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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 255 97 223 it is the complementary color RGB 0 158 32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 255 97 223. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 255 97 223 shade: RGB 255 97 218, RGB 255 115 237, RGB 255 133 255, RGB 255 151 255 and RGB 255 169 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 255 97 223. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 255 97 223 shade: RGB 255 97 223, RGB 238 79 204, RGB 221 61 185, RGB 204 43 166 and RGB 187 25 147

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 255 97 223 shade: RGB 255 96 222, RGB 255 96 180, RGB 255 96 137 and RGB 255 96 96

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 255 97 223 shade: RGB 255 96 222, RGB 244 96 255, RGB 201 96 255, RGB 159 96 255 and RGB 116 96 255

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 255 97 223 shade matches the following richer shades: RGB 255 96 222

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 255 97 223 shade: RGB 255 96 222, RGB 242 109 215, RGB 229 122 207, RGB 216 135 200 and RGB 203 148 192

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 255 97 223 shade: RGB 202 96 255, RGB 244 96 255, RGB 255 96 223, RGB 255 96 181 and RGB 255 96 139

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 255 97 223 shade: RGB 255 14 206, RGB 255 55 214, RGB 255 96 222, RGB 255 138 231 and RGB 255 179 239

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 255 97 223 shade: RGB 255 97 223, RGB 255 160 96 and RGB 96 255 223

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 255 97 223 shade: RGB 255 97 223, RGB 223 255 96 and RGB 96 223 255

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 255 97 223 shade: RGB 255 97 223, RGB 255 160 96, RGB 96 255 128 and RGB 96 191 255

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 255 97 223 shade: RGB 255 97 223, RGB 255 207 96, RGB 96 255 128 and RGB 96 144 255

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 13 / 0

HEX #FF61DF

RGB 255 97 223

HSL 312.15, 1%, 0.69%

LAB 65.86, 73.3, -34.31

 

Complementary color

CMYK 100 / 0 / 80 / 38

HEX #009E20

RGB 0 158 32

HSL 132.15, 1%, 0.31%

LAB 56.64, -58.93, 51.54

 

CMYK 0 / 62 / 15 / 0

HEX #FF61DA

RGB 255 97 218

HSL 314.05, 1%, 0.69%

LAB 65.65, 72.58, -31.84

 

CMYK 0 / 55 / 7 / 0

HEX #FF73ED

RGB 255 115 237

HSL 307.71, 1%, 0.73%

LAB 69.21, 67.88, -36.86

 

CMYK 0 / 48 / 0 / 0

HEX #FF85FF

RGB 255 133 255

HSL 300, 1%, 0.76%

LAB 73.06, 62.61, -40.71

 

CMYK 0 / 41 / 0 / 0

HEX #FF97FF

RGB 255 151 255

HSL 300, 1%, 0.8%

LAB 76.44, 53.83, -35.45

 

CMYK 0 / 34 / 0 / 0

HEX #FFA9FF

RGB 255 169 255

HSL 300, 1%, 0.83%

LAB 80.1, 44.67, -29.82

 

CMYK 0 / 62 / 13 / 0

HEX #FF61DF

RGB 255 97 223

HSL 312.15, 1%, 0.69%

LAB 65.86, 73.3, -34.31

 

CMYK 0 / 67 / 14 / 7

HEX #EE4FCC

RGB 238 79 204

HSL 312.83, 0.82%, 0.62%

LAB 60, 73.19, -32.9

 

CMYK 0 / 72 / 16 / 13

HEX #DD3DB9

RGB 221 61 185

HSL 313.5, 0.7%, 0.55%

LAB 54.25, 72.65, -31.16

 

CMYK 0 / 79 / 19 / 20

HEX #CC2BA6

RGB 204 43 166

HSL 314.16, 0.65%, 0.48%

LAB 48.66, 71.47, -28.96

 

