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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 28 242 178 it is the complementary color RGB 227 13 77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 28 242 178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 28 242 178 shade: RGB 33 242 173, RGB 50 255 192, RGB 67 255 211, RGB 84 255 230 and RGB 101 255 249

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 28 242 178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 28 242 178 shade: RGB 28 242 178, RGB 11 224 159, RGB 0 206 140, RGB 0 188 121 and RGB 0 170 102

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 28 242 178 shade: RGB 28 241 178, RGB 28 241 120, RGB 28 241 62, RGB 51 241 28 and RGB 109 241 28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 28 242 178 shade: RGB 28 241 178, RGB 28 241 235, RGB 28 190 241, RGB 28 133 241 and RGB 28 75 241

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 28 242 178 shade matches the following richer shades: RGB 28 241 178

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 28 242 178 shade: RGB 28 241 178, RGB 47 222 170, RGB 67 203 162, RGB 86 183 154 and RGB 106 164 146

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 28 242 178 shade: RGB 28 241 64, RGB 28 241 120, RGB 28 241 177, RGB 28 241 234 and RGB 28 192 241

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 28 242 178 shade: RGB 10 177 127, RGB 12 216 155, RGB 28 241 178, RGB 67 244 191 and RGB 106 246 204

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 28 242 178 shade: RGB 28 242 178, RGB 28 49 241 and RGB 241 92 28

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 28 242 178 shade: RGB 28 242 178, RGB 177 28 241 and RGB 241 177 28

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 28 242 178 shade: RGB 28 242 178, RGB 28 49 241, RGB 241 28 92 and RGB 241 220 28

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 28 242 178 shade: RGB 28 242 178, RGB 71 28 241, RGB 241 28 92 and RGB 199 241 28

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 26 / 5

HEX #1CF2B2

RGB 28 242 178

HSL 162.06, 0.89%, 0.53%

LAB 85.49, -61.92, 17.73

 

Complementary color

CMYK 0 / 94 / 66 / 11

HEX #E30D4D

RGB 227 13 77

HSL 342.06, 0.89%, 0.47%

LAB 48.45, 74.18, 25.37

 

CMYK 86 / 0 / 29 / 5

HEX #21F2AD

RGB 33 242 173

HSL 160.19, 0.89%, 0.54%

LAB 85.43, -62.73, 20.23

 

CMYK 80 / 0 / 25 / 0

HEX #32FFC0

RGB 50 255 192

HSL 161.56, 1%, 0.6%

LAB 89.86, -62.06, 16.67

 

CMYK 74 / 0 / 17 / 0

HEX #43FFD3

RGB 67 255 211

HSL 165.96, 1%, 0.63%

LAB 90.51, -55.93, 7.85

 

CMYK 67 / 0 / 10 / 0

HEX #54FFE6

RGB 84 255 230

HSL 171.23, 1%, 0.66%

LAB 91.29, -49.1, -0.83

 

CMYK 60 / 0 / 2 / 0

HEX #65FFF9

RGB 101 255 249

HSL 177.66, 1%, 0.7%

LAB 92.19, -41.68, -9.3

 

CMYK 88 / 0 / 26 / 5

HEX #1CF2B2

RGB 28 242 178

HSL 162.06, 0.89%, 0.53%

LAB 85.49, -61.92, 17.73

 

CMYK 95 / 0 / 29 / 12

HEX #0BE09F

RGB 11 224 159

HSL 161.69, 0.91%, 0.46%

LAB 79.55, -60.24, 19.33

 

CMYK 100 / 0 / 32 / 19

HEX #00CE8C

RGB 0 206 140

HSL 160.78, 1%, 0.4%

LAB 73.57, -58.18, 21.07

 

CMYK 100 / 0 / 36 / 26

HEX #00BC79

RGB 0 188 121

HSL 158.62, 1%, 0.37%

LAB 67.54, -55.73, 22.93

 

CMYK 100 / 0 / 40 / 33

HEX #00AA66

RGB 0 170 102

HSL 156, 1%, 0.33%

LAB 61.4, -53.18, 24.88

 

