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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBF70C it is the complementary color #2408F3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBF70C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBF70C shade: #E0F707, #F1FF1A, #FFFF2D, #FFFF40 and #FFFF53

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBF70C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBF70C shade: #DBF70C, #CAE500, #B9D300, #A8C100 and #97AF00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBF70C shade: #DBF70C, #F7D40C, #F7940C, #F7550C and #F7160C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBF70C shade: #DBF70C, #9CF70C, #5CF70C, #1DF70C and #0CF73B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBF70C shade matches the following richer shades: #DBF70C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBF70C shade: #DBF70C, #CCE320, #BCCF35, #ADBA49 and #9DA65D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBF70C shade: #F7950C, #F7D40C, #DCF70C, #9DF70C and #5EF70C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBF70C shade: #98AC05, #BBD406, #DBF70C, #E1F834 and #E7F95C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBF70C shade: #DBF70C, #0CF756 and #B40CF7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBF70C shade: #DBF70C, #0CDCF7 and #F70CDC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBF70C shade: #DBF70C, #0CF756, #280CF7 and #F70CAD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBF70C shade: #DBF70C, #0CF79D, #280CF7 and #F70C66

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 95 / 3

HEX #DBF70C

RGB 219 247 12

HSL 67.15, 0.94%, 0.51%

LAB 92.4, -32.36, 88.92

 

Complementary color

CMYK 85 / 97 / 0 / 5

HEX #2408F3

RGB 36 8 243

HSL 247.15, 0.94%, 0.49%

LAB 31.85, 75.41, -101.83

 

CMYK 9 / 0 / 97 / 3

HEX #E0F707

RGB 224 247 7

HSL 65.75, 0.94%, 0.5%

LAB 92.74, -30.39, 89.7

 

CMYK 5 / 0 / 90 / 0

HEX #F1FF1A

RGB 241 255 26

HSL 63.67, 1%, 0.55%

LAB 96.12, -27.01, 90.94

 

CMYK 0 / 0 / 82 / 0

HEX #FFFF2D

RGB 255 255 45

HSL 60, 1%, 0.59%

LAB 97.22, -20.93, 88.91

 

CMYK 0 / 0 / 75 / 0

HEX #FFFF40

RGB 255 255 64

HSL 60, 1%, 0.63%

LAB 97.29, -20.34, 84.11

 

CMYK 0 / 0 / 67 / 0

HEX #FFFF53

RGB 255 255 83

HSL 60, 1%, 0.66%

LAB 97.39, -19.52, 78.02

 

CMYK 11 / 0 / 95 / 3

HEX #DBF70C

RGB 219 247 12

HSL 67.15, 0.94%, 0.51%

LAB 92.4, -32.36, 88.92

 

CMYK 12 / 0 / 100 / 10

HEX #CAE500

RGB 202 229 0

HSL 67.07, 1%, 0.45%

LAB 86.3, -31.04, 84.73

 

CMYK 12 / 0 / 100 / 17

HEX #B9D300

RGB 185 211 0

HSL 67.39, 1%, 0.41%

LAB 80.12, -29.6, 79.59

 

CMYK 13 / 0 / 100 / 24

HEX #A8C100

RGB 168 193 0

HSL 67.77, 1%, 0.38%

LAB 73.85, -28.14, 74.36

 

CMYK 14 / 0 / 100 / 31

HEX #97AF00

RGB 151 175 0

HSL 68.23, 1%, 0.34%

LAB 67.46, -26.67, 69.04

 

CMYK 11 / 0 / 95 / 3

HEX #DBF70C

RGB 219 247 12

HSL 67.15, 0.94%, 0.51%

LAB 92.4, -32.36, 88.92

 

CMYK 0 / 14 / 95 / 3

HEX #F7D40C

RGB 247 212 12

HSL 51.06, 0.94%, 0.51%

LAB 85.45, -3.72, 84.7

 

CMYK 0 / 40 / 95 / 3

HEX #F7940C

RGB 247 148 12

HSL 34.72, 0.94%, 0.51%

LAB 70.16, 29.57, 73.85

 

CMYK 0 / 66 / 95 / 3

HEX #F7550C

RGB 247 85 12

HSL 18.64, 0.94%, 0.51%

LAB 58.32, 59.51, 66.24

 

CMYK 0 / 91 / 95 / 3

HEX #F7160C

RGB 247 22 12

HSL 2.55, 0.94%, 0.51%

LAB 52.26, 76.41, 62.88

 

CMYK 11 / 0 / 95 / 3

HEX #DBF70C

RGB 219 247 12

HSL 67.15, 0.94%, 0.51%

LAB 92.4, -32.36, 88.92

 

CMYK 37 / 0 / 95 / 3

HEX #9CF70C

RGB 156 247 12

HSL 83.23, 0.94%, 0.51%

LAB 88.74, -55.98, 84.49

 

CMYK 63 / 0 / 95 / 3

HEX #5CF70C

RGB 92 247 12

HSL 99.57, 0.94%, 0.51%

LAB 86.42, -73.95, 81.65

 

CMYK 88 / 0 / 95 / 3

HEX #1DF70C

RGB 29 247 12

HSL 115.66, 0.94%, 0.51%

LAB 85.41, -82.74, 80.41

 

CMYK 95 / 0 / 76 / 3

HEX #0CF73B

RGB 12 247 59

HSL 132, 0.94%, 0.51%

LAB 85.46, -81.7, 71.07

 

CMYK 11 / 0 / 95 / 3

HEX #DBF70C

RGB 219 247 12

HSL 67.15, 0.94%, 0.51%

LAB 92.4, -32.36, 88.92

 

CMYK 11 / 0 / 95 / 3

HEX #DBF70C

RGB 219 247 12

HSL 67.15, 0.94%, 0.51%

LAB 92.4, -32.36, 88.92

 

