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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 253 54 253 it is the complementary color RGB 2 201 2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 253 54 253. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 253 54 253 shade: RGB 255 54 248, RGB 255 72 255, RGB 255 90 255, RGB 255 108 255 and RGB 255 126 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 253 54 253. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 253 54 253 shade: RGB 253 54 253, RGB 236 36 234, RGB 219 18 215, RGB 202 0 196 and RGB 185 0 177

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 253 54 253 shade: RGB 252 53 252, RGB 252 53 199, RGB 252 53 145, RGB 252 53 91 and RGB 252 53 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 253 54 253 shade: RGB 252 53 252, RGB 199 53 252, RGB 145 53 252, RGB 91 53 252 and RGB 53 53 252

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 253 54 253 shade matches the following richer shades: RGB 252 53 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 253 54 253 shade: RGB 252 53 252, RGB 236 69 236, RGB 219 86 219, RGB 203 102 203 and RGB 186 119 186

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 253 54 253 shade: RGB 146 53 252, RGB 199 53 252, RGB 252 53 252, RGB 252 53 199 and RGB 252 53 146

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 253 54 253 shade: RGB 221 2 221, RGB 252 12 252, RGB 252 53 252, RGB 253 93 253 and RGB 253 134 253

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 253 54 253 shade: RGB 253 54 253, RGB 252 93 53 and RGB 53 252 172

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 253 54 253 shade: RGB 253 54 253, RGB 252 252 53 and RGB 53 252 252

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 253 54 253 shade: RGB 253 54 253, RGB 252 93 53, RGB 53 252 53 and RGB 53 212 252

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 253 54 253 shade: RGB 253 54 253, RGB 252 153 53, RGB 53 252 53 and RGB 53 153 252

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 0 / 1

HEX #FD36FD

RGB 253 54 253

HSL 300, 0.98%, 0.6%

LAB 62.18, 90.88, -56.79

 

Complementary color

CMYK 99 / 0 / 99 / 21

HEX #02C902

RGB 2 201 2

HSL 120, 0.98%, 0.4%

LAB 70.73, -71.92, 69.33

 

CMYK 0 / 79 / 3 / 0

HEX #FF36F8

RGB 255 54 248

HSL 302.09, 1%, 0.61%

LAB 62.23, 90.52, -53.91

 

CMYK 0 / 72 / 0 / 0

HEX #FF48FF

RGB 255 72 255

HSL 300, 1%, 0.64%

LAB 64.25, 86.79, -54.57

 

CMYK 0 / 65 / 0 / 0

HEX #FF5AFF

RGB 255 90 255

HSL 300, 1%, 0.68%

LAB 66.36, 80.82, -51.23

 

CMYK 0 / 58 / 0 / 0

HEX #FF6CFF

RGB 255 108 255

HSL 300, 1%, 0.71%

LAB 68.9, 73.78, -47.23

 

CMYK 0 / 51 / 0 / 0

HEX #FF7EFF

RGB 255 126 255

HSL 300, 1%, 0.75%

LAB 71.83, 65.87, -42.63

 

CMYK 0 / 79 / 0 / 1

HEX #FD36FD

RGB 253 54 253

HSL 300, 0.98%, 0.6%

LAB 62.18, 90.88, -56.79

 

CMYK 0 / 85 / 1 / 7

HEX #EC24EA

RGB 236 36 234

HSL 300.6, 0.84%, 0.53%

LAB 57.11, 88.7, -54.45

 

CMYK 0 / 92 / 2 / 14

HEX #DB12D7

RGB 219 18 215

HSL 301.19, 0.85%, 0.46%

LAB 52.29, 85.58, -51.55

 

CMYK 0 / 100 / 3 / 21

HEX #CA00C4

RGB 202 0 196

HSL 301.78, 1%, 0.4%

LAB 47.68, 81.58, -48.14

 

CMYK 0 / 100 / 4 / 27

HEX #B900B1

RGB 185 0 177

HSL 302.59, 1%, 0.36%

LAB 43.49, 76.04, -43.85

 

