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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0CD89B it is the complementary color #F32764. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0CD89B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0CD89B shade: #11D896, #22EAA9, #33FCBC, #44FFCF and #55FFE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0CD89B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0CD89B shade: #0CD89B, #00C688, #00B475, #00A262 and #00904F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0CD89B shade: #0CD89B, #0CD864, #0CD82D, #22D80C and #59D80C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0CD89B shade: #0CD89B, #0CD8D2, #0CA7D8, #0C70D8 and #0C39D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0CD89B shade matches the following richer shades: #0CD89B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0CD89B shade: #0CD89B, #1FC694, #31B38C, #44A185 and #568E7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0CD89B shade: #0CD82E, #0CD865, #0CD89B, #0CD8D2 and #0CA9D8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0CD89B shade: #088A63, #0AB17F, #0CD89B, #1CF1B2 and #43F4BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0CD89B shade: #0CD89B, #0C21D8 and #D8490C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0CD89B shade: #0CD89B, #9B0CD8 and #D89B0C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0CD89B shade: #0CD89B, #0C21D8, #D80C49 and #D8C40C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0CD89B shade: #0CD89B, #350CD8, #D80C49 and #B0D80C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 28 / 15

HEX #0CD89B

RGB 12 216 155

HSL 162.06, 0.89%, 0.45%

LAB 77.01, -58.15, 17.91

 

Complementary color

CMYK 0 / 84 / 59 / 5

HEX #F32764

RGB 243 39 100

HSL 342.06, 0.89%, 0.55%

LAB 53.41, 75.47, 18.53

 

CMYK 92 / 0 / 31 / 15

HEX #11D896

RGB 17 216 150

HSL 160.1, 0.85%, 0.46%

LAB 76.94, -59.07, 20.44

 

CMYK 85 / 0 / 28 / 8

HEX #22EAA9

RGB 34 234 169

HSL 160.5, 0.83%, 0.53%

LAB 82.94, -60.58, 18.85

 

CMYK 80 / 0 / 25 / 1

HEX #33FCBC

RGB 51 252 188

HSL 160.9, 0.97%, 0.59%

LAB 88.9, -61.74, 17.38

 

CMYK 73 / 0 / 19 / 0

HEX #44FFCF

RGB 68 255 207

HSL 164.6, 1%, 0.63%

LAB 90.44, -56.76, 9.81

 

CMYK 67 / 0 / 11 / 0

HEX #55FFE2

RGB 85 255 226

HSL 169.76, 1%, 0.67%

LAB 91.21, -49.96, 1.13

 

CMYK 94 / 0 / 28 / 15

HEX #0CD89B

RGB 12 216 155

HSL 162.06, 0.89%, 0.45%

LAB 77.01, -58.15, 17.91

 

CMYK 100 / 0 / 31 / 22

HEX #00C688

RGB 0 198 136

HSL 161.21, 1%, 0.39%

LAB 70.99, -56.13, 19.64

 

CMYK 100 / 0 / 35 / 29

HEX #00B475

RGB 0 180 117

HSL 159, 1%, 0.35%

LAB 64.9, -53.67, 21.51

 

CMYK 100 / 0 / 40 / 36

HEX #00A262

RGB 0 162 98

HSL 156.3, 1%, 0.32%

LAB 58.72, -51.1, 23.47

 

CMYK 100 / 0 / 45 / 44

HEX #00904F

RGB 0 144 79

HSL 152.92, 1%, 0.28%

LAB 52.41, -48.4, 25.49

 

CMYK 94 / 0 / 28 / 15

HEX #0CD89B

RGB 12 216 155

HSL 162.06, 0.89%, 0.45%

LAB 77.01, -58.15, 17.91

 

CMYK 94 / 0 / 54 / 15

HEX #0CD864

RGB 12 216 100

HSL 145.88, 0.89%, 0.45%

LAB 76.14, -68.43, 44.59

 

CMYK 94 / 0 / 79 / 15

HEX #0CD82D

RGB 12 216 45

HSL 129.71, 0.89%, 0.45%

LAB 75.69, -74.07, 65.83

 

CMYK 84 / 0 / 94 / 15

HEX #22D80C

RGB 34 216 12

HSL 113.53, 0.89%, 0.45%

LAB 75.75, -73.91, 72.49

 

CMYK 59 / 0 / 94 / 15

HEX #59D80C

RGB 89 216 12

HSL 97.35, 0.89%, 0.45%

LAB 76.84, -64.56, 73.83

 

CMYK 94 / 0 / 28 / 15

HEX #0CD89B

RGB 12 216 155

HSL 162.06, 0.89%, 0.45%

LAB 77.01, -58.15, 17.91

 

CMYK 94 / 0 / 3 / 15

HEX #0CD8D2

RGB 12 216 210

HSL 178.24, 0.89%, 0.45%

LAB 78.37, -43.87, -9.45

 

CMYK 94 / 23 / 0 / 15

HEX #0CA7D8

RGB 12 167 216

HSL 194.41, 0.89%, 0.45%

LAB 63.9, -18.29, -34.77

 

CMYK 94 / 48 / 0 / 15

HEX #0C70D8

RGB 12 112 216

HSL 210.59, 0.89%, 0.45%

LAB 47.78, 14, -60.32

 

CMYK 94 / 74 / 0 / 15

HEX #0C39D8

RGB 12 57 216

HSL 226.76, 0.89%, 0.45%

LAB 33.9, 49.01, -83.02

 

CMYK 94 / 0 / 28 / 15

HEX #0CD89B

RGB 12 216 155

HSL 162.06, 0.89%, 0.45%

LAB 77.01, -58.15, 17.91

 

