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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFF71B it is the complementary color #3008E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFF71B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFF71B shade: #D4F716, #E5FF29, #F6FF3C, #FFFF4F and #FFFF62

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFF71B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFF71B shade: #CFF71B, #BEE508, #ADD300, #9CC100 and #8BAF00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFF71B shade: #CFF61C, #F6E31C, #F6A81C, #F66D1C and #F6331C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFF71B shade: #CFF61C, #94F61C, #59F61C, #1EF61C and #1CF655

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFF71B shade matches the following richer shades: #CFF61C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFF71B shade: #CFF61C, #C3E32F, #B6D042, #AABD55 and #9EAA68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFF71B shade: #F6A61C, #F6E01C, #D2F61C, #98F61C and #5EF61C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFF71B shade: #99BA06, #BAE108, #CFF61C, #D7F844 and #DFF96C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFF71B shade: #CFF71B, #1CF66C and #C31CF6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFF71B shade: #CFF71B, #1CD2F6 and #F61CD2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFF71B shade: #CFF71B, #1CF66C, #401CF6 and #F61CA6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFF71B shade: #CFF71B, #1CF6AE, #401CF6 and #F61C65

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 89 / 3

HEX #CFF71B

RGB 207 247 27

HSL 70.91, 0.93%, 0.54%

LAB 91.62, -36.92, 86.24

 

Complementary color

CMYK 79 / 96 / 0 / 11

HEX #3008E4

RGB 48 8 228

HSL 250.91, 0.93%, 0.46%

LAB 30.41, 72.01, -95.69

 

CMYK 14 / 0 / 91 / 3

HEX #D4F716

RGB 212 247 22

HSL 69.33, 0.93%, 0.53%

LAB 91.94, -35.03, 87.32

 

CMYK 10 / 0 / 84 / 0

HEX #E5FF29

RGB 229 255 41

HSL 67.29, 1%, 0.58%

LAB 95.3, -31.53, 87.38

 

CMYK 4 / 0 / 76 / 0

HEX #F6FF3C

RGB 246 255 60

HSL 62.77, 1%, 0.62%

LAB 96.59, -24.13, 84.37

 

CMYK 0 / 0 / 69 / 0

HEX #FFFF4F

RGB 255 255 79

HSL 60, 1%, 0.65%

LAB 97.37, -19.71, 79.39

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF62

RGB 255 255 98

HSL 60, 1%, 0.69%

LAB 97.5, -18.69, 72.47

 

CMYK 16 / 0 / 89 / 3

HEX #CFF71B

RGB 207 247 27

HSL 70.91, 0.93%, 0.54%

LAB 91.62, -36.92, 86.24

 

CMYK 17 / 0 / 97 / 10

HEX #BEE508

RGB 190 229 8

HSL 70.59, 0.93%, 0.46%

LAB 85.51, -35.79, 83.11

 

CMYK 18 / 0 / 100 / 17

HEX #ADD300

RGB 173 211 0

HSL 70.81, 1%, 0.41%

LAB 79.31, -34.5, 78.62

 

CMYK 19 / 0 / 100 / 24

HEX #9CC100

RGB 156 193 0

HSL 71.5, 1%, 0.38%

LAB 73.03, -33.1, 73.38

 

CMYK 21 / 0 / 100 / 31

HEX #8BAF00

RGB 139 175 0

HSL 72.34, 1%, 0.34%

LAB 66.63, -31.7, 68.06

 

CMYK 16 / 0 / 89 / 4

HEX #CFF61C

RGB 207 246 28

HSL 70.73, 0.92%, 0.54%

LAB 91.35, -36.45, 85.87

 

CMYK 0 / 8 / 89 / 4

HEX #F6E31C

RGB 246 227 28

HSL 54.77, 0.92%, 0.54%

LAB 89.21, -11.44, 85.41

 

CMYK 0 / 32 / 89 / 4

HEX #F6A81C

RGB 246 168 28

HSL 38.53, 0.92%, 0.54%

LAB 74.62, 18.89, 74.08

 

CMYK 0 / 56 / 89 / 4

HEX #F66D1C

RGB 246 109 28

HSL 22.29, 0.92%, 0.54%

LAB 62.18, 48.88, 64.61

 

CMYK 0 / 79 / 89 / 4

HEX #F6331C

RGB 246 51 28

HSL 6.33, 0.92%, 0.54%

LAB 54.07, 70.77, 58.61

 

CMYK 16 / 0 / 89 / 4

HEX #CFF61C

RGB 207 246 28

HSL 70.73, 0.92%, 0.54%

LAB 91.35, -36.45, 85.87

 

CMYK 40 / 0 / 89 / 4

HEX #94F61C

RGB 148 246 28

HSL 86.97, 0.92%, 0.54%

LAB 88.11, -57.96, 81.88

 

CMYK 64 / 0 / 89 / 4

HEX #59F61C

RGB 89 246 28

HSL 103.21, 0.92%, 0.54%

LAB 86.07, -73.92, 79.34

 

CMYK 88 / 0 / 89 / 4

HEX #1EF61C

RGB 30 246 28

HSL 119.45, 0.92%, 0.54%

LAB 85.13, -82.03, 78.18

 

CMYK 89 / 0 / 65 / 4

HEX #1CF655

RGB 28 246 85

HSL 135.69, 0.92%, 0.54%

LAB 85.41, -78.48, 61.84

 

CMYK 16 / 0 / 89 / 4

HEX #CFF61C

RGB 207 246 28

HSL 70.73, 0.92%, 0.54%

LAB 91.35, -36.45, 85.87

 

CMYK 16 / 0 / 89 / 4

HEX #CFF61C

RGB 207 246 28

HSL 70.73, 0.92%, 0.54%

LAB 91.35, -36.45, 85.87

 

