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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 25 255 186 it is the complementary color RGB 230 0 69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 25 255 186. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 25 255 186 shade: RGB 30 255 181, RGB 47 255 200, RGB 64 255 219, RGB 81 255 238 and RGB 98 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 25 255 186. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 25 255 186 shade: RGB 25 255 186, RGB 8 237 167, RGB 0 219 148, RGB 0 201 129 and RGB 0 183 110

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 25 255 186 shade: RGB 25 255 186, RGB 25 255 124, RGB 25 255 62, RGB 50 255 25 and RGB 112 255 25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 25 255 186 shade: RGB 25 255 186, RGB 25 255 248, RGB 25 200 255, RGB 25 138 255 and RGB 25 76 255

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 25 255 186 shade matches the following richer shades: RGB 25 255 186

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 25 255 186 shade: RGB 25 255 186, RGB 44 236 178, RGB 62 217 171, RGB 81 199 163 and RGB 99 180 156

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 25 255 186 shade: RGB 25 255 63, RGB 25 255 124, RGB 25 255 186, RGB 25 255 247 and RGB 25 201 255

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 25 255 186 shade: RGB 0 197 138, RGB 0 239 167, RGB 25 255 186, RGB 66 255 198 and RGB 108 255 210

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 25 255 186 shade: RGB 25 255 186, RGB 25 48 255 and RGB 255 94 25

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 25 255 186 shade: RGB 25 255 186, RGB 186 25 255 and RGB 255 186 25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 25 255 186 shade: RGB 25 255 186, RGB 25 48 255, RGB 255 25 94 and RGB 255 232 25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 25 255 186 shade: RGB 25 255 186, RGB 71 25 255, RGB 255 25 94 and RGB 209 255 25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 27 / 0

HEX #19FFBA

RGB 25 255 186

HSL 162, 1%, 0.55%

LAB 89.52, -65.06, 19.24

 

Complementary color

CMYK 0 / 100 / 70 / 10

HEX #E60045

RGB 230 0 69

HSL 342, 1%, 0.45%

LAB 48.58, 75.57, 30.52

 

CMYK 88 / 0 / 29 / 0

HEX #1EFFB5

RGB 30 255 181

HSL 160.27, 1%, 0.56%

LAB 89.45, -65.9, 21.71

 

CMYK 82 / 0 / 22 / 0

HEX #2FFFC8

RGB 47 255 200

HSL 164.13, 1%, 0.59%

LAB 90, -60.49, 12.75

 

CMYK 75 / 0 / 14 / 0

HEX #40FFDB

RGB 64 255 219

HSL 168.69, 1%, 0.63%

LAB 90.65, -54.32, 3.91

 

CMYK 68 / 0 / 7 / 0

HEX #51FFEE

RGB 81 255 238

HSL 174.14, 1%, 0.66%

LAB 91.43, -47.47, -4.76

 

CMYK 62 / 0 / 0 / 0

HEX #62FFFF

RGB 98 255 255

HSL 180, 1%, 0.69%

LAB 92.28, -40.58, -12.28

 

CMYK 90 / 0 / 27 / 0

HEX #19FFBA

RGB 25 255 186

HSL 162, 1%, 0.55%

LAB 89.52, -65.06, 19.24

 

CMYK 97 / 0 / 30 / 7

HEX #08EDA7

RGB 8 237 167

HSL 161.66, 0.93%, 0.48%

LAB 83.66, -63.3, 20.86

 

CMYK 100 / 0 / 32 / 14

HEX #00DB94

RGB 0 219 148

HSL 160.55, 1%, 0.43%

LAB 77.76, -61.15, 22.6

 

CMYK 100 / 0 / 36 / 21

HEX #00C981

RGB 0 201 129

HSL 158.51, 1%, 0.39%

LAB 71.8, -58.72, 24.45

 

CMYK 100 / 0 / 40 / 28

HEX #00B76E

RGB 0 183 110

HSL 156.07, 1%, 0.36%

LAB 65.74, -56.2, 26.37

 

