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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 254 61 190 it is the complementary color RGB 1 194 65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 254 61 190. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 254 61 190 shade: RGB 255 61 185, RGB 255 79 204, RGB 255 97 223, RGB 255 115 242 and RGB 255 133 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 254 61 190. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 254 61 190 shade: RGB 254 61 190, RGB 237 43 171, RGB 220 25 152, RGB 203 7 133 and RGB 186 0 114

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 254 61 190 shade: RGB 254 62 190, RGB 254 62 138, RGB 254 62 86 and RGB 254 62 62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 254 61 190 shade: RGB 254 62 190, RGB 254 62 242, RGB 214 62 254, RGB 162 62 254 and RGB 110 62 254

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 254 61 190 shade matches the following richer shades: RGB 254 62 190

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 254 61 190 shade: RGB 254 62 190, RGB 238 77 185, RGB 222 93 179, RGB 206 109 174 and RGB 191 124 169

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 254 61 190 shade: RGB 212 62 254, RGB 254 62 244, RGB 254 62 193, RGB 254 62 142 and RGB 254 62 90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 254 61 190 shade: RGB 232 1 155, RGB 253 21 176, RGB 254 62 190, RGB 254 103 204 and RGB 254 144 217

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 254 61 190 shade: RGB 254 61 190, RGB 254 161 62 and RGB 62 254 238

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 254 61 190 shade: RGB 254 61 190, RGB 193 254 62 and RGB 62 193 254

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 254 61 190 shade: RGB 254 61 190, RGB 254 161 62, RGB 62 254 122 and RGB 62 154 254

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 254 61 190 shade: RGB 254 61 190, RGB 254 218 62, RGB 62 254 122 and RGB 62 97 254

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 25 / 0

HEX #FE3DBE

RGB 254 61 190

HSL 319.9, 0.99%, 0.62%

LAB 60, 80.91, -24.7

 

Complementary color

CMYK 99 / 0 / 66 / 24

HEX #01C241

RGB 1 194 65

HSL 139.9, 0.99%, 0.38%

LAB 68.73, -66.55, 51.67

 

CMYK 0 / 76 / 27 / 0

HEX #FF3DB9

RGB 255 61 185

HSL 321.65, 1%, 0.62%

LAB 59.98, 80.56, -21.85

 

CMYK 0 / 69 / 20 / 0

HEX #FF4FCC

RGB 255 79 204

HSL 317.39, 1%, 0.65%

LAB 62.69, 77.33, -28.54

 

CMYK 0 / 62 / 13 / 0

HEX #FF61DF

RGB 255 97 223

HSL 312.15, 1%, 0.69%

LAB 65.86, 73.3, -34.31

 

CMYK 0 / 55 / 5 / 0

HEX #FF73F2

RGB 255 115 242

HSL 305.57, 1%, 0.73%

LAB 69.42, 68.67, -39.28

 

CMYK 0 / 48 / 0 / 0

HEX #FF85FF

RGB 255 133 255

HSL 300, 1%, 0.76%

LAB 73.06, 62.61, -40.71

 

CMYK 0 / 76 / 25 / 0

HEX #FE3DBE

RGB 254 61 190

HSL 319.9, 0.99%, 0.62%

LAB 60, 80.91, -24.7

 

CMYK 0 / 82 / 28 / 7

HEX #ED2BAB

RGB 237 43 171

HSL 320.41, 0.84%, 0.55%

LAB 54.73, 79.37, -22.03

 

CMYK 0 / 89 / 31 / 14

HEX #DC1998

RGB 220 25 152

HSL 320.92, 0.8%, 0.48%

LAB 49.71, 76.95, -18.76

 

CMYK 0 / 97 / 34 / 20

HEX #CB0785

RGB 203 7 133

HSL 321.43, 0.93%, 0.41%

LAB 45, 73.44, -14.75

 

CMYK 0 / 100 / 39 / 27

HEX #BA0072

RGB 186 0 114

HSL 323.23, 1%, 0.36%

LAB 40.66, 68.64, -9.88

 

