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Color name
HEX #D17B18

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D17B18 it is the complementary color #2E84E7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D17B18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D17B18 shade: #D67B13, #E78D26, #F89F39, #FFB14C and #FFC35F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D17B18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D17B18 shade: #D17B18, #C06905, #AF5700, #9E4500 and #8D3300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D17B18 shade: #D17B18, #D14918 and #D11818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D17B18 shade: #D17B18, #D1AD18, #C4D118, #92D118 and #60D118

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D17B18 shade matches the following richer shades: #D17B18 and #E47D05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D17B18 shade: #D17B18, #BE7A2B, #AC793E, #997751 and #867664

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D17B18 shade: #D11818, #D14A18, #D17B18, #D1AC18 and #C5D118

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D17B18 shade: #88500F, #AD6614, #D17B18, #E6902D and #EAA352

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D17B18 shade: #D17B18, #4AD118 and #3118D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D17B18 shade: #D17B18, #18D17B and #7B18D1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D17B18 shade: #D17B18, #4AD118, #186FD1 and #A018D1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D17B18 shade: #D17B18, #18D11E, #186FD1 and #D118CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 89 / 18

HEX #D17B18

RGB 209 123 24

HSL 32.11, 0.79%, 0.46%

LAB 59.7, 27.06, 61.57

 

Complementary color

CMYK 80 / 43 / 0 / 9

HEX #2E84E7

RGB 46 132 231

HSL 212.11, 0.79%, 0.54%

LAB 54.92, 9.47, -57.26

 

CMYK 0 / 43 / 91 / 16

HEX #D67B13

RGB 214 123 19

HSL 32, 0.84%, 0.46%

LAB 60.35, 29.07, 63.64

 

CMYK 0 / 39 / 84 / 9

HEX #E78D26

RGB 231 141 38

HSL 32.02, 0.8%, 0.53%

LAB 66.66, 27.05, 64.11

 

CMYK 0 / 36 / 77 / 3

HEX #F89F39

RGB 248 159 57

HSL 32.04, 0.93%, 0.6%

LAB 72.92, 25.25, 63.59

 

CMYK 0 / 31 / 70 / 0

HEX #FFB14C

RGB 255 177 76

HSL 33.85, 1%, 0.65%

LAB 78.01, 19.54, 61.04

 

CMYK 0 / 24 / 63 / 0

HEX #FFC35F

RGB 255 195 95

HSL 37.5, 1%, 0.69%

LAB 82.44, 11.22, 57.36

 

CMYK 0 / 41 / 89 / 18

HEX #D17B18

RGB 209 123 24

HSL 32.11, 0.79%, 0.46%

LAB 59.7, 27.06, 61.57

 

CMYK 0 / 45 / 97 / 25

HEX #C06905

RGB 192 105 5

HSL 32.09, 0.95%, 0.39%

LAB 53.3, 29.24, 60.13

 

CMYK 0 / 50 / 100 / 31

HEX #AF5700

RGB 175 87 0

HSL 29.83, 1%, 0.34%

LAB 46.88, 31.64, 55.97

 

CMYK 0 / 56 / 100 / 38

HEX #9E4500

RGB 158 69 0

HSL 26.2, 1%, 0.31%

LAB 40.45, 34.06, 50.82

 

CMYK 0 / 64 / 100 / 45

HEX #8D3300

RGB 141 51 0

HSL 21.7, 1%, 0.28%

LAB 34.05, 36.28, 45.7

 

CMYK 0 / 41 / 89 / 18

HEX #D17B18

RGB 209 123 24

HSL 32.11, 0.79%, 0.46%

LAB 59.7, 27.06, 61.57

 

CMYK 0 / 65 / 89 / 18

HEX #D14918

RGB 209 73 24

HSL 15.89, 0.79%, 0.46%

LAB 49.96, 51.68, 54.05

 

CMYK 0 / 89 / 89 / 18

HEX #D11818

RGB 209 24 24

HSL 0, 0.79%, 0.46%

LAB 44.62, 66.5, 49.99

 

CMYK 0 / 41 / 89 / 18

HEX #D17B18

RGB 209 123 24

HSL 32.11, 0.79%, 0.46%

LAB 59.7, 27.06, 61.57

 

CMYK 0 / 17 / 89 / 18

HEX #D1AD18

RGB 209 173 24

HSL 48.32, 0.79%, 0.46%

LAB 71.9, 0.15, 71.13

 

CMYK 6 / 0 / 89 / 18

HEX #C4D118

RGB 196 209 24

HSL 64.22, 0.79%, 0.46%

LAB 80.41, -23.75, 77.41

 

CMYK 30 / 0 / 89 / 18

HEX #92D118

RGB 146 209 24

HSL 80.43, 0.79%, 0.46%

LAB 77.15, -43.73, 73.4

 

CMYK 54 / 0 / 89 / 18

HEX #60D118

RGB 96 209 24

HSL 96.65, 0.79%, 0.46%

LAB 74.92, -60.05, 70.64

 

CMYK 0 / 41 / 89 / 18

HEX #D17B18

RGB 209 123 24

HSL 32.11, 0.79%, 0.46%

LAB 59.7, 27.06, 61.57

 

CMYK 0 / 45 / 98 / 11

HEX #E47D05

RGB 228 125 5

HSL 32.29, 0.96%, 0.46%

LAB 62.65, 33.65, 68.65

 

CMYK 0 / 41 / 89 / 18

HEX #D17B18

RGB 209 123 24

HSL 32.11, 0.79%, 0.46%

LAB 59.7, 27.06, 61.57

 