CMYK 90 / 0 / 27 / 0

HEX #19FFBA

RGB 25 255 186

HSL 162, 1%, 0.55%

LAB 89.52, -65.06, 19.24

 

CMYK 90 / 0 / 51 / 0

HEX #19FF7C

RGB 25 255 124

HSL 145.83, 1%, 0.55%

LAB 88.53, -76.51, 48.52

 

CMYK 90 / 0 / 76 / 0

HEX #19FF3E

RGB 25 255 62

HSL 129.65, 1%, 0.55%

LAB 88, -83.11, 72.65

 

CMYK 80 / 0 / 90 / 0

HEX #32FF19

RGB 50 255 25

HSL 113.48, 1%, 0.55%

LAB 88.1, -82.79, 81.24

 

CMYK 56 / 0 / 90 / 0

HEX #70FF19

RGB 112 255 25

HSL 97.3, 1%, 0.55%

LAB 89.41, -71.66, 82.86

 

CMYK 90 / 0 / 27 / 0

HEX #19FFBA

RGB 25 255 186

HSL 162, 1%, 0.55%

LAB 89.52, -65.06, 19.24

 

CMYK 90 / 0 / 3 / 0

HEX #19FFF8

RGB 25 255 248

HSL 178.17, 1%, 0.55%

LAB 91.01, -49.43, -10.66

 

CMYK 90 / 22 / 0 / 0

HEX #19C8FF

RGB 25 200 255

HSL 194.35, 1%, 0.55%

LAB 75.29, -21.6, -38.27

 

CMYK 90 / 46 / 0 / 0

HEX #198AFF

RGB 25 138 255

HSL 210.52, 1%, 0.55%

LAB 57.66, 13.36, -66.17

 

CMYK 90 / 70 / 0 / 0

HEX #194CFF

RGB 25 76 255

HSL 226.7, 1%, 0.55%

LAB 42.15, 51.81, -91.48

 

CMYK 90 / 0 / 27 / 0

HEX #19FFBA

RGB 25 255 186

HSL 162, 1%, 0.55%

LAB 89.52, -65.06, 19.24

 

CMYK 90 / 0 / 27 / 0

HEX #19FFBA

RGB 25 255 186

HSL 162, 1%, 0.55%

LAB 89.52, -65.06, 19.24

 

CMYK 81 / 0 / 25 / 7

HEX #2CECB2

RGB 44 236 178

HSL 161.88, 0.83%, 0.55%

LAB 83.83, -58.54, 15.43

 

CMYK 71 / 0 / 21 / 15

HEX #3ED9AB

RGB 62 217 171

HSL 162.19, 0.67%, 0.55%

LAB 78.22, -50.67, 11.22

 

CMYK 59 / 0 / 18 / 22

HEX #51C7A3

RGB 81 199 163

HSL 161.69, 0.51%, 0.55%

LAB 73.05, -41.79, 8.2

 

CMYK 45 / 0 / 13 / 29

HEX #63B49C

RGB 99 180 156

HSL 162.22, 0.35%, 0.55%

LAB 67.8, -30.62, 4.56

 

CMYK 90 / 0 / 75 / 0

HEX #19FF3F

RGB 25 255 63

HSL 129.91, 1%, 0.55%

LAB 88.01, -83.04, 72.35

 

CMYK 90 / 0 / 51 / 0

HEX #19FF7C

RGB 25 255 124

HSL 145.83, 1%, 0.55%

LAB 88.53, -76.51, 48.52

 

CMYK 90 / 0 / 27 / 0

HEX #19FFBA

RGB 25 255 186

HSL 162, 1%, 0.55%

LAB 89.52, -65.06, 19.24

 

CMYK 90 / 0 / 3 / 0

HEX #19FFF7

RGB 25 255 247

HSL 177.91, 1%, 0.55%

LAB 90.98, -49.71, -10.18

 