CMYK 0 / 76 / 25 / 0

HEX #FE3EBE

RGB 254 62 190

HSL 320, 0.99%, 0.62%

LAB 60.1, 80.64, -24.55

 

CMYK 0 / 76 / 46 / 0

HEX #FE3E8A

RGB 254 62 138

HSL 336.25, 0.99%, 0.62%

LAB 58.37, 75.35, 3.13

 

CMYK 0 / 76 / 66 / 0

HEX #FE3E56

RGB 254 62 86

HSL 352.5, 0.99%, 0.62%

LAB 57.26, 71.83, 32.23

 

CMYK 0 / 76 / 76 / 0

HEX #FE3E3E

RGB 254 62 62

HSL 0, 0.99%, 0.62%

LAB 56.94, 70.81, 45.39

 

CMYK 0 / 76 / 25 / 0

HEX #FE3EBE

RGB 254 62 190

HSL 320, 0.99%, 0.62%

LAB 60.1, 80.64, -24.55

 

CMYK 0 / 76 / 5 / 0

HEX #FE3EF2

RGB 254 62 242

HSL 303.75, 0.99%, 0.62%

LAB 62.45, 87.48, -50.25

 

CMYK 16 / 76 / 0 / 0

HEX #D63EFE

RGB 214 62 254

HSL 287.5, 0.99%, 0.62%

LAB 56.98, 81.8, -66.01

 

CMYK 36 / 76 / 0 / 0

HEX #A23EFE

RGB 162 62 254

HSL 271.25, 0.99%, 0.62%

LAB 49.84, 72.93, -77.92

 

CMYK 57 / 76 / 0 / 0

HEX #6E3EFE

RGB 110 62 254

HSL 255, 0.99%, 0.62%

LAB 44.11, 65.65, -87.52

 

CMYK 0 / 76 / 25 / 0

HEX #FE3EBE

RGB 254 62 190

HSL 320, 0.99%, 0.62%

LAB 60.1, 80.64, -24.55

 

CMYK 0 / 76 / 25 / 0

HEX #FE3EBE

RGB 254 62 190

HSL 320, 0.99%, 0.62%

LAB 60.1, 80.64, -24.55

 

CMYK 0 / 68 / 22 / 7

HEX #EE4DB9

RGB 238 77 185

HSL 319.75, 0.83%, 0.62%

LAB 58.96, 71.35, -23.65

 

CMYK 0 / 58 / 19 / 13

HEX #DE5DB3

RGB 222 93 179

HSL 320, 0.66%, 0.62%

LAB 58.61, 59.75, -20.95

 

CMYK 0 / 47 / 16 / 19

HEX #CE6DAE

RGB 206 109 174

HSL 319.79, 0.5%, 0.62%

LAB 59.08, 46.53, -17.56

 

CMYK 0 / 35 / 12 / 25

HEX #BF7CA9

RGB 191 124 169

HSL 319.7, 0.34%, 0.62%

LAB 60.21, 32.79, -13.17

 

CMYK 17 / 76 / 0 / 0

HEX #D43EFE

RGB 212 62 254

HSL 286.88, 0.99%, 0.62%

LAB 56.68, 81.44, -66.5

 

CMYK 0 / 76 / 4 / 0

HEX #FE3EF4

RGB 254 62 244

HSL 303.13, 0.99%, 0.62%

LAB 62.55, 87.77, -51.2

 

CMYK 0 / 76 / 24 / 0

HEX #FE3EC1

RGB 254 62 193

HSL 319.06, 0.99%, 0.62%

LAB 60.22, 80.99, -26.09

 

CMYK 0 / 76 / 44 / 0

HEX #FE3E8E

RGB 254 62 142

HSL 335, 0.99%, 0.62%

LAB 58.48, 75.69, 0.93

 

CMYK 0 / 76 / 65 / 0

HEX #FE3E5A

RGB 254 62 90

HSL 351.25, 0.99%, 0.62%

LAB 57.32, 72.03, 29.99

 