CMYK 14 / 0 / 79 / 11

HEX #C3E32F

RGB 195 227 47

HSL 70.67, 0.76%, 0.54%

LAB 85.38, -32.03, 76.53

 

CMYK 13 / 0 / 68 / 18

HEX #B6D042

RGB 182 208 66

HSL 70.99, 0.6%, 0.54%

LAB 79.3, -27.44, 64.34

 

CMYK 10 / 0 / 55 / 26

HEX #AABD55

RGB 170 189 85

HSL 70.96, 0.44%, 0.54%

LAB 73.28, -21.69, 49.56

 

CMYK 7 / 0 / 39 / 33

HEX #9EAA68

RGB 158 170 104

HSL 70.91, 0.28%, 0.54%

LAB 67.29, -14.93, 32.61

 

CMYK 0 / 33 / 89 / 4

HEX #F6A61C

RGB 246 166 28

HSL 37.98, 0.92%, 0.54%

LAB 74.16, 19.94, 73.72

 

CMYK 0 / 9 / 89 / 4

HEX #F6E01C

RGB 246 224 28

HSL 53.94, 0.92%, 0.54%

LAB 88.44, -9.96, 84.81

 

CMYK 15 / 0 / 89 / 4

HEX #D2F61C

RGB 210 246 28

HSL 69.91, 0.92%, 0.54%

LAB 91.55, -35.27, 86.11

 

CMYK 38 / 0 / 89 / 4

HEX #98F61C

RGB 152 246 28

HSL 85.87, 0.92%, 0.54%

LAB 88.29, -56.64, 82.11

 

CMYK 62 / 0 / 89 / 4

HEX #5EF61C

RGB 94 246 28

HSL 101.83, 0.92%, 0.54%

LAB 86.19, -72.85, 79.5

 

CMYK 18 / 0 / 97 / 27

HEX #99BA06

RGB 153 186 6

HSL 71, 0.94%, 0.38%

LAB 70.8, -30.99, 70.94

 

CMYK 17 / 0 / 96 / 12

HEX #BAE108

RGB 186 225 8

HSL 70.78, 0.93%, 0.46%

LAB 84.13, -35.57, 81.94

 

CMYK 16 / 0 / 89 / 4

HEX #CFF61C

RGB 207 246 28

HSL 70.73, 0.92%, 0.54%

LAB 91.35, -36.45, 85.87

 

CMYK 13 / 0 / 73 / 3

HEX #D7F844

RGB 215 248 68

HSL 71, 0.93%, 0.62%

LAB 92.57, -32.89, 77.44

 

CMYK 10 / 0 / 57 / 2

HEX #DFF96C

RGB 223 249 108

HSL 71.06, 0.92%, 0.7%

LAB 93.68, -27.73, 63.49

 

CMYK 16 / 0 / 89 / 3

HEX #CFF71B

RGB 207 247 27

HSL 70.91, 0.93%, 0.54%

LAB 91.62, -36.92, 86.24

 

CMYK 89 / 0 / 56 / 4

HEX #1CF66C

RGB 28 246 108

HSL 142.02, 0.92%, 0.54%

LAB 85.63, -75.8, 52.32

 

CMYK 21 / 89 / 0 / 4

HEX #C31CF6

RGB 195 28 246

HSL 285.96, 0.92%, 0.54%

LAB 50.79, 85.42, -71.7

 

CMYK 16 / 0 / 89 / 3

HEX #CFF71B

RGB 207 247 27

HSL 70.91, 0.93%, 0.54%

LAB 91.62, -36.92, 86.24

 

CMYK 89 / 15 / 0 / 4

HEX #1CD2F6

RGB 28 210 246

HSL 189.91, 0.92%, 0.54%

LAB 77.87, -29.42, -29.46

 

CMYK 0 / 89 / 15 / 4

HEX #F61CD2

RGB 246 28 210

HSL 309.91, 0.92%, 0.54%

LAB 57.15, 88.47, -40.69

 

CMYK 16 / 0 / 89 / 3

HEX #CFF71B

RGB 207 247 27

HSL 70.91, 0.93%, 0.54%

LAB 91.62, -36.92, 86.24

 

CMYK 89 / 0 / 56 / 4

HEX #1CF66C

RGB 28 246 108

HSL 142.02, 0.92%, 0.54%

LAB 85.63, -75.8, 52.32

 

CMYK 74 / 89 / 0 / 4

HEX #401CF6

RGB 64 28 246

HSL 249.91, 0.92%, 0.54%

LAB 35.15, 72.71, -97.99

 

CMYK 0 / 89 / 33 / 4

HEX #F61CA6

RGB 246 28 166

HSL 322.02, 0.92%, 0.54%

LAB 55.25, 83.45, -18.16

 

CMYK 16 / 0 / 89 / 3

HEX #CFF71B

RGB 207 247 27

HSL 70.91, 0.93%, 0.54%

LAB 91.62, -36.92, 86.24

 

CMYK 89 / 0 / 29 / 4

HEX #1CF6AE

RGB 28 246 174

HSL 160.18, 0.92%, 0.54%

LAB 86.61, -64.26, 21.35

 

CMYK 74 / 89 / 0 / 4

HEX #401CF6

RGB 64 28 246

HSL 249.91, 0.92%, 0.54%

LAB 35.15, 72.71, -97.99

 

CMYK 0 / 89 / 59 / 4

HEX #F61C65

RGB 246 28 101

HSL 339.91, 0.92%, 0.54%

LAB 53.34, 78.19, 17.93

 

Description

Color code: HEX #CFF71B | qconv.com Color code: HEX #CFF71B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 247 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 247 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 89 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 89% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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