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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 29 247 12 it is the complementary color RGB 226 8 243. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 29 247 12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 29 247 12 shade: RGB 34 247 7, RGB 51 255 26, RGB 68 255 45, RGB 85 255 64 and RGB 102 255 83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 29 247 12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 29 247 12 shade: RGB 29 247 12, RGB 12 229 0, RGB 0 211 0, RGB 0 193 0 and RGB 0 175 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 29 247 12 shade: RGB 29 247 12, RGB 92 247 12, RGB 156 247 12, RGB 219 247 12 and RGB 247 212 12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 29 247 12 shade: RGB 29 247 12, RGB 12 247 58, RGB 12 247 122, RGB 12 247 185 and RGB 12 246 247

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 29 247 12 shade matches the following richer shades: RGB 29 247 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 29 247 12 shade: RGB 29 247 12, RGB 46 227 32, RGB 64 207 53, RGB 81 186 73 and RGB 98 166 93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 29 247 12 shade: RGB 157 247 12, RGB 94 247 12, RGB 32 247 12, RGB 12 247 55 and RGB 12 247 118

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 29 247 12 shade: RGB 17 172 5, RGB 21 212 6, RGB 29 247 12, RGB 66 248 52 and RGB 104 249 92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 29 247 12 shade: RGB 29 247 12, RGB 12 220 247 and RGB 247 12 126

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 29 247 12 shade: RGB 29 247 12, RGB 12 32 247 and RGB 247 12 32

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 29 247 12 shade: RGB 29 247 12, RGB 12 220 247, RGB 227 12 247 and RGB 247 40 12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 29 247 12 shade: RGB 29 247 12, RGB 12 149 247, RGB 227 12 247 and RGB 247 110 12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 95 / 3

HEX #1DF70C

RGB 29 247 12

HSL 115.66, 0.94%, 0.51%

LAB 85.41, -82.74, 80.41

 

Complementary color

CMYK 7 / 97 / 0 / 5

HEX #E208F3

RGB 226 8 243

HSL 295.66, 0.94%, 0.49%

LAB 54.88, 91.63, -63.16

 

CMYK 86 / 0 / 97 / 3

HEX #22F707

RGB 34 247 7

HSL 113.25, 0.94%, 0.5%

LAB 85.44, -82.46, 80.86

 

CMYK 80 / 0 / 90 / 0

HEX #33FF1A

RGB 51 255 26

HSL 113.45, 1%, 0.55%

LAB 88.11, -82.65, 81.11

 

CMYK 73 / 0 / 82 / 0

HEX #44FF2D

RGB 68 255 45

HSL 113.43, 1%, 0.59%

LAB 88.42, -79.75, 77.84

 

CMYK 67 / 0 / 75 / 0

HEX #55FF40

RGB 85 255 64

HSL 113.4, 1%, 0.63%

LAB 88.84, -75.85, 73.13

 

CMYK 60 / 0 / 67 / 0

HEX #66FF53

RGB 102 255 83

HSL 113.37, 1%, 0.66%

LAB 89.38, -70.97, 67.25

 

CMYK 88 / 0 / 95 / 3

HEX #1DF70C

RGB 29 247 12

HSL 115.66, 0.94%, 0.51%

LAB 85.41, -82.74, 80.41

 

CMYK 95 / 0 / 100 / 10

HEX #0CE500

RGB 12 229 0

HSL 116.86, 1%, 0.45%

LAB 79.68, -79.05, 76.74

 

CMYK 100 / 0 / 100 / 17

HEX #00D300

RGB 0 211 0

HSL 120, 1%, 0.41%

LAB 73.93, -74.71, 72.11

 

CMYK 100 / 0 / 100 / 24

HEX #00C100

RGB 0 193 0

HSL 120, 1%, 0.38%

LAB 68.12, -69.89, 67.45

 

CMYK 100 / 0 / 100 / 31

HEX #00AF00

RGB 0 175 0

HSL 120, 1%, 0.34%

LAB 62.22, -64.98, 62.72

 

