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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #10A772 it is the complementary color #EF588D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #10A772. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #10A772 shade: #15A76D, #26B980, #37CB93, #48DDA6 and #59EFB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #10A772. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #10A772 shade: #10A772, #00955F, #00834C, #007139 and #005F26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #10A772 shade: #0FA772, #0FA749, #0FA720, #27A70F and #51A70F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #10A772 shade: #0FA772, #0FA79B, #0F8BA7, #0F62A7 and #0F39A7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #10A772 shade matches the following richer shades: #0FA772 and #00B676

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #10A772 shade: #0FA772, #1E996E, #2D8A69, #3C7B65 and #4B6C60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #10A772 shade: #0FA71E, #0FA747, #0FA770, #0FA798 and #0F8EA7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #10A772 shade: #085C3F, #0C8258, #0FA772, #13CD8C and #1FEAA3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #10A772 shade: #10A772, #0F29A7 and #A7330F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #10A772 shade: #10A772, #700FA7 and #A7700F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #10A772 shade: #10A772, #0F29A7, #A70F47 and #A78E0F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #10A772 shade: #10A772, #230FA7, #A70F47 and #93A70F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 32 / 35

HEX #10A772

RGB 16 167 114

HSL 158.94, 0.83%, 0.36%

LAB 60.75, -48.72, 17.49

 

Complementary color

CMYK 0 / 63 / 41 / 6

HEX #EF588D

RGB 239 88 141

HSL 338.94, 0.83%, 0.64%

LAB 59.21, 62.31, 2.26

 

CMYK 87 / 0 / 35 / 35

HEX #15A76D

RGB 21 167 109

HSL 156.16, 0.78%, 0.37%

LAB 60.69, -49.48, 20.16

 

CMYK 79 / 0 / 31 / 27

HEX #26B980

RGB 38 185 128

HSL 156.73, 0.66%, 0.44%

LAB 67.03, -50.68, 18.54

 

CMYK 73 / 0 / 28 / 20

HEX #37CB93

RGB 55 203 147

HSL 157.3, 0.59%, 0.51%

LAB 73.31, -51.46, 17.07

 

CMYK 67 / 0 / 25 / 13

HEX #48DDA6

RGB 72 221 166

HSL 157.85, 0.69%, 0.57%

LAB 79.52, -51.96, 15.73

 

CMYK 63 / 0 / 23 / 6

HEX #59EFB9

RGB 89 239 185

HSL 158.4, 0.82%, 0.64%

LAB 85.69, -52.26, 14.51

 

CMYK 90 / 0 / 32 / 35

HEX #10A772

RGB 16 167 114

HSL 158.94, 0.83%, 0.36%

LAB 60.75, -48.72, 17.49

 

CMYK 100 / 0 / 36 / 42

HEX #00955F

RGB 0 149 95

HSL 158.26, 1%, 0.29%

LAB 54.37, -46.93, 19.28

 

CMYK 100 / 0 / 42 / 49

HEX #00834C

RGB 0 131 76

HSL 154.81, 1%, 0.26%

LAB 47.95, -44.25, 21.32

 

CMYK 100 / 0 / 50 / 56

HEX #007139

RGB 0 113 57

HSL 150.27, 1%, 0.22%

LAB 41.38, -41.38, 23.44

 

CMYK 100 / 0 / 60 / 63

HEX #005F26

RGB 0 95 38

HSL 144, 1%, 0.19%

LAB 34.65, -38.21, 25.57

 

CMYK 91 / 0 / 32 / 35

HEX #0FA772

RGB 15 167 114

HSL 159.08, 0.84%, 0.36%

LAB 60.74, -48.77, 17.48

 

CMYK 91 / 0 / 56 / 35

HEX #0FA749

RGB 15 167 73

HSL 142.89, 0.84%, 0.36%

LAB 60.09, -56.46, 38.18

 

