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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 28 153 221 it is the complementary color RGB 227 102 34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 28 153 221. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 28 153 221 shade: RGB 33 153 216, RGB 50 171 235, RGB 67 189 254, RGB 84 207 255 and RGB 101 225 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 28 153 221. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 28 153 221 shade: RGB 28 153 221, RGB 11 135 202, RGB 0 117 183, RGB 0 99 164 and RGB 0 81 145

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 28 153 221 shade: RGB 27 153 222, RGB 27 101 222, RGB 27 48 222, RGB 58 27 222 and RGB 111 27 222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 28 153 221 shade: RGB 27 153 222, RGB 27 101 222, RGB 27 48 222 and RGB 27 27 222

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 28 153 221 shade matches the following richer shades: RGB 27 153 222 and RGB 7 159 242

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 28 153 221 shade: RGB 27 153 222, RGB 47 147 202, RGB 67 141 181, RGB 88 135 161 and RGB 108 129 141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 28 153 221 shade: RGB 27 222 186, RGB 27 206 222, RGB 27 154 222, RGB 27 102 222 and RGB 27 50 222

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 28 153 221 shade: RGB 18 102 148, RGB 22 128 185, RGB 27 153 222, RGB 60 170 230 and RGB 96 186 235

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 28 153 221 shade: RGB 28 153 221, RGB 134 27 222 and RGB 222 212 27

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 28 153 221 shade: RGB 28 153 221, RGB 222 27 154 and RGB 154 222 27

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 28 153 221 shade: RGB 28 153 221, RGB 134 27 222, RGB 222 95 27 and RGB 115 222 27

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 28 153 221 shade: RGB 28 153 221, RGB 193 27 222, RGB 222 95 27 and RGB 56 222 27

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 31 / 0 / 13

HEX #1C99DD

RGB 28 153 221

HSL 201.14, 0.78%, 0.49%

LAB 60.11, -8.05, -43.45

 

Complementary color

CMYK 0 / 55 / 85 / 11

HEX #E36622

RGB 227 102 34

HSL 21.14, 0.78%, 0.51%

LAB 57.99, 45.24, 57.98

 

CMYK 85 / 29 / 0 / 15

HEX #2199D8

RGB 33 153 216

HSL 200.66, 0.73%, 0.49%

LAB 59.95, -9.52, -40.93

 

CMYK 79 / 27 / 0 / 8

HEX #32ABEB

RGB 50 171 235

HSL 200.76, 0.82%, 0.56%

LAB 66.37, -11.33, -41.33

 

CMYK 74 / 26 / 0 / 0

HEX #43BDFE

RGB 67 189 254

HSL 200.86, 0.99%, 0.63%

LAB 72.72, -12.79, -41.68

 

CMYK 67 / 19 / 0 / 0

HEX #54CFFF

RGB 84 207 255

HSL 196.84, 1%, 0.66%

LAB 78.3, -19.64, -33.52

 

CMYK 60 / 12 / 0 / 0

HEX #65E1FF

RGB 101 225 255

HSL 191.69, 1%, 0.7%

LAB 83.88, -25.98, -24.93

 

CMYK 87 / 31 / 0 / 13

HEX #1C99DD

RGB 28 153 221

HSL 201.14, 0.78%, 0.49%

LAB 60.11, -8.05, -43.45

 

CMYK 95 / 33 / 0 / 21

HEX #0B87CA

RGB 11 135 202

HSL 201.05, 0.9%, 0.42%

LAB 53.67, -5.59, -42.97

 

CMYK 100 / 36 / 0 / 28

HEX #0075B7

RGB 0 117 183

HSL 201.64, 1%, 0.36%

LAB 47.16, -2.59, -42.39

 

CMYK 100 / 40 / 0 / 36

HEX #0063A4

RGB 0 99 164

HSL 203.78, 1%, 0.32%

LAB 40.58, 0.98, -41.73

 

CMYK 100 / 44 / 0 / 43

HEX #005191

RGB 0 81 145

HSL 206.48, 1%, 0.28%

LAB 33.83, 4.8, -41.1

 

