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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 2 106 132 it is the complementary color RGB 253 149 123. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 2 106 132. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 2 106 132 shade: RGB 7 106 127, RGB 24 124 146, RGB 41 142 165, RGB 58 160 184 and RGB 75 178 203

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 2 106 132. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 2 106 132 shade: RGB 2 106 132, RGB 0 88 113, RGB 0 70 94, RGB 0 52 75 and RGB 0 34 56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 2 106 132 shade: RGB 1 104 130, RGB 1 70 130, RGB 1 35 130, RGB 3 1 130 and RGB 37 1 130

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 2 106 132 shade: RGB 1 104 130, RGB 1 70 130, RGB 1 35 130 and RGB 1 1 130

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 2 106 132 shade matches the following richer shades: RGB 1 104 130

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 2 106 132 shade: RGB 1 104 130, RGB 12 98 119, RGB 23 92 109, RGB 34 85 98 and RGB 44 79 87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 2 106 132 shade: RGB 1 130 87, RGB 1 130 122, RGB 1 104 130, RGB 1 70 130 and RGB 1 36 130

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 2 106 132 shade: RGB 0 39 49, RGB 1 72 89, RGB 1 104 130, RGB 2 137 171 and RGB 3 170 211

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 2 106 132 shade: RGB 2 106 132, RGB 53 1 130 and RGB 130 104 1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 2 106 132 shade: RGB 2 106 132, RGB 130 1 104 and RGB 104 130 1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 2 106 132 shade: RGB 2 106 132, RGB 53 1 130, RGB 130 27 1 and RGB 79 130 1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 2 106 132 shade: RGB 2 106 132, RGB 92 1 130, RGB 130 27 1 and RGB 40 130 1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 20 / 0 / 48

HEX #026A84

RGB 2 106 132

HSL 192, 0.97%, 0.26%

LAB 41.2, -15.77, -21.61

 

Complementary color

CMYK 0 / 41 / 51 / 1

HEX #FD957B

RGB 253 149 123

HSL 12, 0.97%, 0.74%

LAB 72.1, 36.49, 30.57

 

CMYK 94 / 17 / 0 / 50

HEX #076A7F

RGB 7 106 127

HSL 190.5, 0.9%, 0.26%

LAB 41.03, -17.33, -18.84

 

CMYK 84 / 15 / 0 / 43

HEX #187C92

RGB 24 124 146

HSL 190.82, 0.72%, 0.33%

LAB 47.86, -19.16, -19.66

 

CMYK 75 / 14 / 0 / 35

HEX #298EA5

RGB 41 142 165

HSL 191.13, 0.6%, 0.4%

LAB 54.59, -20.47, -20.37

 

CMYK 68 / 13 / 0 / 28

HEX #3AA0B8

RGB 58 160 184

HSL 191.43, 0.52%, 0.47%

LAB 61.22, -21.42, -20.99

 

CMYK 63 / 12 / 0 / 20

HEX #4BB2CB

RGB 75 178 203

HSL 191.72, 0.55%, 0.55%

LAB 67.76, -22.12, -21.54

 

CMYK 98 / 20 / 0 / 48

HEX #026A84

RGB 2 106 132

HSL 192, 0.97%, 0.26%

LAB 41.2, -15.77, -21.61

 

CMYK 100 / 22 / 0 / 56

HEX #005871

RGB 0 88 113

HSL 193.27, 1%, 0.22%

LAB 34.34, -12.82, -20.61

 

CMYK 100 / 26 / 0 / 63

HEX #00465E

RGB 0 70 94

HSL 195.32, 1%, 0.18%

LAB 27.27, -9.57, -19.58

 

CMYK 100 / 31 / 0 / 71

HEX #00344B

RGB 0 52 75

HSL 198.4, 1%, 0.15%

LAB 19.9, -6.08, -18.59

 

