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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 29 220 133 it is the complementary color RGB 226 35 122. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 29 220 133. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 29 220 133 shade: RGB 34 220 128, RGB 51 238 147, RGB 68 255 166, RGB 85 255 185 and RGB 102 255 204

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 29 220 133. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 29 220 133 shade: RGB 29 220 133, RGB 12 202 114, RGB 0 184 95, RGB 0 166 76 and RGB 0 148 57

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 29 220 133 shade: RGB 28 221 133, RGB 28 221 81, RGB 28 221 29, RGB 79 221 28 and RGB 131 221 28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 29 220 133 shade: RGB 28 221 133, RGB 28 221 185, RGB 28 205 221, RGB 28 153 221 and RGB 28 101 221

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 29 220 133 shade matches the following richer shades: RGB 28 221 133 and RGB 8 241 135

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 29 220 133 shade: RGB 28 221 133, RGB 48 200 131, RGB 69 180 129, RGB 89 160 128 and RGB 109 140 126

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 29 220 133 shade: RGB 28 221 28, RGB 28 221 80, RGB 28 221 131, RGB 28 221 182 and RGB 28 208 221

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 29 220 133 shade: RGB 19 148 89, RGB 23 184 111, RGB 28 221 133, RGB 61 229 153 and RGB 97 234 172

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 29 220 133 shade: RGB 29 220 133, RGB 28 80 221 and RGB 221 54 28

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 29 220 133 shade: RGB 29 220 133, RGB 131 28 221 and RGB 221 131 28

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 29 220 133 shade: RGB 29 220 133, RGB 28 80 221, RGB 221 28 118 and RGB 221 169 28

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 29 220 133 shade: RGB 29 220 133, RGB 35 28 221, RGB 221 28 118 and RGB 214 221 28

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 40 / 14

HEX #1DDC85

RGB 29 220 133

HSL 152.67, 0.77%, 0.49%

LAB 77.96, -63.3, 30.64

 

Complementary color

CMYK 0 / 85 / 46 / 11

HEX #E2237A

RGB 226 35 122

HSL 332.67, 0.77%, 0.51%

LAB 50.42, 73.7, 0.52

 

CMYK 85 / 0 / 42 / 14

HEX #22DC80

RGB 34 220 128

HSL 150.32, 0.73%, 0.5%

LAB 77.93, -63.85, 33.14

 

CMYK 79 / 0 / 38 / 7

HEX #33EE93

RGB 51 238 147

HSL 150.8, 0.85%, 0.57%

LAB 83.94, -65.04, 31.52

 

CMYK 73 / 0 / 35 / 0

HEX #44FFA6

RGB 68 255 166

HSL 151.44, 1%, 0.63%

LAB 89.63, -65.52, 29.61

 

CMYK 67 / 0 / 27 / 0

HEX #55FFB9

RGB 85 255 185

HSL 155.29, 1%, 0.67%

LAB 90.3, -59.29, 20.96

 

CMYK 60 / 0 / 20 / 0

HEX #66FFCC

RGB 102 255 204

HSL 160, 1%, 0.7%

LAB 91.1, -52.34, 12.4

 

CMYK 87 / 0 / 40 / 14

HEX #1DDC85

RGB 29 220 133

HSL 152.67, 0.77%, 0.49%

LAB 77.96, -63.3, 30.64

 

CMYK 94 / 0 / 44 / 21

HEX #0CCA72

RGB 12 202 114

HSL 152.21, 0.89%, 0.42%

LAB 71.92, -61.57, 32.4

 

CMYK 100 / 0 / 48 / 28

HEX #00B85F

RGB 0 184 95

HSL 150.98, 1%, 0.36%

LAB 65.83, -59.32, 34.27

 

CMYK 100 / 0 / 54 / 35

HEX #00A64C

RGB 0 166 76

HSL 147.47, 1%, 0.33%

LAB 59.7, -56.46, 36.22

 

CMYK 100 / 0 / 61 / 42

HEX #009439

RGB 0 148 57

HSL 143.11, 1%, 0.29%

LAB 53.47, -53.36, 38.08

 