CMYK 0 / 100 / 33 / 9

HEX #E8019B

RGB 232 1 155

HSL 320, 0.99%, 0.46%

LAB 51.32, 82.04, -17.89

 

CMYK 0 / 92 / 30 / 1

HEX #FD15B0

RGB 253 21 176

HSL 319.91, 0.98%, 0.54%

LAB 56.64, 86.76, -21.78

 

CMYK 0 / 76 / 25 / 0

HEX #FE3EBE

RGB 254 62 190

HSL 320, 0.99%, 0.62%

LAB 60.1, 80.64, -24.55

 

CMYK 0 / 59 / 20 / 0

HEX #FE67CC

RGB 254 103 204

HSL 319.87, 0.99%, 0.7%

LAB 65.85, 67.91, -23.68

 

CMYK 0 / 43 / 15 / 0

HEX #FE90D9

RGB 254 144 217

HSL 320.18, 0.98%, 0.78%

LAB 73.56, 50.76, -19.17

 

CMYK 0 / 76 / 25 / 0

HEX #FE3DBE

RGB 254 61 190

HSL 319.9, 0.99%, 0.62%

LAB 60, 80.91, -24.7

 

CMYK 0 / 37 / 76 / 0

HEX #FEA13E

RGB 254 161 62

HSL 30.94, 0.99%, 0.62%

LAB 74.13, 26.86, 62.99

 

CMYK 76 / 0 / 6 / 0

HEX #3EFEEE

RGB 62 254 238

HSL 175, 0.99%, 0.62%

LAB 90.82, -49.23, -5.71

 

CMYK 0 / 76 / 25 / 0

HEX #FE3DBE

RGB 254 61 190

HSL 319.9, 0.99%, 0.62%

LAB 60, 80.91, -24.7

 

CMYK 24 / 0 / 76 / 0

HEX #C1FE3E

RGB 193 254 62

HSL 79.06, 0.99%, 0.62%

LAB 92.83, -44.24, 79.05

 

CMYK 76 / 24 / 0 / 0

HEX #3EC1FE

RGB 62 193 254

HSL 199.06, 0.99%, 0.62%

LAB 73.75, -15.49, -40.08

 

CMYK 0 / 76 / 25 / 0

HEX #FE3DBE

RGB 254 61 190

HSL 319.9, 0.99%, 0.62%

LAB 60, 80.91, -24.7

 

CMYK 0 / 37 / 76 / 0

HEX #FEA13E

RGB 254 161 62

HSL 30.94, 0.99%, 0.62%

LAB 74.13, 26.86, 62.99

 

CMYK 76 / 0 / 52 / 0

HEX #3EFE7A

RGB 62 254 122

HSL 138.75, 0.99%, 0.62%

LAB 88.6, -73.24, 49.61

 

CMYK 76 / 39 / 0 / 0

HEX #3E9AFE

RGB 62 154 254

HSL 211.25, 0.99%, 0.62%

LAB 62.75, 6.31, -57.42

 

CMYK 0 / 76 / 25 / 0

HEX #FE3DBE

RGB 254 61 190

HSL 319.9, 0.99%, 0.62%

LAB 60, 80.91, -24.7

 

CMYK 0 / 14 / 76 / 0

HEX #FEDA3E

RGB 254 218 62

HSL 48.75, 0.99%, 0.62%

LAB 87.76, -2.65, 75.95

 

CMYK 76 / 0 / 52 / 0

HEX #3EFE7A

RGB 62 254 122

HSL 138.75, 0.99%, 0.62%

LAB 88.6, -73.24, 49.61

 

CMYK 76 / 62 / 0 / 0

HEX #3E61FE

RGB 62 97 254

HSL 229.06, 0.99%, 0.62%

LAB 47.92, 41.18, -81.39

 

Description

Color code: RGB 254 61 190 | qconv.com Color code: RGB 254 61 190 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 61 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 61 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 25 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 25% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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