CMYK 88 / 0 / 95 / 3

HEX #1DF70C

RGB 29 247 12

HSL 115.66, 0.94%, 0.51%

LAB 85.41, -82.74, 80.41

 

CMYK 63 / 0 / 95 / 3

HEX #5CF70C

RGB 92 247 12

HSL 99.57, 0.94%, 0.51%

LAB 86.42, -73.95, 81.65

 

CMYK 37 / 0 / 95 / 3

HEX #9CF70C

RGB 156 247 12

HSL 83.23, 0.94%, 0.51%

LAB 88.74, -55.98, 84.49

 

CMYK 11 / 0 / 95 / 3

HEX #DBF70C

RGB 219 247 12

HSL 67.15, 0.94%, 0.51%

LAB 92.4, -32.36, 88.92

 

CMYK 0 / 14 / 95 / 3

HEX #F7D40C

RGB 247 212 12

HSL 51.06, 0.94%, 0.51%

LAB 85.45, -3.72, 84.7

 

CMYK 88 / 0 / 95 / 3

HEX #1DF70C

RGB 29 247 12

HSL 115.66, 0.94%, 0.51%

LAB 85.41, -82.74, 80.41

 

CMYK 95 / 0 / 77 / 3

HEX #0CF73A

RGB 12 247 58

HSL 131.74, 0.94%, 0.51%

LAB 85.46, -81.76, 71.37

 

CMYK 95 / 0 / 51 / 3

HEX #0CF77A

RGB 12 247 122

HSL 148.09, 0.94%, 0.51%

LAB 86.01, -74.86, 46.33

 

CMYK 95 / 0 / 25 / 3

HEX #0CF7B9

RGB 12 247 185

HSL 164.17, 0.94%, 0.51%

LAB 87.05, -62.82, 16.28

 

CMYK 95 / 0 / 0 / 3

HEX #0CF6F7

RGB 12 246 247

HSL 180.26, 0.94%, 0.51%

LAB 88.31, -46.25, -14.18

 

CMYK 88 / 0 / 95 / 3

HEX #1DF70C

RGB 29 247 12

HSL 115.66, 0.94%, 0.51%

LAB 85.41, -82.74, 80.41

 

CMYK 88 / 0 / 95 / 3

HEX #1DF70C

RGB 29 247 12

HSL 115.66, 0.94%, 0.51%

LAB 85.41, -82.74, 80.41

 

CMYK 80 / 0 / 86 / 11

HEX #2EE320

RGB 46 227 32

HSL 115.69, 0.78%, 0.51%

LAB 79.4, -75.15, 72.53

 

CMYK 69 / 0 / 74 / 19

HEX #40CF35

RGB 64 207 53

HSL 115.71, 0.62%, 0.51%

LAB 73.53, -65.24, 61.44

 

CMYK 56 / 0 / 61 / 27

HEX #51BA49

RGB 81 186 73

HSL 115.75, 0.45%, 0.51%

LAB 67.54, -52.36, 47.23

 

CMYK 41 / 0 / 44 / 35

HEX #62A65D

RGB 98 166 93

HSL 115.89, 0.29%, 0.51%

LAB 62.22, -36.57, 31.14

 

CMYK 36 / 0 / 95 / 3

HEX #9DF70C

RGB 157 247 12

HSL 82.98, 0.94%, 0.51%

LAB 88.79, -55.64, 84.55

 

CMYK 62 / 0 / 95 / 3

HEX #5EF70C

RGB 94 247 12

HSL 99.06, 0.94%, 0.51%

LAB 86.47, -73.51, 81.72

 

CMYK 87 / 0 / 95 / 3

HEX #20F70C

RGB 32 247 12

HSL 114.89, 0.94%, 0.51%

LAB 85.43, -82.53, 80.44

 

CMYK 95 / 0 / 78 / 3

HEX #0CF737

RGB 12 247 55

HSL 130.98, 0.94%, 0.51%

LAB 85.44, -81.96, 72.24

 