CMYK 87 / 0 / 40 / 13

HEX #1CDD85

RGB 28 221 133

HSL 152.64, 0.78%, 0.49%

LAB 78.26, -63.72, 31.04

 

CMYK 87 / 0 / 63 / 13

HEX #1CDD51

RGB 28 221 81

HSL 136.48, 0.78%, 0.49%

LAB 77.61, -71.51, 54.85

 

CMYK 87 / 0 / 87 / 13

HEX #1CDD1D

RGB 28 221 29

HSL 120.31, 0.78%, 0.49%

LAB 77.31, -75.32, 71.22

 

CMYK 64 / 0 / 87 / 13

HEX #4FDD1C

RGB 79 221 28

HSL 104.15, 0.78%, 0.49%

LAB 78.15, -68.07, 72.47

 

CMYK 41 / 0 / 87 / 13

HEX #83DD1C

RGB 131 221 28

HSL 87.98, 0.78%, 0.49%

LAB 79.97, -53.82, 74.74

 

CMYK 87 / 0 / 40 / 13

HEX #1CDD85

RGB 28 221 133

HSL 152.64, 0.78%, 0.49%

LAB 78.26, -63.72, 31.04

 

CMYK 87 / 0 / 16 / 13

HEX #1CDDB9

RGB 28 221 185

HSL 168.81, 0.78%, 0.49%

LAB 79.31, -52.11, 5.28

 

CMYK 87 / 7 / 0 / 13

HEX #1CCDDD

RGB 28 205 221

HSL 184.97, 0.78%, 0.49%

LAB 75.53, -34.92, -19.62

 

CMYK 87 / 31 / 0 / 13

HEX #1C99DD

RGB 28 153 221

HSL 201.14, 0.78%, 0.49%

LAB 60.11, -8.05, -43.45

 

CMYK 87 / 54 / 0 / 13

HEX #1C65DD

RGB 28 101 221

HSL 217.31, 0.78%, 0.49%

LAB 45.32, 23.78, -67.13

 

CMYK 87 / 0 / 40 / 13

HEX #1CDD85

RGB 28 221 133

HSL 152.64, 0.78%, 0.49%

LAB 78.26, -63.72, 31.04

 

CMYK 97 / 0 / 44 / 5

HEX #08F187

RGB 8 241 135

HSL 152.7, 0.94%, 0.49%

LAB 84.33, -70.95, 37.95

 

CMYK 87 / 0 / 40 / 13

HEX #1CDD85

RGB 28 221 133

HSL 152.64, 0.78%, 0.49%

LAB 78.26, -63.72, 31.04

 

CMYK 76 / 0 / 35 / 22

HEX #30C883

RGB 48 200 131

HSL 152.76, 0.61%, 0.49%

LAB 71.94, -54.62, 23.67

 

CMYK 62 / 0 / 28 / 29

HEX #45B481

RGB 69 180 129

HSL 152.43, 0.45%, 0.49%

LAB 66.13, -43.62, 16.86

 

CMYK 44 / 0 / 20 / 37

HEX #59A080

RGB 89 160 128

HSL 152.96, 0.29%, 0.49%

LAB 60.63, -30.01, 9.81

 

CMYK 22 / 0 / 10 / 45

HEX #6D8C7E

RGB 109 140 126

HSL 152.9, 0.12%, 0.49%

LAB 55.6, -13.96, 3.9

 

CMYK 87 / 0 / 87 / 13

HEX #1CDD1C

RGB 28 221 28

HSL 120, 0.78%, 0.49%

LAB 77.31, -75.36, 71.41

 

CMYK 87 / 0 / 64 / 13

HEX #1CDD50

RGB 28 221 80

HSL 136.17, 0.78%, 0.49%

LAB 77.6, -71.62, 55.26

 

CMYK 87 / 0 / 41 / 13

HEX #1CDD83

RGB 28 221 131

HSL 152.02, 0.78%, 0.49%

LAB 78.23, -64.09, 32.01

 

CMYK 87 / 0 / 18 / 13

HEX #1CDDB6

RGB 28 221 182

HSL 167.88, 0.78%, 0.49%

LAB 79.24, -52.87, 6.77

 

