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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 33 185 133 it is the complementary color RGB 222 70 122. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 33 185 133. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 33 185 133 shade: RGB 38 185 128, RGB 55 203 147, RGB 72 221 166, RGB 89 239 185 and RGB 106 255 204

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 33 185 133. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 33 185 133 shade: RGB 33 185 133, RGB 16 167 114, RGB 0 149 95, RGB 0 131 76 and RGB 0 113 57

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 33 185 133 shade: RGB 32 186 133, RGB 32 186 92, RGB 32 186 51, RGB 56 186 32 and RGB 97 186 32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 33 185 133 shade: RGB 32 186 133, RGB 32 186 175, RGB 32 156 186, RGB 32 114 186 and RGB 32 73 186

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 33 185 133 shade matches the following richer shades: RGB 32 186 133 and RGB 15 204 139

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 33 185 133 shade: RGB 32 186 133, RGB 50 168 128, RGB 68 150 122, RGB 86 133 117 and RGB 103 115 111

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 33 185 133 shade: RGB 32 186 50, RGB 32 186 91, RGB 32 186 132, RGB 32 186 173 and RGB 32 158 186

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 33 185 133 shade: RGB 20 116 83, RGB 26 151 108, RGB 32 186 133, RGB 42 217 157 and RGB 78 223 173

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 33 185 133 shade: RGB 33 185 133, RGB 32 55 186 and RGB 186 71 32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 33 185 133 shade: RGB 33 185 133, RGB 132 32 186 and RGB 186 132 32

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 33 185 133 shade: RGB 33 185 133, RGB 32 55 186, RGB 186 32 86 and RGB 186 163 32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 33 185 133 shade: RGB 33 185 133, RGB 55 32 186, RGB 186 32 86 and RGB 163 186 32

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 28 / 27

HEX #21B985

RGB 33 185 133

HSL 159.47, 0.7%, 0.43%

LAB 67.06, -50.06, 15.87

 

Complementary color

CMYK 0 / 68 / 45 / 13

HEX #DE467A

RGB 222 70 122

HSL 339.47, 0.7%, 0.57%

LAB 53.29, 62.51, 4.58

 

CMYK 79 / 0 / 31 / 27

HEX #26B980

RGB 38 185 128

HSL 156.73, 0.66%, 0.44%

LAB 67.03, -50.68, 18.54

 

CMYK 73 / 0 / 28 / 20

HEX #37CB93

RGB 55 203 147

HSL 157.3, 0.59%, 0.51%

LAB 73.31, -51.46, 17.07

 

CMYK 67 / 0 / 25 / 13

HEX #48DDA6

RGB 72 221 166

HSL 157.85, 0.69%, 0.57%

LAB 79.52, -51.96, 15.73

 

CMYK 63 / 0 / 23 / 6

HEX #59EFB9

RGB 89 239 185

HSL 158.4, 0.82%, 0.64%

LAB 85.69, -52.26, 14.51

 

CMYK 58 / 0 / 20 / 0

HEX #6AFFCC

RGB 106 255 204

HSL 159.46, 1%, 0.71%

LAB 91.21, -51.59, 12.56

 

CMYK 82 / 0 / 28 / 27

HEX #21B985

RGB 33 185 133

HSL 159.47, 0.7%, 0.43%

LAB 67.06, -50.06, 15.87

 

CMYK 90 / 0 / 32 / 35

HEX #10A772

RGB 16 167 114

HSL 158.94, 0.83%, 0.36%

LAB 60.75, -48.72, 17.49

 

CMYK 100 / 0 / 36 / 42

HEX #00955F

RGB 0 149 95

HSL 158.26, 1%, 0.29%

LAB 54.37, -46.93, 19.28

 

CMYK 100 / 0 / 42 / 49

HEX #00834C

RGB 0 131 76

HSL 154.81, 1%, 0.26%

LAB 47.95, -44.25, 21.32

 

CMYK 100 / 0 / 50 / 56

HEX #007139

RGB 0 113 57

HSL 150.27, 1%, 0.22%

LAB 41.38, -41.38, 23.44

 