CMYK 100 / 39 / 0 / 78

HEX #002238

RGB 0 34 56

HSL 203.57, 1%, 0.11%

LAB 12.15, -2.21, -17.67

 

CMYK 99 / 20 / 0 / 49

HEX #016882

RGB 1 104 130

HSL 192.09, 0.98%, 0.26%

LAB 40.44, -15.45, -21.57

 

CMYK 99 / 46 / 0 / 49

HEX #014682

RGB 1 70 130

HSL 207.91, 0.98%, 0.26%

LAB 29.41, 5.89, -38.98

 

CMYK 99 / 73 / 0 / 49

HEX #012382

RGB 1 35 130

HSL 224.19, 0.98%, 0.26%

LAB 19.31, 30.58, -55.44

 

CMYK 98 / 99 / 0 / 49

HEX #030182

RGB 3 1 130

HSL 240.93, 0.98%, 0.26%

LAB 13.55, 47.67, -65.02

 

CMYK 72 / 99 / 0 / 49

HEX #250182

RGB 37 1 130

HSL 256.74, 0.98%, 0.26%

LAB 15.63, 48.53, -61.49

 

CMYK 99 / 20 / 0 / 49

HEX #016882

RGB 1 104 130

HSL 192.09, 0.98%, 0.26%

LAB 40.44, -15.45, -21.57

 

CMYK 99 / 46 / 0 / 49

HEX #014682

RGB 1 70 130

HSL 207.91, 0.98%, 0.26%

LAB 29.41, 5.89, -38.98

 

CMYK 99 / 73 / 0 / 49

HEX #012382

RGB 1 35 130

HSL 224.19, 0.98%, 0.26%

LAB 19.31, 30.58, -55.44

 

CMYK 99 / 99 / 0 / 49

HEX #010182

RGB 1 1 130

HSL 240, 0.98%, 0.26%

LAB 13.47, 47.65, -65.15

 

CMYK 99 / 20 / 0 / 49

HEX #016882

RGB 1 104 130

HSL 192.09, 0.98%, 0.26%

LAB 40.44, -15.45, -21.57

 

CMYK 99 / 20 / 0 / 49

HEX #016882

RGB 1 104 130

HSL 192.09, 0.98%, 0.26%

LAB 40.44, -15.45, -21.57

 

CMYK 90 / 18 / 0 / 53

HEX #0C6277

RGB 12 98 119

HSL 191.78, 0.82%, 0.26%

LAB 38.1, -15.46, -18.48

 

CMYK 79 / 16 / 0 / 57

HEX #175C6D

RGB 23 92 109

HSL 191.86, 0.65%, 0.26%

LAB 35.87, -14.59, -15.73

 

CMYK 65 / 13 / 0 / 62

HEX #225562

RGB 34 85 98

HSL 192.19, 0.48%, 0.26%

LAB 33.39, -12.56, -12.62

 

CMYK 49 / 9 / 0 / 66

HEX #2C4F57

RGB 44 79 87

HSL 191.16, 0.33%, 0.26%

LAB 31.38, -10.2, -8.66

 

CMYK 99 / 0 / 33 / 49

HEX #018257

RGB 1 130 87

HSL 160, 0.98%, 0.26%

LAB 47.83, -41.34, 14.91

 

CMYK 99 / 0 / 6 / 49

HEX #01827A

RGB 1 130 122

HSL 176.28, 0.98%, 0.26%

LAB 48.73, -31.66, -4.24

 

CMYK 99 / 20 / 0 / 49

HEX #016882

RGB 1 104 130

HSL 192.09, 0.98%, 0.26%

LAB 40.44, -15.45, -21.57

 

CMYK 99 / 46 / 0 / 49

HEX #014682

RGB 1 70 130

HSL 207.91, 0.98%, 0.26%

LAB 29.41, 5.89, -38.98

 

CMYK 99 / 72 / 0 / 49

HEX #012482

RGB 1 36 130

HSL 223.72, 0.98%, 0.26%

LAB 19.56, 29.91, -55.03

 