CMYK 90 / 21 / 0 / 0

HEX #19C9FF

RGB 25 201 255

HSL 194.09, 1%, 0.55%

LAB 75.58, -22.11, -37.82

 

CMYK 100 / 0 / 30 / 23

HEX #00C58A

RGB 0 197 138

HSL 162.03, 1%, 0.39%

LAB 70.71, -55.31, 18.19

 

CMYK 100 / 0 / 30 / 6

HEX #00EFA7

RGB 0 239 167

HSL 161.92, 1%, 0.47%

LAB 84.24, -64.23, 21.65

 

CMYK 90 / 0 / 27 / 0

HEX #19FFBA

RGB 25 255 186

HSL 162, 1%, 0.55%

LAB 89.52, -65.06, 19.24

 

CMYK 74 / 0 / 22 / 0

HEX #42FFC6

RGB 66 255 198

HSL 161.9, 1%, 0.63%

LAB 90.21, -59.07, 14.11

 

CMYK 58 / 0 / 18 / 0

HEX #6CFFD2

RGB 108 255 210

HSL 161.63, 1%, 0.71%

LAB 91.4, -49.89, 9.75

 

CMYK 90 / 0 / 27 / 0

HEX #19FFBA

RGB 25 255 186

HSL 162, 1%, 0.55%

LAB 89.52, -65.06, 19.24

 

CMYK 90 / 81 / 0 / 0

HEX #1930FF

RGB 25 48 255

HSL 234, 1%, 0.55%

LAB 37, 66.47, -100

 

CMYK 0 / 63 / 90 / 0

HEX #FF5E19

RGB 255 94 25

HSL 18, 1%, 0.55%

LAB 61.08, 58.67, 65.38

 

CMYK 90 / 0 / 27 / 0

HEX #19FFBA

RGB 25 255 186

HSL 162, 1%, 0.55%

LAB 89.52, -65.06, 19.24

 

CMYK 27 / 90 / 0 / 0

HEX #BA19FF

RGB 186 25 255

HSL 282, 1%, 0.55%

LAB 49.92, 86.27, -78.19

 

CMYK 0 / 27 / 90 / 0

HEX #FFBA19

RGB 255 186 25

HSL 42, 1%, 0.55%

LAB 79.87, 13.24, 79.12

 

CMYK 90 / 0 / 27 / 0

HEX #19FFBA

RGB 25 255 186

HSL 162, 1%, 0.55%

LAB 89.52, -65.06, 19.24

 

CMYK 90 / 81 / 0 / 0

HEX #1930FF

RGB 25 48 255

HSL 234, 1%, 0.55%

LAB 37, 66.47, -100

 

CMYK 0 / 90 / 63 / 0

HEX #FF195E

RGB 255 25 94

HSL 342, 1%, 0.55%

LAB 54.83, 80.35, 24.44

 

CMYK 0 / 9 / 90 / 0

HEX #FFE819

RGB 255 232 25

HSL 54, 1%, 0.55%

LAB 91.25, -10.18, 87.79

 

CMYK 90 / 0 / 27 / 0

HEX #19FFBA

RGB 25 255 186

HSL 162, 1%, 0.55%

LAB 89.52, -65.06, 19.24

 

CMYK 72 / 90 / 0 / 0

HEX #4719FF

RGB 71 25 255

HSL 252, 1%, 0.55%

LAB 36.47, 76.09, -100.84

 

CMYK 0 / 90 / 63 / 0

HEX #FF195E

RGB 255 25 94

HSL 342, 1%, 0.55%

LAB 54.83, 80.35, 24.44

 

CMYK 18 / 0 / 90 / 0

HEX #D1FF19

RGB 209 255 25

HSL 72, 1%, 0.55%

LAB 93.95, -39.74, 88.44

 

Description

Color code: RGB 25 255 186 | qconv.com Color code: RGB 25 255 186 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 255 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 255 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 27 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 27% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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