CMYK 83 / 0 / 28 / 27

HEX #20BA85

RGB 32 186 133

HSL 159.35, 0.71%, 0.43%

LAB 67.37, -50.54, 16.29

 

CMYK 83 / 0 / 51 / 27

HEX #20BA5C

RGB 32 186 92

HSL 143.38, 0.71%, 0.43%

LAB 66.67, -58.52, 36.88

 

CMYK 83 / 0 / 73 / 27

HEX #20BA33

RGB 32 186 51

HSL 127.4, 0.71%, 0.43%

LAB 66.26, -63.5, 54.62

 

CMYK 70 / 0 / 83 / 27

HEX #38BA20

RGB 56 186 32

HSL 110.65, 0.71%, 0.43%

LAB 66.57, -61.25, 61.1

 

CMYK 48 / 0 / 83 / 27

HEX #61BA20

RGB 97 186 32

HSL 94.68, 0.71%, 0.43%

LAB 67.85, -50.96, 62.74

 

CMYK 83 / 0 / 28 / 27

HEX #20BA85

RGB 32 186 133

HSL 159.35, 0.71%, 0.43%

LAB 67.37, -50.54, 16.29

 

CMYK 83 / 0 / 6 / 27

HEX #20BAAF

RGB 32 186 175

HSL 175.71, 0.71%, 0.43%

LAB 68.4, -39.68, -5.23

 

CMYK 83 / 16 / 0 / 27

HEX #209CBA

RGB 32 156 186

HSL 191.69, 0.71%, 0.43%

LAB 59.55, -21.73, -24.72

 

CMYK 83 / 39 / 0 / 27

HEX #2072BA

RGB 32 114 186

HSL 208.05, 0.71%, 0.43%

LAB 46.83, 2.23, -44.64

 

CMYK 83 / 61 / 0 / 27

HEX #2049BA

RGB 32 73 186

HSL 224.03, 0.71%, 0.43%

LAB 35.24, 28.87, -63.34

 

CMYK 83 / 0 / 28 / 27

HEX #20BA85

RGB 32 186 133

HSL 159.35, 0.71%, 0.43%

LAB 67.37, -50.54, 16.29

 

CMYK 93 / 0 / 32 / 20

HEX #0FCC8B

RGB 15 204 139

HSL 159.37, 0.86%, 0.43%

LAB 72.99, -57.15, 20.81

 

CMYK 83 / 0 / 28 / 27

HEX #20BA85

RGB 32 186 133

HSL 159.35, 0.71%, 0.43%

LAB 67.37, -50.54, 16.29

 

CMYK 70 / 0 / 24 / 34

HEX #32A880

RGB 50 168 128

HSL 159.66, 0.54%, 0.43%

LAB 61.86, -42.17, 11.38

 

CMYK 55 / 0 / 19 / 41

HEX #44967A

RGB 68 150 122

HSL 159.51, 0.38%, 0.43%

LAB 56.53, -32.02, 7.26

 

CMYK 35 / 0 / 12 / 48

HEX #568575

RGB 86 133 117

HSL 159.57, 0.21%, 0.43%

LAB 51.88, -19.79, 3.57

 

CMYK 10 / 0 / 3 / 55

HEX #67736F

RGB 103 115 111

HSL 160, 0.06%, 0.43%

LAB 47.36, -5.35, 0.67

 

CMYK 83 / 0 / 73 / 27

HEX #20BA32

RGB 32 186 50

HSL 127.01, 0.71%, 0.43%

LAB 66.26, -63.59, 54.98

 

CMYK 83 / 0 / 51 / 27

HEX #20BA5B

RGB 32 186 91

HSL 142.99, 0.71%, 0.43%

LAB 66.66, -58.67, 37.36

 

CMYK 83 / 0 / 29 / 27

HEX #20BA84

RGB 32 186 132

HSL 158.96, 0.71%, 0.43%

LAB 67.35, -50.77, 16.8

 

CMYK 83 / 0 / 7 / 27

HEX #20BAAD

RGB 32 186 173

HSL 174.94, 0.71%, 0.43%

LAB 68.35, -40.25, -4.21

 