CMYK 100 / 20 / 0 / 81

HEX #002731

RGB 0 39 49

HSL 192.24, 1%, 0.1%

LAB 13.67, -8.92, -10.32

 

CMYK 99 / 19 / 0 / 65

HEX #014859

RGB 1 72 89

HSL 191.59, 0.98%, 0.18%

LAB 27.74, -12.72, -15.62

 

CMYK 99 / 20 / 0 / 49

HEX #016882

RGB 1 104 130

HSL 192.09, 0.98%, 0.26%

LAB 40.44, -15.45, -21.57

 

CMYK 99 / 20 / 0 / 33

HEX #0289AB

RGB 2 137 171

HSL 192.07, 0.98%, 0.34%

LAB 52.78, -18.55, -26.65

 

CMYK 99 / 19 / 0 / 17

HEX #03AAD3

RGB 3 170 211

HSL 191.83, 0.97%, 0.42%

LAB 64.54, -21.88, -31

 

CMYK 98 / 20 / 0 / 48

HEX #026A84

RGB 2 106 132

HSL 192, 0.97%, 0.26%

LAB 41.2, -15.77, -21.61

 

CMYK 59 / 99 / 0 / 49

HEX #350182

RGB 53 1 130

HSL 264.19, 0.98%, 0.26%

LAB 17.42, 49.46, -58.47

 

CMYK 0 / 20 / 99 / 49

HEX #826801

RGB 130 104 1

HSL 47.91, 0.98%, 0.26%

LAB 45.15, 1.5, 51.71

 

CMYK 98 / 20 / 0 / 48

HEX #026A84

RGB 2 106 132

HSL 192, 0.97%, 0.26%

LAB 41.2, -15.77, -21.61

 

CMYK 0 / 99 / 20 / 49

HEX #820168

RGB 130 1 104

HSL 312.09, 0.98%, 0.26%

LAB 28.82, 55.66, -22.69

 

CMYK 20 / 0 / 99 / 49

HEX #688201

RGB 104 130 1

HSL 72.09, 0.98%, 0.26%

LAB 50.58, -24.85, 54.68

 

CMYK 98 / 20 / 0 / 48

HEX #026A84

RGB 2 106 132

HSL 192, 0.97%, 0.26%

LAB 41.2, -15.77, -21.61

 

CMYK 59 / 99 / 0 / 49

HEX #350182

RGB 53 1 130

HSL 264.19, 0.98%, 0.26%

LAB 17.42, 49.46, -58.47

 

CMYK 0 / 79 / 99 / 49

HEX #821B01

RGB 130 27 1

HSL 12.09, 0.98%, 0.26%

LAB 28.2, 42.37, 40.18

 

CMYK 39 / 0 / 99 / 49

HEX #4F8201

RGB 79 130 1

HSL 83.72, 0.98%, 0.26%

LAB 49.04, -35.14, 52.83

 

CMYK 98 / 20 / 0 / 48

HEX #026A84

RGB 2 106 132

HSL 192, 0.97%, 0.26%

LAB 41.2, -15.77, -21.61

 

CMYK 29 / 99 / 0 / 49

HEX #5C0182

RGB 92 1 130

HSL 282.33, 0.98%, 0.26%

LAB 23.37, 53.5, -48.46

 

CMYK 0 / 79 / 99 / 49

HEX #821B01

RGB 130 27 1

HSL 12.09, 0.98%, 0.26%

LAB 28.2, 42.37, 40.18

 

CMYK 69 / 0 / 99 / 49

HEX #288201

RGB 40 130 1

HSL 101.86, 0.98%, 0.26%

LAB 47.52, -47.05, 50.97

 

Description

Color code: RGB 2 106 132 | qconv.com Color code: RGB 2 106 132 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 2 red, 106 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
2 106 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, 20 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 20% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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