CMYK 0 / 79 / 0 / 1

HEX #FC35FC

RGB 252 53 252

HSL 300, 0.97%, 0.6%

LAB 61.89, 90.78, -56.71

 

CMYK 0 / 79 / 21 / 1

HEX #FC35C7

RGB 252 53 199

HSL 315.98, 0.97%, 0.6%

LAB 59.31, 83.61, -30.95

 

CMYK 0 / 79 / 42 / 1

HEX #FC3591

RGB 252 53 145

HSL 332.26, 0.97%, 0.6%

LAB 57.35, 77.89, -2.53

 

CMYK 0 / 79 / 64 / 1

HEX #FC355B

RGB 252 53 91

HSL 348.54, 0.97%, 0.6%

LAB 56.08, 74.04, 27.74

 

CMYK 0 / 79 / 79 / 1

HEX #FC3535

RGB 252 53 53

HSL 0, 0.97%, 0.6%

LAB 55.58, 72.48, 48.66

 

CMYK 0 / 79 / 0 / 1

HEX #FC35FC

RGB 252 53 252

HSL 300, 0.97%, 0.6%

LAB 61.89, 90.78, -56.71

 

CMYK 21 / 79 / 0 / 1

HEX #C735FC

RGB 199 53 252

HSL 284.02, 0.97%, 0.6%

LAB 53.73, 81.5, -70.26

 

CMYK 42 / 79 / 0 / 1

HEX #9135FC

RGB 145 53 252

HSL 267.74, 0.97%, 0.6%

LAB 46.44, 73.26, -82.45

 

CMYK 64 / 79 / 0 / 1

HEX #5B35FC

RGB 91 53 252

HSL 251.46, 0.97%, 0.6%

LAB 40.89, 67.06, -91.77

 

CMYK 79 / 79 / 0 / 1

HEX #3535FC

RGB 53 53 252

HSL 240, 0.97%, 0.6%

LAB 38.43, 64.32, -95.93

 

CMYK 0 / 79 / 0 / 1

HEX #FC35FC

RGB 252 53 252

HSL 300, 0.97%, 0.6%

LAB 61.89, 90.78, -56.71

 

CMYK 0 / 79 / 0 / 1

HEX #FC35FC

RGB 252 53 252

HSL 300, 0.97%, 0.6%

LAB 61.89, 90.78, -56.71

 

CMYK 0 / 71 / 0 / 7

HEX #EC45EC

RGB 236 69 236

HSL 300, 0.81%, 0.6%

LAB 60.02, 80.9, -50.94

 

CMYK 0 / 61 / 0 / 14

HEX #DB56DB

RGB 219 86 219

HSL 300, 0.65%, 0.6%

LAB 58.82, 68.15, -43.46

 

CMYK 0 / 50 / 0 / 20

HEX #CB66CB

RGB 203 102 203

HSL 300, 0.49%, 0.6%

LAB 58.52, 53.99, -35.03

 

CMYK 0 / 36 / 0 / 27

HEX #BA77BA

RGB 186 119 186

HSL 300, 0.33%, 0.6%

LAB 59.14, 36.91, -24.56

 

CMYK 42 / 79 / 0 / 1

HEX #9235FC

RGB 146 53 252

HSL 268.04, 0.97%, 0.6%

LAB 46.56, 73.4, -82.24

 

CMYK 21 / 79 / 0 / 1

HEX #C735FC

RGB 199 53 252

HSL 284.02, 0.97%, 0.6%

LAB 53.73, 81.5, -70.26

 

CMYK 0 / 79 / 0 / 1

HEX #FC35FC

RGB 252 53 252

HSL 300, 0.97%, 0.6%

LAB 61.89, 90.78, -56.71

 

CMYK 0 / 79 / 21 / 1

HEX #FC35C7

RGB 252 53 199

HSL 315.98, 0.97%, 0.6%

LAB 59.31, 83.61, -30.95

 