CMYK 94 / 0 / 28 / 15

HEX #0CD89B

RGB 12 216 155

HSL 162.06, 0.89%, 0.45%

LAB 77.01, -58.15, 17.91

 

CMYK 84 / 0 / 25 / 22

HEX #1FC694

RGB 31 198 148

HSL 162.04, 0.73%, 0.45%

LAB 71.43, -51.85, 13.86

 

CMYK 73 / 0 / 22 / 30

HEX #31B38C

RGB 49 179 140

HSL 162, 0.57%, 0.45%

LAB 65.58, -44.09, 10

 

CMYK 58 / 0 / 17 / 37

HEX #44A185

RGB 68 161 133

HSL 161.94, 0.41%, 0.45%

LAB 60.26, -34.5, 6.37

 

CMYK 39 / 0 / 12 / 44

HEX #568E7D

RGB 86 142 125

HSL 161.79, 0.25%, 0.45%

LAB 54.87, -22.6, 3.26

 

CMYK 94 / 0 / 79 / 15

HEX #0CD82E

RGB 12 216 46

HSL 130, 0.89%, 0.45%

LAB 75.69, -74.01, 65.54

 

CMYK 94 / 0 / 53 / 15

HEX #0CD865

RGB 12 216 101

HSL 146.18, 0.89%, 0.45%

LAB 76.15, -68.28, 44.13

 

CMYK 94 / 0 / 28 / 15

HEX #0CD89B

RGB 12 216 155

HSL 162.06, 0.89%, 0.45%

LAB 77.01, -58.15, 17.91

 

CMYK 94 / 0 / 3 / 15

HEX #0CD8D2

RGB 12 216 210

HSL 178.24, 0.89%, 0.45%

LAB 78.37, -43.87, -9.45

 

CMYK 94 / 22 / 0 / 15

HEX #0CA9D8

RGB 12 169 216

HSL 193.82, 0.89%, 0.45%

LAB 64.49, -19.35, -33.84

 

CMYK 94 / 0 / 28 / 46

HEX #088A63

RGB 8 138 99

HSL 162, 0.89%, 0.29%

LAB 50.84, -41.22, 12.19

 

CMYK 94 / 0 / 28 / 31

HEX #0AB17F

RGB 10 177 127

HSL 162.04, 0.89%, 0.37%

LAB 64.19, -49.87, 15.12

 

CMYK 94 / 0 / 28 / 15

HEX #0CD89B

RGB 12 216 155

HSL 162.06, 0.89%, 0.45%

LAB 77.01, -58.15, 17.91

 

CMYK 88 / 0 / 26 / 5

HEX #1CF1B2

RGB 28 241 178

HSL 162.25, 0.88%, 0.53%

LAB 85.19, -61.54, 17.31

 

CMYK 73 / 0 / 22 / 4

HEX #43F4BF

RGB 67 244 191

HSL 162.03, 0.89%, 0.61%

LAB 86.83, -56.23, 12.95

 

CMYK 94 / 0 / 28 / 15

HEX #0CD89B

RGB 12 216 155

HSL 162.06, 0.89%, 0.45%

LAB 77.01, -58.15, 17.91

 

CMYK 94 / 85 / 0 / 15

HEX #0C21D8

RGB 12 33 216

HSL 233.82, 0.89%, 0.45%

LAB 29.72, 61.13, -89.96

 

CMYK 0 / 66 / 94 / 15

HEX #D8490C

RGB 216 73 12

HSL 17.94, 0.89%, 0.45%

LAB 51.14, 53.91, 59.15

 

CMYK 94 / 0 / 28 / 15

HEX #0CD89B

RGB 12 216 155

HSL 162.06, 0.89%, 0.45%

LAB 77.01, -58.15, 17.91

 

CMYK 28 / 94 / 0 / 15

HEX #9B0CD8

RGB 155 12 216

HSL 282.06, 0.89%, 0.45%

LAB 41.52, 76.84, -70.05

 

CMYK 0 / 28 / 94 / 15

HEX #D89B0C

RGB 216 155 12

HSL 42.06, 0.89%, 0.45%

LAB 68.07, 12.65, 70.65

 

CMYK 94 / 0 / 28 / 15

HEX #0CD89B

RGB 12 216 155

HSL 162.06, 0.89%, 0.45%

LAB 77.01, -58.15, 17.91

 

CMYK 94 / 85 / 0 / 15

HEX #0C21D8

RGB 12 33 216

HSL 233.82, 0.89%, 0.45%

LAB 29.72, 61.13, -89.96

 

CMYK 0 / 94 / 66 / 15

HEX #D80C49

RGB 216 12 73

HSL 342.06, 0.89%, 0.45%

LAB 46.1, 71.44, 24.36

 

CMYK 0 / 9 / 94 / 15

HEX #D8C40C

RGB 216 196 12

HSL 54.12, 0.89%, 0.45%

LAB 78.52, -8.91, 78.32

 

CMYK 94 / 0 / 28 / 15

HEX #0CD89B

RGB 12 216 155

HSL 162.06, 0.89%, 0.45%

LAB 77.01, -58.15, 17.91

 

CMYK 75 / 94 / 0 / 15

HEX #350CD8

RGB 53 12 216

HSL 252.06, 0.89%, 0.45%

LAB 29.36, 68.52, -90.53

 

CMYK 0 / 94 / 66 / 15

HEX #D80C49

RGB 216 12 73

HSL 342.06, 0.89%, 0.45%

LAB 46.1, 71.44, 24.36

 

CMYK 19 / 0 / 94 / 15

HEX #B0D80C

RGB 176 216 12

HSL 71.76, 0.89%, 0.45%

LAB 80.94, -35.44, 78.84

 

Description

Color code: HEX #0CD89B | qconv.com Color code: HEX #0CD89B | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 216 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 216 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 28 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 28% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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