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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 25 209 126 it is the complementary color RGB 230 46 129. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 25 209 126. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 25 209 126 shade: RGB 30 209 121, RGB 47 227 140, RGB 64 245 159, RGB 81 255 178 and RGB 98 255 197

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 25 209 126. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 25 209 126 shade: RGB 25 209 126, RGB 8 191 107, RGB 0 173 88, RGB 0 155 69 and RGB 0 137 50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 25 209 126 shade: RGB 24 209 126, RGB 24 209 76, RGB 24 209 26, RGB 72 209 24 and RGB 122 209 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 25 209 126 shade: RGB 24 209 126, RGB 24 209 176, RGB 24 193 209, RGB 24 143 209 and RGB 24 93 209

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 25 209 126 shade matches the following richer shades: RGB 24 209 126 and RGB 5 228 128

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 25 209 126 shade: RGB 24 209 126, RGB 43 190 124, RGB 62 172 122, RGB 81 153 120 and RGB 100 134 118

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 25 209 126 shade: RGB 24 209 24, RGB 24 209 74, RGB 24 209 123, RGB 24 209 172 and RGB 24 197 209

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 25 209 126 shade: RGB 15 136 81, RGB 20 173 104, RGB 24 209 126, RGB 45 230 146 and RGB 82 234 166

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 25 209 126 shade: RGB 25 209 126, RGB 24 74 209 and RGB 209 49 24

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 25 209 126 shade: RGB 25 209 126, RGB 123 24 209 and RGB 209 123 24

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 25 209 126 shade: RGB 25 209 126, RGB 24 74 209, RGB 209 24 111 and RGB 209 160 24

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 25 209 126 shade: RGB 25 209 126, RGB 30 24 209, RGB 209 24 111 and RGB 203 209 24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 40 / 18

HEX #19D17E

RGB 25 209 126

HSL 152.93, 0.79%, 0.46%

LAB 74.39, -61.06, 29.5

 

Complementary color

CMYK 0 / 80 / 44 / 10

HEX #E62E81

RGB 230 46 129

HSL 332.93, 0.79%, 0.54%

LAB 52.24, 72.8, -0.96

 

CMYK 86 / 0 / 42 / 18

HEX #1ED179

RGB 30 209 121

HSL 150.5, 0.75%, 0.47%

LAB 74.35, -61.64, 32.02

 

CMYK 79 / 0 / 38 / 11

HEX #2FE38C

RGB 47 227 140

HSL 151, 0.76%, 0.54%

LAB 80.42, -62.87, 30.38

 

CMYK 74 / 0 / 35 / 4

HEX #40F59F

RGB 64 245 159

HSL 151.49, 0.9%, 0.61%

LAB 86.45, -63.74, 28.85

 

CMYK 68 / 0 / 30 / 0

HEX #51FFB2

RGB 81 255 178

HSL 153.45, 1%, 0.66%

LAB 90.08, -61.34, 24.21

 

CMYK 62 / 0 / 23 / 0

HEX #62FFC5

RGB 98 255 197

HSL 157.83, 1%, 0.69%

LAB 90.85, -54.58, 15.62

 

CMYK 88 / 0 / 40 / 18

HEX #19D17E

RGB 25 209 126

HSL 152.93, 0.79%, 0.46%

LAB 74.39, -61.06, 29.5

 

CMYK 96 / 0 / 44 / 25

HEX #08BF6B

RGB 8 191 107

HSL 152.46, 0.92%, 0.39%

LAB 68.3, -59.24, 31.29

 

CMYK 100 / 0 / 49 / 32

HEX #00AD58

RGB 0 173 88

HSL 150.52, 1%, 0.34%

LAB 62.16, -56.83, 33.2

 

CMYK 100 / 0 / 55 / 39

HEX #009B45

RGB 0 155 69

HSL 146.71, 1%, 0.3%

LAB 55.96, -53.91, 35.17

 

CMYK 100 / 0 / 64 / 46

HEX #008932

RGB 0 137 50

HSL 141.9, 1%, 0.27%

LAB 49.64, -50.73, 37.01

 

