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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 25 255 128 it is the complementary color RGB 230 0 127. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 25 255 128. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 25 255 128 shade: RGB 30 255 123, RGB 47 255 142, RGB 64 255 161, RGB 81 255 180 and RGB 98 255 199

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 25 255 128. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 25 255 128 shade: RGB 25 255 128, RGB 8 237 109, RGB 0 219 90, RGB 0 201 71 and RGB 0 183 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 25 255 128 shade: RGB 25 255 128, RGB 25 255 66, RGB 46 255 25, RGB 108 255 25 and RGB 170 255 25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 25 255 128 shade: RGB 25 255 128, RGB 25 255 190, RGB 25 255 252, RGB 25 196 255 and RGB 25 134 255

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 25 255 128 shade matches the following richer shades: RGB 25 255 128

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 25 255 128 shade: RGB 25 255 128, RGB 44 236 130, RGB 62 217 132, RGB 81 199 134 and RGB 99 180 136

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 25 255 128 shade: RGB 48 255 25, RGB 25 255 63, RGB 25 255 124, RGB 25 255 186 and RGB 25 255 247

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 25 255 128 shade: RGB 0 197 88, RGB 0 239 107, RGB 25 255 128, RGB 66 255 151 and RGB 108 255 173

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 25 255 128 shade: RGB 25 255 128, RGB 25 109 255 and RGB 255 33 25

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 25 255 128 shade: RGB 25 255 128, RGB 124 25 255 and RGB 255 124 25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 25 255 128 shade: RGB 25 255 128, RGB 25 109 255, RGB 255 25 155 and RGB 255 170 25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 25 255 128 shade: RGB 25 255 128, RGB 25 40 255, RGB 255 25 155 and RGB 255 239 25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 50 / 0

HEX #19FF80

RGB 25 255 128

HSL 146.87, 1%, 0.55%

LAB 88.58, -75.92, 46.72

 

Complementary color

CMYK 0 / 100 / 45 / 10

HEX #E6007F

RGB 230 0 127

HSL 326.87, 1%, 0.45%

LAB 49.92, 79.15, -3.16

 

CMYK 88 / 0 / 52 / 0

HEX #1EFF7B

RGB 30 255 123

HSL 144.8, 1%, 0.56%

LAB 88.56, -76.38, 49.02

 

CMYK 82 / 0 / 44 / 0

HEX #2FFF8E

RGB 47 255 142

HSL 147.4, 1%, 0.59%

LAB 88.96, -72.13, 40.54

 

CMYK 75 / 0 / 37 / 0

HEX #40FFA1

RGB 64 255 161

HSL 150.47, 1%, 0.63%

LAB 89.48, -66.96, 31.9

 

CMYK 68 / 0 / 29 / 0

HEX #51FFB4

RGB 81 255 180

HSL 154.14, 1%, 0.66%

LAB 90.12, -60.93, 23.24

 

CMYK 62 / 0 / 22 / 0

HEX #62FFC7

RGB 98 255 199

HSL 158.6, 1%, 0.69%

LAB 90.89, -54.15, 14.65

 

CMYK 90 / 0 / 50 / 0

HEX #19FF80

RGB 25 255 128

HSL 146.87, 1%, 0.55%

LAB 88.58, -75.92, 46.72

 

CMYK 97 / 0 / 54 / 7

HEX #08ED6D

RGB 8 237 109

HSL 146.46, 0.93%, 0.48%

LAB 82.77, -73.78, 48.42

 

CMYK 100 / 0 / 59 / 14

HEX #00DB5A

RGB 0 219 90

HSL 144.66, 1%, 0.43%

LAB 76.92, -71.12, 50.12

 

CMYK 100 / 0 / 65 / 21

HEX #00C947

RGB 0 201 71

HSL 141.19, 1%, 0.39%

LAB 71.03, -68.01, 51.69

 

CMYK 100 / 0 / 72 / 28

HEX #00B734

RGB 0 183 52

HSL 137.05, 1%, 0.36%

LAB 65.05, -64.63, 52.92

 