CMYK 83 / 15 / 0 / 27

HEX #209EBA

RGB 32 158 186

HSL 190.91, 0.71%, 0.43%

LAB 60.16, -22.77, -23.78

 

CMYK 83 / 0 / 28 / 55

HEX #147453

RGB 20 116 83

HSL 159.38, 0.71%, 0.27%

LAB 43.16, -35, 10.82

 

CMYK 83 / 0 / 28 / 41

HEX #1A976C

RGB 26 151 108

HSL 159.36, 0.71%, 0.35%

LAB 55.52, -42.96, 13.62

 

CMYK 83 / 0 / 28 / 27

HEX #20BA85

RGB 32 186 133

HSL 159.35, 0.71%, 0.43%

LAB 67.37, -50.54, 16.29

 

CMYK 81 / 0 / 28 / 15

HEX #2AD99D

RGB 42 217 157

HSL 159.43, 0.7%, 0.51%

LAB 77.61, -56.19, 17.72

 

CMYK 65 / 0 / 22 / 13

HEX #4EDFAD

RGB 78 223 173

HSL 159.31, 0.69%, 0.59%

LAB 80.41, -50.24, 13.31

 

CMYK 82 / 0 / 28 / 27

HEX #21B985

RGB 33 185 133

HSL 159.47, 0.7%, 0.43%

LAB 67.06, -50.06, 15.87

 

CMYK 83 / 70 / 0 / 27

HEX #2037BA

RGB 32 55 186

HSL 231.04, 0.71%, 0.43%

LAB 30.84, 40.46, -70.55

 

CMYK 0 / 62 / 83 / 27

HEX #BA4720

RGB 186 71 32

HSL 15.19, 0.71%, 0.43%

LAB 45.7, 44.55, 45.5

 

CMYK 82 / 0 / 28 / 27

HEX #21B985

RGB 33 185 133

HSL 159.47, 0.7%, 0.43%

LAB 67.06, -50.06, 15.87

 

CMYK 29 / 83 / 0 / 27

HEX #8420BA

RGB 132 32 186

HSL 278.96, 0.71%, 0.43%

LAB 36.9, 63.8, -60.25

 

CMYK 0 / 29 / 83 / 27

HEX #BA8420

RGB 186 132 32

HSL 38.96, 0.71%, 0.43%

LAB 59.02, 12.33, 57.38

 

CMYK 82 / 0 / 28 / 27

HEX #21B985

RGB 33 185 133

HSL 159.47, 0.7%, 0.43%

LAB 67.06, -50.06, 15.87

 

CMYK 83 / 70 / 0 / 27

HEX #2037BA

RGB 32 55 186

HSL 231.04, 0.71%, 0.43%

LAB 30.84, 40.46, -70.55

 

CMYK 0 / 83 / 54 / 27

HEX #BA2056

RGB 186 32 86

HSL 338.96, 0.71%, 0.43%

LAB 41.44, 61.45, 8.91

 

CMYK 0 / 12 / 83 / 27

HEX #BAA320

RGB 186 163 32

HSL 51.04, 0.71%, 0.43%

LAB 67.08, -4.54, 64.34

 

CMYK 82 / 0 / 28 / 27

HEX #21B985

RGB 33 185 133

HSL 159.47, 0.7%, 0.43%

LAB 67.06, -50.06, 15.87

 

CMYK 70 / 83 / 0 / 27

HEX #3720BA

RGB 55 32 186

HSL 248.96, 0.71%, 0.43%

LAB 27.82, 54.45, -75.51

 

CMYK 0 / 83 / 54 / 27

HEX #BA2056

RGB 186 32 86

HSL 338.96, 0.71%, 0.43%

LAB 41.44, 61.45, 8.91

 

CMYK 12 / 0 / 83 / 27

HEX #A3BA20

RGB 163 186 32

HSL 68.96, 0.71%, 0.43%

LAB 71.56, -26.27, 67.44

 

Description

Color code: RGB 33 185 133 | qconv.com Color code: RGB 33 185 133 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 185 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 185 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 28 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 28% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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