CMYK 89 / 0 / 40 / 18

HEX #18D17E

RGB 24 209 126

HSL 153.08, 0.79%, 0.46%

LAB 74.38, -61.13, 29.49

 

CMYK 89 / 0 / 64 / 18

HEX #18D14C

RGB 24 209 76

HSL 136.86, 0.79%, 0.46%

LAB 73.75, -68.73, 52.64

 

CMYK 89 / 0 / 88 / 18

HEX #18D11A

RGB 24 209 26

HSL 120.65, 0.79%, 0.46%

LAB 73.46, -72.4, 68.43

 

CMYK 66 / 0 / 89 / 18

HEX #48D118

RGB 72 209 24

HSL 104.43, 0.79%, 0.46%

LAB 74.22, -65.81, 69.76

 

CMYK 42 / 0 / 89 / 18

HEX #7AD118

RGB 122 209 24

HSL 88.22, 0.79%, 0.46%

LAB 75.95, -52.19, 71.92

 

CMYK 89 / 0 / 40 / 18

HEX #18D17E

RGB 24 209 126

HSL 153.08, 0.79%, 0.46%

LAB 74.38, -61.13, 29.49

 

CMYK 89 / 0 / 16 / 18

HEX #18D1B0

RGB 24 209 176

HSL 169.3, 0.79%, 0.46%

LAB 75.41, -49.77, 4.46

 

CMYK 89 / 8 / 0 / 18

HEX #18C1D1

RGB 24 193 209

HSL 185.19, 0.79%, 0.46%

LAB 71.51, -33.2, -19.21

 

CMYK 89 / 32 / 0 / 18

HEX #188FD1

RGB 24 143 209

HSL 201.41, 0.79%, 0.46%

LAB 56.53, -6.99, -42.39

 

CMYK 89 / 56 / 0 / 18

HEX #185DD1

RGB 24 93 209

HSL 217.62, 0.79%, 0.46%

LAB 42.19, 24.08, -65.37

 

CMYK 89 / 0 / 40 / 18

HEX #18D17E

RGB 24 209 126

HSL 153.08, 0.79%, 0.46%

LAB 74.38, -61.13, 29.49

 

CMYK 98 / 0 / 44 / 11

HEX #05E480

RGB 5 228 128

HSL 153.09, 0.96%, 0.46%

LAB 80.22, -68, 36.1

 

CMYK 89 / 0 / 40 / 18

HEX #18D17E

RGB 24 209 126

HSL 153.08, 0.79%, 0.46%

LAB 74.38, -61.13, 29.49

 

CMYK 77 / 0 / 35 / 25

HEX #2BBE7C

RGB 43 190 124

HSL 153.06, 0.63%, 0.46%

LAB 68.6, -52.87, 22.84

 

CMYK 64 / 0 / 29 / 33

HEX #3EAC7A

RGB 62 172 122

HSL 152.73, 0.47%, 0.46%

LAB 63.29, -43.12, 16.72

 

CMYK 47 / 0 / 22 / 40

HEX #519978

RGB 81 153 120

HSL 152.5, 0.31%, 0.46%

LAB 57.93, -30.61, 10.45

 

CMYK 25 / 0 / 12 / 47

HEX #648676

RGB 100 134 118

HSL 151.76, 0.15%, 0.46%

LAB 53.02, -15.52, 4.74

 

CMYK 89 / 0 / 89 / 18

HEX #18D118

RGB 24 209 24

HSL 120, 0.79%, 0.46%

LAB 73.46, -72.47, 68.8

 

CMYK 89 / 0 / 65 / 18

HEX #18D14A

RGB 24 209 74

HSL 136.22, 0.79%, 0.46%

LAB 73.73, -68.95, 53.46

 

CMYK 89 / 0 / 41 / 18

HEX #18D17B

RGB 24 209 123

HSL 152.11, 0.79%, 0.46%

LAB 74.33, -61.69, 30.96

 

CMYK 89 / 0 / 18 / 18

HEX #18D1AC

RGB 24 209 172

HSL 168, 0.79%, 0.46%

LAB 75.31, -50.8, 6.46

 