CMYK 0 / 79 / 42 / 1

HEX #FC3592

RGB 252 53 146

HSL 331.96, 0.97%, 0.6%

LAB 57.38, 77.97, -3.07

 

CMYK 0 / 99 / 0 / 13

HEX #DD02DD

RGB 221 2 221

HSL 300, 0.98%, 0.44%

LAB 52.55, 88.05, -54.53

 

CMYK 0 / 95 / 0 / 1

HEX #FC0CFC

RGB 252 12 252

HSL 300, 0.98%, 0.52%

LAB 59.88, 96.67, -59.92

 

CMYK 0 / 79 / 0 / 1

HEX #FC35FC

RGB 252 53 252

HSL 300, 0.97%, 0.6%

LAB 61.89, 90.78, -56.71

 

CMYK 0 / 63 / 0 / 1

HEX #FD5DFD

RGB 253 93 253

HSL 300, 0.98%, 0.68%

LAB 66.37, 78.95, -50.14

 

CMYK 0 / 47 / 0 / 1

HEX #FD86FD

RGB 253 134 253

HSL 300, 0.97%, 0.76%

LAB 72.91, 61.24, -39.88

 

CMYK 0 / 79 / 0 / 1

HEX #FD36FD

RGB 253 54 253

HSL 300, 0.98%, 0.6%

LAB 62.18, 90.88, -56.79

 

CMYK 0 / 63 / 79 / 1

HEX #FC5D35

RGB 252 93 53

HSL 12.06, 0.97%, 0.6%

LAB 60.59, 58.71, 53.61

 

CMYK 79 / 0 / 32 / 1

HEX #35FCAC

RGB 53 252 172

HSL 155.88, 0.97%, 0.6%

LAB 88.62, -64.95, 25.17

 

CMYK 0 / 79 / 0 / 1

HEX #FD36FD

RGB 253 54 253

HSL 300, 0.98%, 0.6%

LAB 62.18, 90.88, -56.79

 

CMYK 0 / 0 / 79 / 1

HEX #FCFC35

RGB 252 252 53

HSL 60, 0.97%, 0.6%

LAB 96.23, -20.51, 86.1

 

CMYK 79 / 0 / 0 / 1

HEX #35FCFC

RGB 53 252 252

HSL 180, 0.97%, 0.6%

LAB 90.51, -45.36, -13.45

 

CMYK 0 / 79 / 0 / 1

HEX #FD36FD

RGB 253 54 253

HSL 300, 0.98%, 0.6%

LAB 62.18, 90.88, -56.79

 

CMYK 0 / 63 / 79 / 1

HEX #FC5D35

RGB 252 93 53

HSL 12.06, 0.97%, 0.6%

LAB 60.59, 58.71, 53.61

 

CMYK 79 / 0 / 79 / 1

HEX #35FC35

RGB 53 252 53

HSL 120, 0.97%, 0.6%

LAB 87.31, -80.47, 74.69

 

CMYK 79 / 16 / 0 / 1

HEX #35D4FC

RGB 53 212 252

HSL 192.06, 0.97%, 0.6%

LAB 78.97, -26.75, -30.96

 

CMYK 0 / 79 / 0 / 1

HEX #FD36FD

RGB 253 54 253

HSL 300, 0.98%, 0.6%

LAB 62.18, 90.88, -56.79

 

CMYK 0 / 39 / 79 / 1

HEX #FC9935

RGB 252 153 53

HSL 30.15, 0.97%, 0.6%

LAB 72.05, 29.88, 64.5

 

CMYK 79 / 0 / 79 / 1

HEX #35FC35

RGB 53 252 53

HSL 120, 0.97%, 0.6%

LAB 87.31, -80.47, 74.69

 

CMYK 79 / 39 / 0 / 1

HEX #3599FC

RGB 53 153 252

HSL 209.85, 0.97%, 0.6%

LAB 62.14, 5.24, -57.31

 

Description

Color code: RGB 253 54 253 | qconv.com Color code: RGB 253 54 253 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 54 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 54 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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