CMYK 90 / 0 / 50 / 0

HEX #19FF80

RGB 25 255 128

HSL 146.87, 1%, 0.55%

LAB 88.58, -75.92, 46.72

 

CMYK 90 / 0 / 74 / 0

HEX #19FF42

RGB 25 255 66

HSL 130.7, 1%, 0.55%

LAB 88.03, -82.83, 71.41

 

CMYK 82 / 0 / 90 / 0

HEX #2EFF19

RGB 46 255 25

HSL 114.52, 1%, 0.55%

LAB 88.05, -83.21, 81.18

 

CMYK 58 / 0 / 90 / 0

HEX #6CFF19

RGB 108 255 25

HSL 98.35, 1%, 0.55%

LAB 89.29, -72.63, 82.71

 

CMYK 33 / 0 / 90 / 0

HEX #AAFF19

RGB 170 255 25

HSL 82.17, 1%, 0.55%

LAB 91.75, -54.14, 85.75

 

CMYK 90 / 0 / 50 / 0

HEX #19FF80

RGB 25 255 128

HSL 146.87, 1%, 0.55%

LAB 88.58, -75.92, 46.72

 

CMYK 90 / 0 / 25 / 0

HEX #19FFBE

RGB 25 255 190

HSL 163.04, 1%, 0.55%

LAB 89.6, -64.17, 17.3

 

CMYK 90 / 0 / 1 / 0

HEX #19FFFC

RGB 25 255 252

HSL 179.22, 1%, 0.55%

LAB 91.12, -48.31, -12.56

 

CMYK 90 / 23 / 0 / 0

HEX #19C4FF

RGB 25 196 255

HSL 195.39, 1%, 0.55%

LAB 74.13, -19.53, -40.07

 

CMYK 90 / 47 / 0 / 0

HEX #1986FF

RGB 25 134 255

HSL 211.57, 1%, 0.55%

LAB 56.56, 15.82, -67.94

 

CMYK 90 / 0 / 50 / 0

HEX #19FF80

RGB 25 255 128

HSL 146.87, 1%, 0.55%

LAB 88.58, -75.92, 46.72

 

CMYK 90 / 0 / 50 / 0

HEX #19FF80

RGB 25 255 128

HSL 146.87, 1%, 0.55%

LAB 88.58, -75.92, 46.72

 

CMYK 81 / 0 / 45 / 7

HEX #2CEC82

RGB 44 236 130

HSL 146.88, 0.83%, 0.55%

LAB 82.99, -68.07, 38.72

 

CMYK 71 / 0 / 39 / 15

HEX #3ED984

RGB 62 217 132

HSL 147.1, 0.67%, 0.55%

LAB 77.47, -58.84, 30.59

 

CMYK 59 / 0 / 33 / 22

HEX #51C786

RGB 81 199 134

HSL 146.95, 0.51%, 0.55%

LAB 72.44, -48.04, 22.88

 

CMYK 45 / 0 / 24 / 29

HEX #63B488

RGB 99 180 136

HSL 147.41, 0.35%, 0.55%

LAB 67.33, -34.98, 14.87

 

CMYK 81 / 0 / 90 / 0

HEX #30FF19

RGB 48 255 25

HSL 114, 1%, 0.55%

LAB 88.07, -83, 81.21

 

CMYK 90 / 0 / 75 / 0

HEX #19FF3F

RGB 25 255 63

HSL 129.91, 1%, 0.55%

LAB 88.01, -83.04, 72.35

 

CMYK 90 / 0 / 51 / 0

HEX #19FF7C

RGB 25 255 124

HSL 145.83, 1%, 0.55%

LAB 88.53, -76.51, 48.52

 

CMYK 90 / 0 / 27 / 0

HEX #19FFBA

RGB 25 255 186

HSL 162, 1%, 0.55%

LAB 89.52, -65.06, 19.24

 