CMYK 0 / 36 / 77 / 25

HEX #BE7A2B

RGB 190 122 43

HSL 32.24, 0.63%, 0.46%

LAB 57.11, 20.02, 51.64

 

CMYK 0 / 30 / 64 / 33

HEX #AC793E

RGB 172 121 62

HSL 32.18, 0.47%, 0.46%

LAB 54.86, 13.73, 39.63

 

CMYK 0 / 22 / 47 / 40

HEX #997751

RGB 153 119 81

HSL 31.67, 0.31%, 0.46%

LAB 52.46, 8.21, 25.94

 

CMYK 0 / 12 / 25 / 47

HEX #867664

RGB 134 118 100

HSL 31.76, 0.15%, 0.46%

LAB 50.62, 3.17, 12.19

 

CMYK 0 / 89 / 89 / 18

HEX #D11818

RGB 209 24 24

HSL 0, 0.79%, 0.46%

LAB 44.62, 66.5, 49.99

 

CMYK 0 / 65 / 89 / 18

HEX #D14A18

RGB 209 74 24

HSL 16.22, 0.79%, 0.46%

LAB 50.12, 51.25, 54.17

 

CMYK 0 / 41 / 89 / 18

HEX #D17B18

RGB 209 123 24

HSL 32.11, 0.79%, 0.46%

LAB 59.7, 27.06, 61.57

 

CMYK 0 / 18 / 89 / 18

HEX #D1AC18

RGB 209 172 24

HSL 48, 0.79%, 0.46%

LAB 71.64, 0.68, 70.92

 

CMYK 6 / 0 / 89 / 18

HEX #C5D118

RGB 197 209 24

HSL 63.89, 0.79%, 0.46%

LAB 80.48, -23.33, 77.5

 

CMYK 0 / 41 / 89 / 47

HEX #88500F

RGB 136 80 15

HSL 32.23, 0.8%, 0.3%

LAB 39.59, 18.71, 44.1

 

CMYK 0 / 41 / 88 / 32

HEX #AD6614

RGB 173 102 20

HSL 32.16, 0.79%, 0.38%

LAB 50.02, 22.93, 53.06

 

CMYK 0 / 41 / 89 / 18

HEX #D17B18

RGB 209 123 24

HSL 32.11, 0.79%, 0.46%

LAB 59.7, 27.06, 61.57

 

CMYK 0 / 37 / 80 / 10

HEX #E6902D

RGB 230 144 45

HSL 32.11, 0.79%, 0.54%

LAB 67.25, 25.25, 62.11

 

CMYK 0 / 30 / 65 / 8

HEX #EAA352

RGB 234 163 82

HSL 31.97, 0.78%, 0.62%

LAB 72.43, 18.55, 51.58

 

CMYK 0 / 41 / 89 / 18

HEX #D17B18

RGB 209 123 24

HSL 32.11, 0.79%, 0.46%

LAB 59.7, 27.06, 61.57

 

CMYK 65 / 0 / 89 / 18

HEX #4AD118

RGB 74 209 24

HSL 103.78, 0.79%, 0.46%

LAB 74.27, -65.39, 69.82

 

CMYK 77 / 89 / 0 / 18

HEX #3118D1

RGB 49 24 209

HSL 248.11, 0.79%, 0.46%

LAB 29.18, 63.53, -86.77

 

CMYK 0 / 41 / 89 / 18

HEX #D17B18

RGB 209 123 24

HSL 32.11, 0.79%, 0.46%

LAB 59.7, 27.06, 61.57

 

CMYK 89 / 0 / 41 / 18

HEX #18D17B

RGB 24 209 123

HSL 152.11, 0.79%, 0.46%

LAB 74.33, -61.69, 30.96

 

CMYK 41 / 89 / 0 / 18

HEX #7B18D1

RGB 123 24 209

HSL 272.11, 0.79%, 0.46%

LAB 36.87, 69.53, -73.81

 

CMYK 0 / 41 / 89 / 18

HEX #D17B18

RGB 209 123 24

HSL 32.11, 0.79%, 0.46%

LAB 59.7, 27.06, 61.57

 

CMYK 65 / 0 / 89 / 18

HEX #4AD118

RGB 74 209 24

HSL 103.78, 0.79%, 0.46%

LAB 74.27, -65.39, 69.82

 

CMYK 89 / 47 / 0 / 18

HEX #186FD1

RGB 24 111 209

HSL 211.78, 0.79%, 0.46%

LAB 47.19, 12.45, -57.28

 

CMYK 23 / 89 / 0 / 18

HEX #A018D1

RGB 160 24 209

HSL 284.11, 0.79%, 0.46%

LAB 42.35, 74.43, -64.62

 

CMYK 0 / 41 / 89 / 18

HEX #D17B18

RGB 209 123 24

HSL 32.11, 0.79%, 0.46%

LAB 59.7, 27.06, 61.57

 

CMYK 89 / 0 / 86 / 18

HEX #18D11E

RGB 24 209 30

HSL 121.95, 0.79%, 0.46%

LAB 73.47, -72.24, 67.62

 

CMYK 89 / 47 / 0 / 18

HEX #186FD1

RGB 24 111 209

HSL 211.78, 0.79%, 0.46%

LAB 47.19, 12.45, -57.28

 

CMYK 0 / 89 / 3 / 18

HEX #D118CB

RGB 209 24 203

HSL 301.95, 0.79%, 0.46%

LAB 50.12, 81.39, -48.22

 

Description

Color code: HEX #D17B18 | qconv.com Color code: HEX #D17B18 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 123 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 123 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 89 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 89% 18% C M Y K

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