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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #076A7F it is the complementary color #F89580. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #076A7F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #076A7F shade: #0C6A7A, #1D7C8D, #2E8EA0, #3FA0B3 and #50B2C6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #076A7F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #076A7F shade: #076A7F, #00586C, #004659, #003446 and #002233

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #076A7F shade: #06697D, #06487D, #06287D, #06087D and #24067D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #076A7F shade: #06697D, #06487D, #06287D, #06087D and #06067D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #076A7F shade matches the following richer shades: #06697D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #076A7F shade: #06697D, #116273, #1C5B68, #26545D and #314D53

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #076A7F shade: #067D52, #067D72, #066A7D, #064A7D and #062A7D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #076A7F shade: #02272F, #044856, #06697D, #0889A5 and #0AAACC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #076A7F shade: #076A7F, #32067D and #7D6206

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #076A7F shade: #076A7F, #7D066A and #6A7D06

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #076A7F shade: #076A7F, #32067D, #7D1A06 and #527D06

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #076A7F shade: #076A7F, #56067D, #7D1A06 and #2E7D06

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 17 / 0 / 50

HEX #076A7F

RGB 7 106 127

HSL 190.5, 0.9%, 0.26%

LAB 41.03, -17.33, -18.84

 

Complementary color

CMYK 0 / 40 / 48 / 3

HEX #F89580

RGB 248 149 128

HSL 10.5, 0.9%, 0.74%

LAB 71.56, 35.04, 27.03

 

CMYK 90 / 13 / 0 / 52

HEX #0C6A7A

RGB 12 106 122

HSL 188.73, 0.82%, 0.26%

LAB 40.88, -18.83, -16.04

 

CMYK 79 / 12 / 0 / 45

HEX #1D7C8D

RGB 29 124 141

HSL 189.11, 0.66%, 0.33%

LAB 47.75, -20.37, -16.88

 

CMYK 71 / 11 / 0 / 37

HEX #2E8EA0

RGB 46 142 160

HSL 189.47, 0.55%, 0.4%

LAB 54.52, -21.44, -17.59

 

CMYK 65 / 11 / 0 / 30

HEX #3FA0B3

RGB 63 160 179

HSL 189.83, 0.48%, 0.47%

LAB 61.18, -22.19, -18.23

 

CMYK 60 / 10 / 0 / 22

HEX #50B2C6

RGB 80 178 198

HSL 190.17, 0.51%, 0.55%

LAB 67.74, -22.73, -18.8

 

CMYK 94 / 17 / 0 / 50

HEX #076A7F

RGB 7 106 127

HSL 190.5, 0.9%, 0.26%

LAB 41.03, -17.33, -18.84

 

CMYK 100 / 19 / 0 / 58

HEX #00586C

RGB 0 88 108

HSL 191.11, 1%, 0.21%

LAB 34.11, -14.76, -17.84

 

CMYK 100 / 21 / 0 / 65

HEX #004659

RGB 0 70 89

HSL 192.81, 1%, 0.17%

LAB 27.02, -11.62, -16.73

 

CMYK 100 / 26 / 0 / 73

HEX #003446

RGB 0 52 70

HSL 195.43, 1%, 0.14%

LAB 19.63, -8.26, -15.64

 

CMYK 100 / 33 / 0 / 80

HEX #002233

RGB 0 34 51

HSL 200, 1%, 0.1%

LAB 11.84, -4.59, -14.58

 

CMYK 95 / 16 / 0 / 51

HEX #06697D

RGB 6 105 125

HSL 190.08, 0.91%, 0.26%

LAB 40.61, -17.57, -18.28

 

CMYK 95 / 42 / 0 / 51

HEX #06487D

RGB 6 72 125

HSL 206.72, 0.91%, 0.26%

LAB 29.8, 2.72, -35.23

 

CMYK 95 / 68 / 0 / 51

HEX #06287D

RGB 6 40 125

HSL 222.86, 0.91%, 0.26%

LAB 20.19, 25.36, -50.81

 

CMYK 95 / 94 / 0 / 51

HEX #06087D

RGB 6 8 125

HSL 238.99, 0.91%, 0.26%

LAB 13.79, 43.53, -61.43

 

CMYK 71 / 95 / 0 / 51

HEX #24067D

RGB 36 6 125

HSL 255.13, 0.91%, 0.26%

LAB 15.41, 45.4, -58.67

 

CMYK 95 / 16 / 0 / 51

HEX #06697D

RGB 6 105 125

HSL 190.08, 0.91%, 0.26%

LAB 40.61, -17.57, -18.28

 

CMYK 95 / 42 / 0 / 51

HEX #06487D

RGB 6 72 125

HSL 206.72, 0.91%, 0.26%

LAB 29.8, 2.72, -35.23

 

CMYK 95 / 68 / 0 / 51

HEX #06287D

RGB 6 40 125

HSL 222.86, 0.91%, 0.26%

LAB 20.19, 25.36, -50.81

 

CMYK 95 / 94 / 0 / 51

HEX #06087D

RGB 6 8 125

HSL 238.99, 0.91%, 0.26%

LAB 13.79, 43.53, -61.43

 

CMYK 95 / 95 / 0 / 51

HEX #06067D

RGB 6 6 125

HSL 240, 0.91%, 0.26%

LAB 13.53, 44.31, -61.86

 

CMYK 95 / 16 / 0 / 51

HEX #06697D

RGB 6 105 125

HSL 190.08, 0.91%, 0.26%

LAB 40.61, -17.57, -18.28

 

CMYK 95 / 16 / 0 / 51

HEX #06697D

RGB 6 105 125

HSL 190.08, 0.91%, 0.26%

LAB 40.61, -17.57, -18.28

 