CMYK 88 / 31 / 0 / 13

HEX #1B99DE

RGB 27 153 222

HSL 201.23, 0.78%, 0.49%

LAB 60.15, -7.75, -43.95

 

CMYK 88 / 55 / 0 / 13

HEX #1B65DE

RGB 27 101 222

HSL 217.23, 0.78%, 0.49%

LAB 45.38, 24.1, -67.61

 

CMYK 88 / 78 / 0 / 13

HEX #1B30DE

RGB 27 48 222

HSL 233.54, 0.78%, 0.49%

LAB 33.18, 56.37, -87.66

 

CMYK 74 / 88 / 0 / 13

HEX #3A1BDE

RGB 58 27 222

HSL 249.54, 0.78%, 0.49%

LAB 31.71, 66.47, -90.06

 

CMYK 50 / 88 / 0 / 13

HEX #6F1BDE

RGB 111 27 222

HSL 265.85, 0.78%, 0.49%

LAB 36.81, 70.41, -81.45

 

CMYK 88 / 31 / 0 / 13

HEX #1B99DE

RGB 27 153 222

HSL 201.23, 0.78%, 0.49%

LAB 60.15, -7.75, -43.95

 

CMYK 88 / 55 / 0 / 13

HEX #1B65DE

RGB 27 101 222

HSL 217.23, 0.78%, 0.49%

LAB 45.38, 24.1, -67.61

 

CMYK 88 / 78 / 0 / 13

HEX #1B30DE

RGB 27 48 222

HSL 233.54, 0.78%, 0.49%

LAB 33.18, 56.37, -87.66

 

CMYK 88 / 88 / 0 / 13

HEX #1B1BDE

RGB 27 27 222

HSL 240, 0.78%, 0.49%

LAB 30.13, 65.38, -92.73

 

CMYK 88 / 31 / 0 / 13

HEX #1B99DE

RGB 27 153 222

HSL 201.23, 0.78%, 0.49%

LAB 60.15, -7.75, -43.95

 

CMYK 97 / 34 / 0 / 5

HEX #079FF2

RGB 7 159 242

HSL 201.19, 0.94%, 0.49%

LAB 62.72, -4.6, -50.95

 

CMYK 88 / 31 / 0 / 13

HEX #1B99DE

RGB 27 153 222

HSL 201.23, 0.78%, 0.49%

LAB 60.15, -7.75, -43.95

 

CMYK 77 / 27 / 0 / 21

HEX #2F93CA

RGB 47 147 202

HSL 201.29, 0.62%, 0.49%

LAB 57.79, -9.81, -36.45

 

CMYK 63 / 22 / 0 / 29

HEX #438DB5

RGB 67 141 181

HSL 201.05, 0.46%, 0.49%

LAB 55.66, -10.61, -27.81

 

CMYK 45 / 16 / 0 / 37

HEX #5887A1

RGB 88 135 161

HSL 201.37, 0.29%, 0.49%

LAB 54, -8.75, -18.81

 

CMYK 23 / 9 / 0 / 45

HEX #6C818D

RGB 108 129 141

HSL 201.82, 0.13%, 0.49%

LAB 52.74, -4.76, -9

 

CMYK 88 / 0 / 16 / 13

HEX #1BDEBA

RGB 27 222 186

HSL 168.92, 0.78%, 0.49%

LAB 79.63, -52.31, 5.21

 

CMYK 88 / 7 / 0 / 13

HEX #1BCEDE

RGB 27 206 222

HSL 184.92, 0.78%, 0.49%

LAB 75.85, -35.14, -19.67

 

CMYK 88 / 31 / 0 / 13

HEX #1B9ADE

RGB 27 154 222

HSL 200.92, 0.78%, 0.49%

LAB 60.44, -8.32, -43.49

 

CMYK 88 / 54 / 0 / 13

HEX #1B66DE

RGB 27 102 222

HSL 216.92, 0.78%, 0.49%

LAB 45.65, 23.46, -67.17

 