CMYK 95 / 0 / 52 / 3

HEX #0CF776

RGB 12 247 118

HSL 147.06, 0.94%, 0.51%

LAB 85.96, -75.45, 48.14

 

CMYK 90 / 0 / 97 / 33

HEX #11AC05

RGB 17 172 5

HSL 115.69, 0.94%, 0.35%

LAB 61.34, -63.09, 61.38

 

CMYK 90 / 0 / 97 / 17

HEX #15D406

RGB 21 212 6

HSL 115.63, 0.94%, 0.43%

LAB 74.36, -73.94, 71.89

 

CMYK 88 / 0 / 95 / 3

HEX #1DF70C

RGB 29 247 12

HSL 115.66, 0.94%, 0.51%

LAB 85.41, -82.74, 80.41

 

CMYK 73 / 0 / 79 / 3

HEX #42F834

RGB 66 248 52

HSL 115.71, 0.93%, 0.59%

LAB 86.28, -77.63, 74.07

 

CMYK 58 / 0 / 63 / 2

HEX #68F95C

RGB 104 249 92

HSL 115.41, 0.93%, 0.67%

LAB 87.71, -67.66, 61.93

 

CMYK 88 / 0 / 95 / 3

HEX #1DF70C

RGB 29 247 12

HSL 115.66, 0.94%, 0.51%

LAB 85.41, -82.74, 80.41

 

CMYK 95 / 11 / 0 / 3

HEX #0CDCF7

RGB 12 220 247

HSL 186.89, 0.94%, 0.51%

LAB 80.73, -34.49, -25.63

 

CMYK 0 / 95 / 49 / 3

HEX #F70C7E

RGB 247 12 126

HSL 330.89, 0.94%, 0.51%

LAB 53.54, 81.87, 3.13

 

CMYK 88 / 0 / 95 / 3

HEX #1DF70C

RGB 29 247 12

HSL 115.66, 0.94%, 0.51%

LAB 85.41, -82.74, 80.41

 

CMYK 95 / 87 / 0 / 3

HEX #0C20F7

RGB 12 32 247

HSL 234.89, 0.94%, 0.51%

LAB 33.62, 70.34, -101.16

 

CMYK 0 / 95 / 87 / 3

HEX #F70C20

RGB 247 12 32

HSL 354.89, 0.94%, 0.51%

LAB 52, 77.66, 55.44

 

CMYK 88 / 0 / 95 / 3

HEX #1DF70C

RGB 29 247 12

HSL 115.66, 0.94%, 0.51%

LAB 85.41, -82.74, 80.41

 

CMYK 95 / 11 / 0 / 3

HEX #0CDCF7

RGB 12 220 247

HSL 186.89, 0.94%, 0.51%

LAB 80.73, -34.49, -25.63

 

CMYK 8 / 95 / 0 / 3

HEX #E30CF7

RGB 227 12 247

HSL 294.89, 0.94%, 0.51%

LAB 55.39, 92.11, -64.57

 

CMYK 0 / 84 / 95 / 3

HEX #F7280C

RGB 247 40 12

HSL 7.15, 0.94%, 0.51%

LAB 53.3, 73.44, 63.42

 

CMYK 88 / 0 / 95 / 3

HEX #1DF70C

RGB 29 247 12

HSL 115.66, 0.94%, 0.51%

LAB 85.41, -82.74, 80.41

 

CMYK 95 / 40 / 0 / 3

HEX #0C95F7

RGB 12 149 247

HSL 205.02, 0.94%, 0.51%

LAB 60.15, 3.22, -57.78

 

CMYK 8 / 95 / 0 / 3

HEX #E30CF7

RGB 227 12 247

HSL 294.89, 0.94%, 0.51%

LAB 55.39, 92.11, -64.57

 

CMYK 0 / 55 / 95 / 3

HEX #F76E0C

RGB 247 110 12

HSL 25.02, 0.94%, 0.51%

LAB 62.47, 48.57, 68.79

 

Description

Color code: RGB 29 247 12 | qconv.com Color code: RGB 29 247 12 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 247 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 247 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 95 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 95% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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