59

 

CMYK 72 / 0 / 73 / 2

HEX #45F943

RGB 69 249 67

HSL 119.34, 0.94%, 0.62%

LAB 86.71, -76.52, 69.94

 

CMYK 57 / 0 / 57 / 2

HEX #6CFA6B

RGB 108 250 107

HSL 119.58, 0.93%, 0.7%

LAB 88.27, -65.52, 56.23

 

CMYK 88 / 0 / 89 / 3

HEX #1EF81C

RGB 30 248 28

HSL 119.45, 0.94%, 0.54%

LAB 85.75, -82.57, 78.71

 

CMYK 89 / 16 / 0 / 3

HEX #1BCFF7

RGB 27 207 247

HSL 190.91, 0.93%, 0.54%

LAB 77.03, -27.68, -31.3

 

CMYK 0 / 89 / 52 / 3

HEX #F71B77

RGB 247 27 119

HSL 334.91, 0.93%, 0.54%

LAB 53.91, 79.74, 7.88

 

CMYK 88 / 0 / 89 / 3

HEX #1EF81C

RGB 30 248 28

HSL 119.45, 0.94%, 0.54%

LAB 85.75, -82.57, 78.71

 

CMYK 89 / 87 / 0 / 3

HEX #1B1FF7

RGB 27 31 247

HSL 238.91, 0.93%, 0.54%

LAB 33.83, 70.89, -100.79

 

CMYK 0 / 89 / 87 / 3

HEX #F71B1F

RGB 247 27 31

HSL 358.91, 0.93%, 0.54%

LAB 52.57, 75.97, 56.33

 

CMYK 88 / 0 / 89 / 3

HEX #1EF81C

RGB 30 248 28

HSL 119.45, 0.94%, 0.54%

LAB 85.75, -82.57, 78.71

 

CMYK 89 / 16 / 0 / 3

HEX #1BCFF7

RGB 27 207 247

HSL 190.91, 0.93%, 0.54%

LAB 77.03, -27.68, -31.3

 

CMYK 1 / 89 / 0 / 3

HEX #F41BF7

RGB 244 27 247

HSL 299.18, 0.93%, 0.54%

LAB 58.73, 93.27, -59.06

 

CMYK 0 / 73 / 89 / 3

HEX #F7431B

RGB 247 67 27

HSL 10.91, 0.93%, 0.54%

LAB 55.95, 66.29, 60.43

 

CMYK 88 / 0 / 89 / 3

HEX #1EF81C

RGB 30 248 28

HSL 119.45, 0.94%, 0.54%

LAB 85.75, -82.57, 78.71

 

CMYK 89 / 43 / 0 / 3

HEX #1B8DF7

RGB 27 141 247

HSL 208.91, 0.93%, 0.54%

LAB 58.04, 8.61, -61.16

 

CMYK 1 / 89 / 0 / 3

HEX #F41BF7

RGB 244 27 247

HSL 299.18, 0.93%, 0.54%

LAB 58.73, 93.27, -59.06

 

CMYK 0 / 46 / 89 / 3

HEX #F7861B

RGB 247 134 27

HSL 29.18, 0.93%, 0.54%

LAB 67.2, 36.97, 68.73

 

Description

Color code: RGB 30 248 28 | qconv.com Color code: RGB 30 248 28 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 248 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 248 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 89 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 89% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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