CMYK 90 / 0 / 3 / 0

HEX #19FFF7

RGB 25 255 247

HSL 177.91, 1%, 0.55%

LAB 90.98, -49.71, -10.18

 

CMYK 100 / 0 / 55 / 23

HEX #00C558

RGB 0 197 88

HSL 146.8, 1%, 0.39%

LAB 69.92, -64.63, 42.75

 

CMYK 100 / 0 / 55 / 6

HEX #00EF6B

RGB 0 239 107

HSL 146.86, 1%, 0.47%

LAB 83.33, -74.91, 50.01

 

CMYK 90 / 0 / 50 / 0

HEX #19FF80

RGB 25 255 128

HSL 146.87, 1%, 0.55%

LAB 88.58, -75.92, 46.72

 

CMYK 74 / 0 / 41 / 0

HEX #42FF97

RGB 66 255 151

HSL 146.98, 1%, 0.63%

LAB 89.35, -68.51, 36.7

 

CMYK 58 / 0 / 32 / 0

HEX #6CFFAD

RGB 108 255 173

HSL 146.53, 1%, 0.71%

LAB 90.65, -57.47, 27.63

 

CMYK 90 / 0 / 50 / 0

HEX #19FF80

RGB 25 255 128

HSL 146.87, 1%, 0.55%

LAB 88.58, -75.92, 46.72

 

CMYK 90 / 57 / 0 / 0

HEX #196DFF

RGB 25 109 255

HSL 218.09, 1%, 0.55%

LAB 49.93, 31.48, -78.69

 

CMYK 0 / 87 / 90 / 0

HEX #FF2119

RGB 255 33 25

HSL 2.09, 1%, 0.55%

LAB 54.47, 76.98, 60.85

 

CMYK 90 / 0 / 50 / 0

HEX #19FF80

RGB 25 255 128

HSL 146.87, 1%, 0.55%

LAB 88.58, -75.92, 46.72

 

CMYK 51 / 90 / 0 / 0

HEX #7C19FF

RGB 124 25 255

HSL 265.83, 1%, 0.55%

LAB 41.53, 79.52, -92.29

 

CMYK 0 / 51 / 90 / 0

HEX #FF7C19

RGB 255 124 25

HSL 25.83, 1%, 0.55%

LAB 66.33, 45.04, 69.12

 

CMYK 90 / 0 / 50 / 0

HEX #19FF80

RGB 25 255 128

HSL 146.87, 1%, 0.55%

LAB 88.58, -75.92, 46.72

 

CMYK 90 / 57 / 0 / 0

HEX #196DFF

RGB 25 109 255

HSL 218.09, 1%, 0.55%

LAB 49.93, 31.48, -78.69

 

CMYK 0 / 90 / 39 / 0

HEX #FF199B

RGB 255 25 155

HSL 326.09, 1%, 0.55%

LAB 56.41, 84.69, -9.77

 

CMYK 0 / 33 / 90 / 0

HEX #FFAA19

RGB 255 170 25

HSL 37.83, 1%, 0.55%

LAB 76.12, 21.58, 76.31

 

CMYK 90 / 0 / 50 / 0

HEX #19FF80

RGB 25 255 128

HSL 146.87, 1%, 0.55%

LAB 88.58, -75.92, 46.72

 

CMYK 90 / 84 / 0 / 0

HEX #1928FF

RGB 25 40 255

HSL 236.09, 1%, 0.55%

LAB 35.88, 69.82, -101.88

 

CMYK 0 / 90 / 39 / 0

HEX #FF199B

RGB 255 25 155

HSL 326.09, 1%, 0.55%

LAB 56.41, 84.69, -9.77

 

CMYK 0 / 6 / 90 / 0

HEX #FFEF19

RGB 255 239 25

HSL 55.83, 1%, 0.55%

LAB 93.04, -13.62, 89.16

 

Description

Color code: RGB 25 255 128 | qconv.com Color code: RGB 25 255 128 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 255 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 255 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 50 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 50% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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