CMYK 89 / 6 / 0 / 18

HEX #18C5D1

RGB 24 197 209

HSL 183.89, 0.79%, 0.46%

LAB 72.71, -35.09, -17.39

 

CMYK 89 / 0 / 40 / 47

HEX #0F8851

RGB 15 136 81

HSL 152.73, 0.8%, 0.3%

LAB 49.86, -44.08, 21.08

 

CMYK 88 / 0 / 40 / 32

HEX #14AD68

RGB 20 173 104

HSL 152.94, 0.79%, 0.38%

LAB 62.54, -52.83, 25.33

 

CMYK 89 / 0 / 40 / 18

HEX #18D17E

RGB 24 209 126

HSL 153.08, 0.79%, 0.46%

LAB 74.38, -61.13, 29.49

 

CMYK 80 / 0 / 37 / 10

HEX #2DE692

RGB 45 230 146

HSL 152.76, 0.79%, 0.54%

LAB 81.42, -63, 28.64

 

CMYK 65 / 0 / 29 / 8

HEX #52EAA6

RGB 82 234 166

HSL 153.16, 0.78%, 0.62%

LAB 83.65, -55.5, 21.5

 

CMYK 88 / 0 / 40 / 18

HEX #19D17E

RGB 25 209 126

HSL 152.93, 0.79%, 0.46%

LAB 74.39, -61.06, 29.5

 

CMYK 89 / 65 / 0 / 18

HEX #184AD1

RGB 24 74 209

HSL 223.78, 0.79%, 0.46%

LAB 37.29, 36.45, -73.39

 

CMYK 0 / 77 / 89 / 18

HEX #D13118

RGB 209 49 24

HSL 8.11, 0.79%, 0.46%

LAB 46.73, 60.52, 51.59

 

CMYK 88 / 0 / 40 / 18

HEX #19D17E

RGB 25 209 126

HSL 152.93, 0.79%, 0.46%

LAB 74.39, -61.06, 29.5

 

CMYK 41 / 89 / 0 / 18

HEX #7B18D1

RGB 123 24 209

HSL 272.11, 0.79%, 0.46%

LAB 36.87, 69.53, -73.81

 

CMYK 0 / 41 / 89 / 18

HEX #D17B18

RGB 209 123 24

HSL 32.11, 0.79%, 0.46%

LAB 59.7, 27.06, 61.57

 

CMYK 88 / 0 / 40 / 18

HEX #19D17E

RGB 25 209 126

HSL 152.93, 0.79%, 0.46%

LAB 74.39, -61.06, 29.5

 

CMYK 89 / 65 / 0 / 18

HEX #184AD1

RGB 24 74 209

HSL 223.78, 0.79%, 0.46%

LAB 37.29, 36.45, -73.39

 

CMYK 0 / 89 / 47 / 18

HEX #D1186F

RGB 209 24 111

HSL 331.78, 0.79%, 0.46%

LAB 46.12, 70.74, 0.58

 

CMYK 0 / 23 / 89 / 18

HEX #D1A018

RGB 209 160 24

HSL 44.11, 0.79%, 0.46%

LAB 68.58, 7.08, 68.52

 

CMYK 88 / 0 / 40 / 18

HEX #19D17E

RGB 25 209 126

HSL 152.93, 0.79%, 0.46%

LAB 74.39, -61.06, 29.5

 

CMYK 86 / 89 / 0 / 18

HEX #1E18D1

RGB 30 24 209

HSL 241.95, 0.79%, 0.46%

LAB 28.2, 62.87, -88.43

 

CMYK 0 / 89 / 47 / 18

HEX #D1186F

RGB 209 24 111

HSL 331.78, 0.79%, 0.46%

LAB 46.12, 70.74, 0.58

 

CMYK 3 / 0 / 89 / 18

HEX #CBD118

RGB 203 209 24

HSL 61.95, 0.79%, 0.46%

LAB 80.94, -20.8, 78.06

 

Description

Color code: RGB 25 209 126 | qconv.com Color code: RGB 25 209 126 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 209 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 209 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 40 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 40% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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