CMYK 88 / 0 / 26 / 5

HEX #1CF1B2

RGB 28 241 178

HSL 162.25, 0.88%, 0.53%

LAB 85.19, -61.54, 17.31

 

CMYK 88 / 0 / 50 / 5

HEX #1CF178

RGB 28 241 120

HSL 145.92, 0.88%, 0.53%

LAB 84.23, -72.55, 45.09

 

CMYK 88 / 0 / 74 / 5

HEX #1CF13E

RGB 28 241 62

HSL 129.58, 0.88%, 0.53%

LAB 83.71, -79.05, 68.42

 

CMYK 79 / 0 / 88 / 5

HEX #33F11C

RGB 51 241 28

HSL 113.52, 0.88%, 0.53%

LAB 83.81, -78.68, 77.13

 

CMYK 55 / 0 / 88 / 5

HEX #6DF11C

RGB 109 241 28

HSL 97.18, 0.88%, 0.53%

LAB 85.12, -67.62, 78.77

 

CMYK 88 / 0 / 26 / 5

HEX #1CF1B2

RGB 28 241 178

HSL 162.25, 0.88%, 0.53%

LAB 85.19, -61.54, 17.31

 

CMYK 88 / 0 / 2 / 5

HEX #1CF1EB

RGB 28 241 235

HSL 178.31, 0.88%, 0.53%

LAB 86.58, -46.97, -10.47

 

CMYK 88 / 21 / 0 / 5

HEX #1CBEF1

RGB 28 190 241

HSL 194.37, 0.88%, 0.53%

LAB 71.84, -21.04, -36.08

 

CMYK 88 / 45 / 0 / 5

HEX #1C85F1

RGB 28 133 241

HSL 210.42, 0.88%, 0.53%

LAB 55.45, 11.27, -61.98

 

CMYK 88 / 69 / 0 / 5

HEX #1C4BF1

RGB 28 75 241

HSL 226.76, 0.88%, 0.53%

LAB 40.62, 47.64, -86.15

 

CMYK 88 / 0 / 26 / 5

HEX #1CF1B2

RGB 28 241 178

HSL 162.25, 0.88%, 0.53%

LAB 85.19, -61.54, 17.31

 

CMYK 88 / 0 / 26 / 5

HEX #1CF1B2

RGB 28 241 178

HSL 162.25, 0.88%, 0.53%

LAB 85.19, -61.54, 17.31

 

CMYK 79 / 0 / 23 / 13

HEX #2FDEAA

RGB 47 222 170

HSL 162.17, 0.73%, 0.53%

LAB 79.47, -54.68, 13.49

 

CMYK 67 / 0 / 20 / 20

HEX #43CBA2

RGB 67 203 162

HSL 161.91, 0.57%, 0.53%

LAB 73.88, -46.25, 9.87

 

CMYK 53 / 0 / 16 / 28

HEX #56B79A

RGB 86 183 154

HSL 162.06, 0.4%, 0.53%

LAB 68.15, -35.66, 6.11

 

CMYK 35 / 0 / 11 / 36

HEX #6AA492

RGB 106 164 146

HSL 161.38, 0.24%, 0.53%

LAB 63.09, -23.08, 3.35

 

CMYK 88 / 0 / 73 / 5

HEX #1CF140

RGB 28 241 64

HSL 130.14, 0.88%, 0.53%

LAB 83.72, -78.9, 67.77

 

CMYK 88 / 0 / 50 / 5

HEX #1CF178

RGB 28 241 120

HSL 145.92, 0.88%, 0.53%

LAB 84.23, -72.55, 45.09

 

CMYK 88 / 0 / 27 / 5

HEX #1CF1B1

RGB 28 241 177

HSL 161.97, 0.88%, 0.53%

LAB 85.17, -61.77, 17.8

 

CMYK 88 / 0 / 3 / 5

HEX #1CF1EA

RGB 28 241 234

HSL 178.03, 0.88%, 0.53%

LAB 86.55, -47.25, -9.98

 