CMYK 85 / 15 / 0 / 55

HEX #116273

RGB 17 98 115

HSL 190.41, 0.74%, 0.26%

LAB 38.01, -16.51, -16.16

 

CMYK 73 / 13 / 0 / 59

HEX #1C5B68

RGB 28 91 104

HSL 190.26, 0.58%, 0.26%

LAB 35.46, -15.06, -13.24

 

CMYK 59 / 10 / 0 / 64

HEX #26545D

RGB 38 84 93

HSL 189.82, 0.42%, 0.26%

LAB 33.01, -12.78, -10.03

 

CMYK 41 / 7 / 0 / 67

HEX #314D53

RGB 49 77 83

HSL 190.59, 0.26%, 0.26%

LAB 30.84, -8.73, -6.89

 

CMYK 95 / 0 / 34 / 51

HEX #067D52

RGB 6 125 82

HSL 158.32, 0.91%, 0.26%

LAB 46.06, -40.19, 15.38

 

CMYK 95 / 0 / 9 / 51

HEX #067D72

RGB 6 125 114

HSL 174.45, 0.91%, 0.26%

LAB 46.87, -31.49, -2.26

 

CMYK 95 / 15 / 0 / 51

HEX #066A7D

RGB 6 106 125

HSL 189.58, 0.91%, 0.26%

LAB 40.94, -18.12, -17.77

 

CMYK 95 / 41 / 0 / 51

HEX #064A7D

RGB 6 74 125

HSL 205.71, 0.91%, 0.26%

LAB 30.44, 1.37, -34.21

 

CMYK 95 / 66 / 0 / 51

HEX #062A7D

RGB 6 42 125

HSL 221.85, 0.91%, 0.26%

LAB 20.73, 23.94, -49.92

 

CMYK 96 / 17 / 0 / 82

HEX #02272F

RGB 2 39 47

HSL 190.67, 0.92%, 0.1%

LAB 13.65, -9.33, -8.92

 

CMYK 95 / 16 / 0 / 66

HEX #044856

RGB 4 72 86

HSL 190.24, 0.91%, 0.18%

LAB 27.66, -13.6, -13.8

 

CMYK 95 / 16 / 0 / 51

HEX #06697D

RGB 6 105 125

HSL 190.08, 0.91%, 0.26%

LAB 40.61, -17.57, -18.28

 

CMYK 95 / 17 / 0 / 35

HEX #0889A5

RGB 8 137 165

HSL 190.7, 0.91%, 0.34%

LAB 52.57, -20.44, -23.5

 

CMYK 95 / 17 / 0 / 20

HEX #0AAACC

RGB 10 170 204

HSL 190.52, 0.91%, 0.42%

LAB 64.3, -24.07, -27.49

 

CMYK 94 / 17 / 0 / 50

HEX #076A7F

RGB 7 106 127

HSL 190.5, 0.9%, 0.26%

LAB 41.03, -17.33, -18.84

 

CMYK 60 / 95 / 0 / 51

HEX #32067D

RGB 50 6 125

HSL 262.18, 0.91%, 0.26%

LAB 16.94, 46.4, -56.09

 

CMYK 0 / 22 / 95 / 51

HEX #7D6206

RGB 125 98 6

HSL 46.39, 0.91%, 0.26%

LAB 42.93, 2.68, 48.61

 

CMYK 94 / 17 / 0 / 50

HEX #076A7F

RGB 7 106 127

HSL 190.5, 0.9%, 0.26%

LAB 41.03, -17.33, -18.84

 

CMYK 0 / 95 / 15 / 51

HEX #7D066A

RGB 125 6 106

HSL 309.58, 0.91%, 0.26%

LAB 28.2, 54.07, -25.02

 

CMYK 15 / 0 / 95 / 51

HEX #6A7D06

RGB 106 125 6

HSL 69.58, 0.91%, 0.26%

LAB 49.18, -21.32, 52.69

 

CMYK 94 / 17 / 0 / 50

HEX #076A7F

RGB 7 106 127

HSL 190.5, 0.9%, 0.26%

LAB 41.03, -17.33, -18.84

 

CMYK 60 / 95 / 0 / 51

HEX #32067D

RGB 50 6 125

HSL 262.18, 0.91%, 0.26%

LAB 16.94, 46.4, -56.09

 

CMYK 0 / 79 / 95 / 51

HEX #7D1A06

RGB 125 26 6

HSL 10.08, 0.91%, 0.26%

LAB 27.05, 41.14, 36.74

 

CMYK 34 / 0 / 95 / 51

HEX #527D06

RGB 82 125 6

HSL 81.68, 0.91%, 0.26%

LAB 47.59, -31.58, 50.74

 

CMYK 94 / 17 / 0 / 50

HEX #076A7F

RGB 7 106 127

HSL 190.5, 0.9%, 0.26%

LAB 41.03, -17.33, -18.84

 

CMYK 31 / 95 / 0 / 51

HEX #56067D

RGB 86 6 125

HSL 280.34, 0.91%, 0.26%

LAB 22.26, 50.52, -47.13

 

CMYK 0 / 79 / 95 / 51

HEX #7D1A06

RGB 125 26 6

HSL 10.08, 0.91%, 0.26%

LAB 27.05, 41.14, 36.74

 

CMYK 63 / 0 / 95 / 51

HEX #2E7D06

RGB 46 125 6

HSL 99.83, 0.91%, 0.26%

LAB 45.99, -43.66, 48.77

 

Description

Color code: HEX #076A7F | qconv.com Color code: HEX #076A7F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 7 red, 106 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
7 106 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, 17 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 17% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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