CMYK 0 / 87 / 21 / 27

HEX #BB1993

RGB 187 25 147

HSL 314.81, 0.76%, 0.42%

LAB 43.31, 69.37, -26.13

 

CMYK 0 / 62 / 13 / 0

HEX #FF60DE

RGB 255 96 222

HSL 312.45, 1%, 0.69%

LAB 65.67, 73.55, -34.04

 

CMYK 0 / 62 / 29 / 0

HEX #FF60B4

RGB 255 96 180

HSL 328.3, 1%, 0.69%

LAB 64.1, 68, -12.74

 

CMYK 0 / 62 / 46 / 0

HEX #FF6089

RGB 255 96 137

HSL 344.53, 1%, 0.69%

LAB 62.87, 63.5, 10.18

 

CMYK 0 / 62 / 62 / 0

HEX #FF6060

RGB 255 96 96

HSL 0, 1%, 0.69%

LAB 62.06, 60.42, 32.59

 

CMYK 0 / 62 / 13 / 0

HEX #FF60DE

RGB 255 96 222

HSL 312.45, 1%, 0.69%

LAB 65.67, 73.55, -34.04

 

CMYK 4 / 62 / 0 / 0

HEX #F460FF

RGB 244 96 255

HSL 295.85, 1%, 0.69%

LAB 65.61, 76.07, -52.52

 

CMYK 21 / 62 / 0 / 0

HEX #C960FF

RGB 201 96 255

HSL 279.62, 1%, 0.69%

LAB 59.89, 66.35, -61.97

 

CMYK 38 / 62 / 0 / 0

HEX #9F60FF

RGB 159 96 255

HSL 263.77, 1%, 0.69%

LAB 55.03, 57.38, -70.06

 

CMYK 55 / 62 / 0 / 0

HEX #7460FF

RGB 116 96 255

HSL 247.55, 1%, 0.69%

LAB 51.03, 49.34, -76.72

 

CMYK 0 / 62 / 13 / 0

HEX #FF60DE

RGB 255 96 222

HSL 312.45, 1%, 0.69%

LAB 65.67, 73.55, -34.04

 

CMYK 0 / 62 / 13 / 0

HEX #FF60DE

RGB 255 96 222

HSL 312.45, 1%, 0.69%

LAB 65.67, 73.55, -34.04

 

CMYK 0 / 55 / 11 / 5

HEX #F26DD7

RGB 242 109 215

HSL 312.18, 0.84%, 0.69%

LAB 65.53, 63.59, -30.49

 

CMYK 0 / 47 / 10 / 10

HEX #E57ACF

RGB 229 122 207

HSL 312.34, 0.67%, 0.69%

LAB 65.81, 52.42, -25.72

 

CMYK 0 / 38 / 7 / 15

HEX #D887C8

RGB 216 135 200

HSL 311.85, 0.51%, 0.69%

LAB 66.59, 40.52, -20.75

 

CMYK 0 / 27 / 5 / 20

HEX #CB94C0

RGB 203 148 192

HSL 312, 0.35%, 0.69%

LAB 67.79, 27.78, -14.62

 

CMYK 21 / 62 / 0 / 0

HEX #CA60FF

RGB 202 96 255

HSL 280, 1%, 0.69%

LAB 60.02, 66.57, -61.76

 

CMYK 4 / 62 / 0 / 0

HEX #F460FF

RGB 244 96 255

HSL 295.85, 1%, 0.69%

LAB 65.61, 76.07, -52.52

 

CMYK 0 / 62 / 13 / 0

HEX #FF60DF

RGB 255 96 223

HSL 312.08, 1%, 0.69%

LAB 65.71, 73.69, -34.53

 

CMYK 0 / 62 / 29 / 0

HEX #FF60B5

RGB 255 96 181

HSL 327.92, 1%, 0.69%

LAB 64.13, 68.12, -13.26

 

CMYK 0 / 62 / 45 / 0

HEX #FF608B

RGB 255 96 139

HSL 343.77, 1%, 0.69%

LAB 62.92, 63.68, 9.09

 