CMYK 87 / 6 / 0 / 13

HEX #1CD0DD

RGB 28 208 221

HSL 184.04, 0.78%, 0.49%

LAB 76.42, -36.33, -18.27

 

CMYK 87 / 0 / 40 / 42

HEX #139459

RGB 19 148 89

HSL 152.56, 0.77%, 0.33%

LAB 54.07, -46.66, 22.23

 

CMYK 88 / 0 / 40 / 28

HEX #17B86F

RGB 23 184 111

HSL 152.8, 0.78%, 0.41%

LAB 66.22, -55.22, 26.5

 

CMYK 87 / 0 / 40 / 13

HEX #1CDD85

RGB 28 221 133

HSL 152.64, 0.78%, 0.49%

LAB 78.26, -63.72, 31.04

 

CMYK 73 / 0 / 33 / 10

HEX #3DE599

RGB 61 229 153

HSL 152.86, 0.76%, 0.57%

LAB 81.47, -59.41, 25.17

 

CMYK 59 / 0 / 26 / 8

HEX #61EAAC

RGB 97 234 172

HSL 152.85, 0.77%, 0.65%

LAB 84.16, -51.48, 19.16

 

CMYK 87 / 0 / 40 / 14

HEX #1DDC85

RGB 29 220 133

HSL 152.67, 0.77%, 0.49%

LAB 77.96, -63.3, 30.64

 

CMYK 87 / 64 / 0 / 13

HEX #1C50DD

RGB 28 80 221

HSL 223.83, 0.78%, 0.49%

LAB 39.92, 37.3, -75.95

 

CMYK 0 / 76 / 87 / 13

HEX #DD361C

RGB 221 54 28

HSL 8.08, 0.78%, 0.49%

LAB 49.61, 62.65, 53.13

 

CMYK 87 / 0 / 40 / 14

HEX #1DDC85

RGB 29 220 133

HSL 152.67, 0.77%, 0.49%

LAB 77.96, -63.3, 30.64

 

CMYK 41 / 87 / 0 / 13

HEX #831CDD

RGB 131 28 221

HSL 272.02, 0.78%, 0.49%

LAB 39.37, 72.12, -76.57

 

CMYK 0 / 41 / 87 / 13

HEX #DD831C

RGB 221 131 28

HSL 32.02, 0.78%, 0.49%

LAB 63.08, 27.93, 63.77

 

CMYK 87 / 0 / 40 / 14

HEX #1DDC85

RGB 29 220 133

HSL 152.67, 0.77%, 0.49%

LAB 77.96, -63.3, 30.64

 

CMYK 87 / 64 / 0 / 13

HEX #1C50DD

RGB 28 80 221

HSL 223.83, 0.78%, 0.49%

LAB 39.92, 37.3, -75.95

 

CMYK 0 / 87 / 47 / 13

HEX #DD1C76

RGB 221 28 118

HSL 332.02, 0.78%, 0.49%

LAB 48.9, 73.47, 0.61

 

CMYK 0 / 24 / 87 / 13

HEX #DDA91C

RGB 221 169 28

HSL 43.83, 0.78%, 0.49%

LAB 72.12, 7.61, 70.94

 

CMYK 87 / 0 / 40 / 14

HEX #1DDC85

RGB 29 220 133

HSL 152.67, 0.77%, 0.49%

LAB 77.96, -63.3, 30.64

 

CMYK 84 / 87 / 0 / 13

HEX #231CDD

RGB 35 28 221

HSL 242.18, 0.78%, 0.49%

LAB 30.42, 64.97, -91.67

 

CMYK 0 / 87 / 47 / 13

HEX #DD1C76

RGB 221 28 118

HSL 332.02, 0.78%, 0.49%

LAB 48.9, 73.47, 0.61

 

CMYK 3 / 0 / 87 / 13

HEX #D6DD1C

RGB 214 221 28

HSL 62.18, 0.78%, 0.49%

LAB 85.04, -21.94, 81.01

 

Description

Color code: RGB 29 220 133 | qconv.com Color code: RGB 29 220 133 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 220 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 220 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 40 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 40% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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