CMYK 88 / 20 / 0 / 5

HEX #1CC0F1

RGB 28 192 241

HSL 193.8, 0.88%, 0.53%

LAB 72.43, -22.07, -35.18

 

CMYK 94 / 0 / 28 / 31

HEX #0AB17F

RGB 10 177 127

HSL 162.04, 0.89%, 0.37%

LAB 64.19, -49.87, 15.12

 

CMYK 94 / 0 / 28 / 15

HEX #0CD89B

RGB 12 216 155

HSL 162.06, 0.89%, 0.45%

LAB 77.01, -58.15, 17.91

 

CMYK 88 / 0 / 26 / 5

HEX #1CF1B2

RGB 28 241 178

HSL 162.25, 0.88%, 0.53%

LAB 85.19, -61.54, 17.31

 

CMYK 73 / 0 / 22 / 4

HEX #43F4BF

RGB 67 244 191

HSL 162.03, 0.89%, 0.61%

LAB 86.83, -56.23, 12.95

 

CMYK 57 / 0 / 17 / 4

HEX #6AF6CC

RGB 106 246 204

HSL 162, 0.89%, 0.69%

LAB 88.61, -47.81, 8.85

 

CMYK 88 / 0 / 26 / 5

HEX #1CF2B2

RGB 28 242 178

HSL 162.06, 0.89%, 0.53%

LAB 85.49, -61.92, 17.73

 

CMYK 88 / 80 / 0 / 5

HEX #1C31F1

RGB 28 49 241

HSL 234.08, 0.88%, 0.53%

LAB 35.59, 61.85, -94.49

 

CMYK 0 / 62 / 88 / 5

HEX #F15C1C

RGB 241 92 28

HSL 18.03, 0.88%, 0.53%

LAB 58.45, 54.76, 61.45

 

CMYK 88 / 0 / 26 / 5

HEX #1CF2B2

RGB 28 242 178

HSL 162.06, 0.89%, 0.53%

LAB 85.49, -61.92, 17.73

 

CMYK 27 / 88 / 0 / 5

HEX #B11CF1

RGB 177 28 241

HSL 281.97, 0.88%, 0.53%

LAB 47.66, 82.01, -74.1

 

CMYK 0 / 27 / 88 / 5

HEX #F1B11C

RGB 241 177 28

HSL 41.97, 0.88%, 0.53%

LAB 76.21, 12.03, 75.07

 

CMYK 88 / 0 / 26 / 5

HEX #1CF2B2

RGB 28 242 178

HSL 162.06, 0.89%, 0.53%

LAB 85.49, -61.92, 17.73

 

CMYK 88 / 80 / 0 / 5

HEX #1C31F1

RGB 28 49 241

HSL 234.08, 0.88%, 0.53%

LAB 35.59, 61.85, -94.49

 

CMYK 0 / 88 / 62 / 5

HEX #F11C5C

RGB 241 28 92

HSL 341.97, 0.88%, 0.53%

LAB 52.18, 76.47, 21.64

 

CMYK 0 / 9 / 88 / 5

HEX #F1DC1C

RGB 241 220 28

HSL 54.08, 0.88%, 0.53%

LAB 86.98, -10.08, 83.48

 

CMYK 88 / 0 / 26 / 5

HEX #1CF2B2

RGB 28 242 178

HSL 162.06, 0.89%, 0.53%

LAB 85.49, -61.92, 17.73

 

CMYK 71 / 88 / 0 / 5

HEX #471CF1

RGB 71 28 241

HSL 252.11, 0.88%, 0.53%

LAB 35.05, 71.77, -95.32

 

CMYK 0 / 88 / 62 / 5

HEX #F11C5C

RGB 241 28 92

HSL 341.97, 0.88%, 0.53%

LAB 52.18, 76.47, 21.64

 

CMYK 17 / 0 / 88 / 5

HEX #C7F11C

RGB 199 241 28

HSL 71.83, 0.88%, 0.53%

LAB 89.46, -37.35, 84.13

 

Description

Color code: RGB 28 242 178 | qconv.com Color code: RGB 28 242 178 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 242 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 242 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 26 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 26% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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