CMYK 0 / 95 / 19 / 0

HEX #FF0ECE

RGB 255 14 206

HSL 312.2, 1%, 0.53%

LAB 58.07, 91.09, -36.86

 

CMYK 0 / 78 / 16 / 0

HEX #FF37D6

RGB 255 55 214

HSL 312.3, 1%, 0.61%

LAB 60.65, 85.63, -37.37

 

CMYK 0 / 62 / 13 / 0

HEX #FF60DE

RGB 255 96 222

HSL 312.45, 1%, 0.69%

LAB 65.67, 73.55, -34.04

 

CMYK 0 / 46 / 9 / 0

HEX #FF8AE7

RGB 255 138 231

HSL 312.31, 1%, 0.77%

LAB 73.03, 56.22, -27.66

 

CMYK 0 / 30 / 6 / 0

HEX #FFB3EF

RGB 255 179 239

HSL 312.63, 1%, 0.85%

LAB 81.69, 36.68, -18.81

 

CMYK 0 / 62 / 13 / 0

HEX #FF61DF

RGB 255 97 223

HSL 312.15, 1%, 0.69%

LAB 65.86, 73.3, -34.31

 

CMYK 0 / 37 / 62 / 0

HEX #FFA060

RGB 255 160 96

HSL 24.15, 1%, 0.69%

LAB 74.35, 29.55, 47.58

 

CMYK 62 / 0 / 13 / 0

HEX #60FFDF

RGB 96 255 223

HSL 167.92, 1%, 0.69%

LAB 91.39, -49, 2.98

 

CMYK 0 / 62 / 13 / 0

HEX #FF61DF

RGB 255 97 223

HSL 312.15, 1%, 0.69%

LAB 65.86, 73.3, -34.31

 

CMYK 13 / 0 / 62 / 0

HEX #DFFF60

RGB 223 255 96

HSL 72.08, 1%, 0.69%

LAB 95.18, -31.38, 70.11

 

CMYK 62 / 13 / 0 / 0

HEX #60DFFF

RGB 96 223 255

HSL 192.08, 1%, 0.69%

LAB 83.17, -25.82, -26.03

 

CMYK 0 / 62 / 13 / 0

HEX #FF61DF

RGB 255 97 223

HSL 312.15, 1%, 0.69%

LAB 65.86, 73.3, -34.31

 

CMYK 0 / 37 / 62 / 0

HEX #FFA060

RGB 255 160 96

HSL 24.15, 1%, 0.69%

LAB 74.35, 29.55, 47.58

 

CMYK 62 / 0 / 50 / 0

HEX #60FF80

RGB 96 255 128

HSL 132.08, 1%, 0.69%

LAB 89.66, -67.23, 48.28

 

CMYK 62 / 25 / 0 / 0

HEX #60BFFF

RGB 96 191 255

HSL 204.15, 1%, 0.69%

LAB 74.17, -9.33, -39.9

 

CMYK 0 / 62 / 13 / 0

HEX #FF61DF

RGB 255 97 223

HSL 312.15, 1%, 0.69%

LAB 65.86, 73.3, -34.31

 

CMYK 0 / 19 / 62 / 0

HEX #FFCF60

RGB 255 207 96

HSL 41.89, 1%, 0.69%

LAB 85.37, 5.08, 60.17

 

CMYK 62 / 0 / 50 / 0

HEX #60FF80

RGB 96 255 128

HSL 132.08, 1%, 0.69%

LAB 89.66, -67.23, 48.28

 

CMYK 62 / 44 / 0 / 0

HEX #6090FF

RGB 96 144 255

HSL 221.89, 1%, 0.69%

LAB 61.35, 17.46, -60.13

 

Description

Color code: RGB 255 97 223 | qconv.com Color code: RGB 255 97 223 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 97 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 97 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 13 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 13% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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