CMYK 91 / 0 / 81 / 35

HEX #0FA720

RGB 15 167 32

HSL 126.71, 0.84%, 0.36%

LAB 59.75, -60.71, 54.54

 

CMYK 77 / 0 / 91 / 35

HEX #27A70F

RGB 39 167 15

HSL 110.53, 0.84%, 0.36%

LAB 59.98, -58.87, 58.91

 

CMYK 51 / 0 / 91 / 35

HEX #51A70F

RGB 81 167 15

HSL 93.95, 0.84%, 0.36%

LAB 61.15, -49.2, 60.37

 

CMYK 91 / 0 / 32 / 35

HEX #0FA772

RGB 15 167 114

HSL 159.08, 0.84%, 0.36%

LAB 60.74, -48.77, 17.48

 

CMYK 91 / 0 / 7 / 35

HEX #0FA79B

RGB 15 167 155

HSL 175.26, 0.84%, 0.36%

LAB 61.75, -38.05, -3.96

 

CMYK 91 / 17 / 0 / 35

HEX #0F8BA7

RGB 15 139 167

HSL 191.05, 0.84%, 0.36%

LAB 53.34, -20.48, -23.47

 

CMYK 91 / 41 / 0 / 35

HEX #0F62A7

RGB 15 98 167

HSL 207.24, 0.84%, 0.36%

LAB 40.62, 3.55, -43.44

 

CMYK 91 / 66 / 0 / 35

HEX #0F39A7

RGB 15 57 167

HSL 223.42, 0.84%, 0.36%

LAB 28.95, 31.03, -62.35

 

CMYK 91 / 0 / 32 / 35

HEX #0FA772

RGB 15 167 114

HSL 159.08, 0.84%, 0.36%

LAB 60.74, -48.77, 17.48

 

CMYK 100 / 0 / 35 / 29

HEX #00B676

RGB 0 182 118

HSL 158.9, 1%, 0.36%

LAB 65.56, -54.19, 21.87

 

CMYK 91 / 0 / 32 / 35

HEX #0FA772

RGB 15 167 114

HSL 159.08, 0.84%, 0.36%

LAB 60.74, -48.77, 17.48

 

CMYK 80 / 0 / 28 / 40

HEX #1E996E

RGB 30 153 110

HSL 159.02, 0.67%, 0.36%

LAB 56.27, -42.88, 13.55

 

CMYK 67 / 0 / 24 / 46

HEX #2D8A69

RGB 45 138 105

HSL 158.71, 0.51%, 0.36%

LAB 51.56, -35.45, 9.84

 

CMYK 51 / 0 / 18 / 52

HEX #3C7B65

RGB 60 123 101

HSL 159.05, 0.34%, 0.36%

LAB 47.06, -25.99, 5.85

 

CMYK 31 / 0 / 11 / 58

HEX #4B6C60

RGB 75 108 96

HSL 158.18, 0.18%, 0.36%

LAB 42.86, -14.75, 2.9

 

CMYK 91 / 0 / 82 / 35

HEX #0FA71E

RGB 15 167 30

HSL 125.92, 0.84%, 0.36%

LAB 59.74, -60.83, 55.12

 

CMYK 91 / 0 / 57 / 35

HEX #0FA747

RGB 15 167 71

HSL 142.11, 0.84%, 0.36%

LAB 60.06, -56.74, 39.13

 

CMYK 91 / 0 / 33 / 35

HEX #0FA770

RGB 15 167 112

HSL 158.29, 0.84%, 0.36%

LAB 60.7, -49.23, 18.52

 

CMYK 91 / 0 / 9 / 35

HEX #0FA798

RGB 15 167 152

HSL 174.08, 0.84%, 0.36%

LAB 61.66, -38.92, -2.4

 

CMYK 91 / 15 / 0 / 35

HEX #0F8EA7

RGB 15 142 167

HSL 189.87, 0.84%, 0.36%

LAB 54.28, -22.07, -22.03

 