CMYK 10 / 0 / 86 / 11

HEX #CCE320

RGB 204 227 32

HSL 67.08, 0.78%, 0.51%

LAB 85.95, -28.84, 80.7

 

CMYK 9 / 0 / 74 / 19

HEX #BCCF35

RGB 188 207 53

HSL 67.4, 0.62%, 0.51%

LAB 79.37, -25.19, 69.1

 

CMYK 7 / 0 / 61 / 27

HEX #ADBA49

RGB 173 186 73

HSL 66.9, 0.45%, 0.51%

LAB 72.55, -19.93, 54.21

 

CMYK 5 / 0 / 44 / 35

HEX #9DA65D

RGB 157 166 93

HSL 67.4, 0.29%, 0.51%

LAB 65.93, -14.54, 36.6

 

CMYK 0 / 40 / 95 / 3

HEX #F7950C

RGB 247 149 12

HSL 34.98, 0.94%, 0.51%

LAB 70.38, 29.05, 74

 

CMYK 0 / 14 / 95 / 3

HEX #F7D40C

RGB 247 212 12

HSL 51.06, 0.94%, 0.51%

LAB 85.45, -3.72, 84.7

 

CMYK 11 / 0 / 95 / 3

HEX #DCF70C

RGB 220 247 12

HSL 66.89, 0.94%, 0.51%

LAB 92.47, -31.96, 89

 

CMYK 36 / 0 / 95 / 3

HEX #9DF70C

RGB 157 247 12

HSL 82.98, 0.94%, 0.51%

LAB 88.79, -55.64, 84.55

 

CMYK 62 / 0 / 95 / 3

HEX #5EF70C

RGB 94 247 12

HSL 99.06, 0.94%, 0.51%

LAB 86.47, -73.51, 81.72

 

CMYK 12 / 0 / 97 / 33

HEX #98AC05

RGB 152 172 5

HSL 67.19, 0.94%, 0.35%

LAB 66.67, -24.7, 67.85

 

CMYK 12 / 0 / 97 / 17

HEX #BBD406

RGB 187 212 6

HSL 67.28, 0.94%, 0.43%

LAB 80.55, -29.18, 79.41

 

CMYK 11 / 0 / 95 / 3

HEX #DBF70C

RGB 219 247 12

HSL 67.15, 0.94%, 0.51%

LAB 92.4, -32.36, 88.92

 

CMYK 9 / 0 / 79 / 3

HEX #E1F834

RGB 225 248 52

HSL 67.04, 0.93%, 0.59%

LAB 93.19, -29.57, 82.92

 

CMYK 7 / 0 / 63 / 2

HEX #E7F95C

RGB 231 249 92

HSL 66.88, 0.93%, 0.67%

LAB 94.1, -25.73, 70.71

 

CMYK 11 / 0 / 95 / 3

HEX #DBF70C

RGB 219 247 12

HSL 67.15, 0.94%, 0.51%

LAB 92.4, -32.36, 88.92

 

CMYK 95 / 0 / 65 / 3

HEX #0CF756

RGB 12 247 86

HSL 138.89, 0.94%, 0.51%

LAB 85.64, -79.41, 61.67

 

CMYK 27 / 95 / 0 / 3

HEX #B40CF7

RGB 180 12 247

HSL 282.89, 0.94%, 0.51%

LAB 47.86, 85.66, -77.13

 

CMYK 11 / 0 / 95 / 3

HEX #DBF70C

RGB 219 247 12

HSL 67.15, 0.94%, 0.51%

LAB 92.4, -32.36, 88.92

 

CMYK 95 / 11 / 0 / 3

HEX #0CDCF7

RGB 12 220 247

HSL 186.89, 0.94%, 0.51%

LAB 80.73, -34.49, -25.63

 

CMYK 0 / 95 / 11 / 3

HEX #F70CDC

RGB 247 12 220

HSL 306.89, 0.94%, 0.51%

LAB 57.27, 91.54, -46.17

 

CMYK 11 / 0 / 95 / 3

HEX #DBF70C

RGB 219 247 12

HSL 67.15, 0.94%, 0.51%

LAB 92.4, -32.36, 88.92

 

CMYK 95 / 0 / 65 / 3

HEX #0CF756

RGB 12 247 86

HSL 138.89, 0.94%, 0.51%

LAB 85.64, -79.41, 61.67

 

CMYK 84 / 95 / 0 / 3

HEX #280CF7

RGB 40 12 247

HSL 247.15, 0.94%, 0.51%

LAB 32.77, 75.84, -102.56

 

CMYK 0 / 95 / 30 / 3

HEX #F70CAD

RGB 247 12 173

HSL 318.89, 0.94%, 0.51%

LAB 55.13, 86.07, -22.44

 

CMYK 11 / 0 / 95 / 3

HEX #DBF70C

RGB 219 247 12

HSL 67.15, 0.94%, 0.51%

LAB 92.4, -32.36, 88.92

 

CMYK 95 / 0 / 36 / 3

HEX #0CF79D

RGB 12 247 157

HSL 157.02, 0.94%, 0.51%

LAB 86.52, -68.78, 29.86

 

CMYK 84 / 95 / 0 / 3

HEX #280CF7

RGB 40 12 247

HSL 247.15, 0.94%, 0.51%

LAB 32.77, 75.84, -102.56

 

CMYK 0 / 95 / 59 / 3

HEX #F70C66

RGB 247 12 102

HSL 337.02, 0.94%, 0.51%

LAB 52.95, 80.27, 16.81

 

Description

Color code: HEX #DBF70C | qconv.com Color code: HEX #DBF70C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 247 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 247 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 95 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 95% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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