CMYK 88 / 77 / 0 / 13

HEX #1B32DE

RGB 27 50 222

HSL 232.92, 0.78%, 0.49%

LAB 33.54, 55.33, -87.07

 

CMYK 88 / 31 / 0 / 42

HEX #126694

RGB 18 102 148

HSL 201.23, 0.78%, 0.33%

LAB 40.85, -6.3, -31.76

 

CMYK 88 / 31 / 0 / 27

HEX #1680B9

RGB 22 128 185

HSL 200.98, 0.79%, 0.41%

LAB 50.82, -7.36, -37.75

 

CMYK 88 / 31 / 0 / 13

HEX #1B99DE

RGB 27 153 222

HSL 201.23, 0.78%, 0.49%

LAB 60.15, -7.75, -43.95

 

CMYK 74 / 26 / 0 / 10

HEX #3CAAE6

RGB 60 170 230

HSL 201.18, 0.77%, 0.57%

LAB 66.08, -11.39, -39.03

 

CMYK 59 / 21 / 0 / 8

HEX #60BAEB

RGB 96 186 235

HSL 201.15, 0.78%, 0.65%

LAB 71.96, -12.83, -32.53

 

CMYK 87 / 31 / 0 / 13

HEX #1C99DD

RGB 28 153 221

HSL 201.14, 0.78%, 0.49%

LAB 60.11, -8.05, -43.45

 

CMYK 40 / 88 / 0 / 13

HEX #861BDE

RGB 134 27 222

HSL 272.92, 0.78%, 0.49%

LAB 39.79, 72.93, -76.44

 

CMYK 0 / 5 / 88 / 13

HEX #DED41B

RGB 222 212 27

HSL 56.92, 0.78%, 0.49%

LAB 83.28, -14.17, 80.05

 

CMYK 87 / 31 / 0 / 13

HEX #1C99DD

RGB 28 153 221

HSL 201.14, 0.78%, 0.49%

LAB 60.11, -8.05, -43.45

 

CMYK 0 / 88 / 31 / 13

HEX #DE1B9A

RGB 222 27 154

HSL 320.92, 0.78%, 0.49%

LAB 50.27, 77.28, -19.06

 

CMYK 31 / 0 / 88 / 13

HEX #9ADE1B

RGB 154 222 27

HSL 80.92, 0.78%, 0.49%

LAB 81.4, -46.23, 76.58

 

CMYK 87 / 31 / 0 / 13

HEX #1C99DD

RGB 28 153 221

HSL 201.14, 0.78%, 0.49%

LAB 60.11, -8.05, -43.45

 

CMYK 40 / 88 / 0 / 13

HEX #861BDE

RGB 134 27 222

HSL 272.92, 0.78%, 0.49%

LAB 39.79, 72.93, -76.44

 

CMYK 0 / 57 / 88 / 13

HEX #DE5F1B

RGB 222 95 27

HSL 20.92, 0.78%, 0.49%

LAB 55.88, 46.54, 58.48

 

CMYK 48 / 0 / 88 / 13

HEX #73DE1B

RGB 115 222 27

HSL 92.92, 0.78%, 0.49%

LAB 79.59, -59.25, 74.34

 

CMYK 87 / 31 / 0 / 13

HEX #1C99DD

RGB 28 153 221

HSL 201.14, 0.78%, 0.49%

LAB 60.11, -8.05, -43.45

 

CMYK 13 / 88 / 0 / 13

HEX #C11BDE

RGB 193 27 222

HSL 291.08, 0.78%, 0.49%

LAB 48.75, 81.2, -61.45

 

CMYK 0 / 57 / 88 / 13

HEX #DE5F1B

RGB 222 95 27

HSL 20.92, 0.78%, 0.49%

LAB 55.88, 46.54, 58.48

 

CMYK 75 / 0 / 88 / 13

HEX #38DE1B

RGB 56 222 27

HSL 111.08, 0.78%, 0.49%

LAB 77.97, -72.55, 72.31

 

Description

Color code: RGB 28 153 221 | qconv.com Color code: RGB 28 153 221 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 153 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 153 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, 31 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 31% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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