CMYK 91 / 0 / 32 / 64

HEX #085C3F

RGB 8 92 63

HSL 159.29, 0.84%, 0.2%

LAB 34.12, -30.89, 10.28

 

CMYK 91 / 0 / 32 / 49

HEX #0C8258

RGB 12 130 88

HSL 158.64, 0.83%, 0.28%

LAB 47.94, -40.39, 14.5

 

CMYK 91 / 0 / 32 / 35

HEX #0FA772

RGB 15 167 114

HSL 159.08, 0.84%, 0.36%

LAB 60.74, -48.77, 17.48

 

CMYK 91 / 0 / 32 / 20

HEX #13CD8C

RGB 19 205 140

HSL 159.03, 0.83%, 0.44%

LAB 73.35, -57.11, 20.78

 

CMYK 87 / 0 / 30 / 8

HEX #1FEAA3

RGB 31 234 163

HSL 159.01, 0.83%, 0.52%

LAB 82.8, -62.09, 21.76

 

CMYK 90 / 0 / 32 / 35

HEX #10A772

RGB 16 167 114

HSL 158.94, 0.83%, 0.36%

LAB 60.75, -48.72, 17.49

 

CMYK 91 / 75 / 0 / 35

HEX #0F29A7

RGB 15 41 167

HSL 229.74, 0.84%, 0.36%

LAB 25.19, 41.26, -68.55

 

CMYK 0 / 69 / 91 / 35

HEX #A7330F

RGB 167 51 15

HSL 14.21, 0.84%, 0.36%

LAB 38.93, 46.09, 45.77

 

CMYK 90 / 0 / 32 / 35

HEX #10A772

RGB 16 167 114

HSL 158.94, 0.83%, 0.36%

LAB 60.75, -48.72, 17.49

 

CMYK 33 / 91 / 0 / 35

HEX #700FA7

RGB 112 15 167

HSL 278.29, 0.84%, 0.36%

LAB 30.82, 61.15, -58.96

 

CMYK 0 / 33 / 91 / 35

HEX #A7700F

RGB 167 112 15

HSL 38.29, 0.84%, 0.36%

LAB 51.65, 14.53, 55.37

 

CMYK 90 / 0 / 32 / 35

HEX #10A772

RGB 16 167 114

HSL 158.94, 0.83%, 0.36%

LAB 60.75, -48.72, 17.49

 

CMYK 91 / 75 / 0 / 35

HEX #0F29A7

RGB 15 41 167

HSL 229.74, 0.84%, 0.36%

LAB 25.19, 41.26, -68.55

 

CMYK 0 / 91 / 57 / 35

HEX #A70F47

RGB 167 15 71

HSL 337.89, 0.84%, 0.36%

LAB 36.01, 58.89, 10.35

 

CMYK 0 / 15 / 91 / 35

HEX #A78E0F

RGB 167 142 15

HSL 50.13, 0.84%, 0.36%

LAB 59.52, -2.22, 61.45

 

CMYK 90 / 0 / 32 / 35

HEX #10A772

RGB 16 167 114

HSL 158.94, 0.83%, 0.36%

LAB 60.75, -48.72, 17.49

 

CMYK 79 / 91 / 0 / 35

HEX #230FA7

RGB 35 15 167

HSL 247.89, 0.84%, 0.36%

LAB 21.9, 54.26, -73.99

 

CMYK 0 / 91 / 57 / 35

HEX #A70F47

RGB 167 15 71

HSL 337.89, 0.84%, 0.36%

LAB 36.01, 58.89, 10.35

 

CMYK 12 / 0 / 91 / 35

HEX #93A70F

RGB 147 167 15

HSL 67.89, 0.84%, 0.36%

LAB 64.86, -24.23, 64.94

 

Description

Color code: HEX #10A772 | qconv.com Color code: HEX #10A772 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 167 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 167 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 32 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 32% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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