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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD5DFD it is the complementary color #02A202. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD5DFD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD5DFD shade: #FF5DF8, #FF6FFF, #FF81FF, #FF93FF and #FFA5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD5DFD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD5DFD shade: #FD5DFD, #EC4BEA, #DB39D7, #CA27C4 and #B915B1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD5DFD shade: #FD5DFD, #FD5DD2, #FD5DA7, #FD5D7B and #FD5D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD5DFD shade: #FD5DFD, #D25DFD, #A75DFD, #7B5DFD and #5D5DFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD5DFD shade matches the following richer shades: #FD5DFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD5DFD shade: #FD5DFD, #F06AF0, #E277E2, #D585D5 and #C892C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD5DFD shade: #A85DFD, #D25DFD, #FD5DFD, #FD5DD2 and #FD5DA8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD5DFD shade: #FC0BFC, #FC34FC, #FD5DFD, #FD86FD and #FEAFFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD5DFD shade: #FD5DFD, #FD7D5D and #5DFDBD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD5DFD shade: #FD5DFD, #FDFD5D and #5DFDFD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD5DFD shade: #FD5DFD, #FD7D5D, #5DFD5D and #5DDDFD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD5DFD shade: #FD5DFD, #FDAD5D, #5DFD5D and #5DADFD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 0 / 1

HEX #FD5DFD

RGB 253 93 253

HSL 300, 0.98%, 0.68%

LAB 66.37, 78.95, -50.14

 

Complementary color

CMYK 99 / 0 / 99 / 36

HEX #02A202

RGB 2 162 2

HSL 120, 0.98%, 0.32%

LAB 57.9, -61.22, 58.96

 

CMYK 0 / 64 / 3 / 0

HEX #FF5DF8

RGB 255 93 248

HSL 302.59, 1%, 0.68%

LAB 66.42, 78.61, -47.29

 

CMYK 0 / 56 / 0 / 0

HEX #FF6FFF

RGB 255 111 255

HSL 300, 1%, 0.72%

LAB 69.36, 72.52, -46.5

 

CMYK 0 / 49 / 0 / 0

HEX #FF81FF

RGB 255 129 255

HSL 300, 1%, 0.75%

LAB 72.35, 64.48, -41.82

 

CMYK 0 / 42 / 0 / 0

HEX #FF93FF

RGB 255 147 255

HSL 300, 1%, 0.79%

LAB 75.67, 55.82, -36.66

 

CMYK 0 / 35 / 0 / 0

HEX #FFA5FF

RGB 255 165 255

HSL 300, 1%, 0.82%

LAB 79.27, 46.73, -31.1

 

CMYK 0 / 63 / 0 / 1

HEX #FD5DFD

RGB 253 93 253

HSL 300, 0.98%, 0.68%

LAB 66.37, 78.95, -50.14

 

CMYK 0 / 68 / 1 / 7

HEX #EC4BEA

RGB 236 75 234

HSL 300.75, 0.81%, 0.61%

LAB 60.61, 78.62, -48.88

 

CMYK 0 / 74 / 2 / 14

HEX #DB39D7

RGB 219 57 215

HSL 301.48, 0.69%, 0.54%

LAB 54.96, 77.8, -47.29

 

CMYK 0 / 81 / 3 / 21

HEX #CA27C4

RGB 202 39 196

HSL 302.21, 0.68%, 0.47%

LAB 49.49, 76.27, -45.25

 

CMYK 0 / 89 / 4 / 27

HEX #B915B1

RGB 185 21 177

HSL 302.93, 0.8%, 0.4%

LAB 44.27, 73.75, -42.61

 

CMYK 0 / 63 / 0 / 1

HEX #FD5DFD

RGB 253 93 253

HSL 300, 0.98%, 0.68%

LAB 66.37, 78.95, -50.14

 

CMYK 0 / 63 / 17 / 1

HEX #FD5DD2

RGB 253 93 210

HSL 316.13, 0.98%, 0.68%

LAB 64.45, 72.52, -29.22

 

CMYK 0 / 63 / 34 / 1

HEX #FD5DA7

RGB 253 93 167

HSL 332.25, 0.98%, 0.68%

LAB 62.93, 67.14, -7.07

 

CMYK 0 / 63 / 51 / 1

HEX #FD5D7B

RGB 253 93 123

HSL 348.75, 0.98%, 0.68%

LAB 61.78, 62.92, 16.69

 

CMYK 0 / 63 / 63 / 1

HEX #FD5D5D

RGB 253 93 93

HSL 0, 0.98%, 0.68%

LAB 61.22, 60.84, 33.15

 

CMYK 0 / 63 / 0 / 1

HEX #FD5DFD

RGB 253 93 253

HSL 300, 0.98%, 0.68%

LAB 66.37, 78.95, -50.14

 

CMYK 17 / 63 / 0 / 1

HEX #D25DFD

RGB 210 93 253

HSL 283.88, 0.98%, 0.68%

LAB 60.45, 69.27, -59.92

 

CMYK 34 / 63 / 0 / 1

HEX #A75DFD

RGB 167 93 253

HSL 267.75, 0.98%, 0.68%

LAB 55.21, 60.03, -68.61

 

CMYK 51 / 63 / 0 / 1

HEX #7B5DFD

RGB 123 93 253

HSL 251.25, 0.98%, 0.68%

LAB 50.84, 51.61, -75.9

 

CMYK 63 / 63 / 0 / 1

HEX #5D5DFD

RGB 93 93 253

HSL 240, 0.98%, 0.68%

LAB 48.57, 46.91, -79.7

 

CMYK 0 / 63 / 0 / 1

HEX #FD5DFD

RGB 253 93 253

HSL 300, 0.98%, 0.68%

LAB 66.37, 78.95, -50.14

 

CMYK 0 / 63 / 0 / 1

HEX #FD5DFD

RGB 253 93 253

HSL 300, 0.98%, 0.68%

LAB 66.37, 78.95, -50.14

 

CMYK 0 / 56 / 0 / 6

HEX #F06AF0

RGB 240 106 240

HSL 300, 0.82%, 0.68%

LAB 65.85, 68.41, -43.92

 

CMYK 0 / 47 / 0 / 11

HEX #E277E2

RGB 226 119 226

HSL 300, 0.65%, 0.68%

LAB 65.63, 56.25, -36.63

 

CMYK 0 / 38 / 0 / 16

HEX #D585D5

RGB 213 133 213

HSL 300, 0.49%, 0.68%

LAB 66.31, 42.94, -28.47

 

CMYK 0 / 27 / 0 / 22

HEX #C892C8

RGB 200 146 200

HSL 300, 0.33%, 0.68%

LAB 67.28, 29.34, -19.87

 

CMYK 34 / 63 / 0 / 1

HEX #A85DFD

RGB 168 93 253

HSL 268.13, 0.98%, 0.68%

LAB 55.32, 60.24, -68.42

 

CMYK 17 / 63 / 0 / 1

HEX #D25DFD

RGB 210 93 253

HSL 283.88, 0.98%, 0.68%

LAB 60.45, 69.27, -59.92

 

CMYK 0 / 63 / 0 / 1

HEX #FD5DFD

RGB 253 93 253

HSL 300, 0.98%, 0.68%

LAB 66.37, 78.95, -50.14

 

CMYK 0 / 63 / 17 / 1

HEX #FD5DD2

RGB 253 93 210

HSL 316.13, 0.98%, 0.68%

LAB 64.45, 72.52, -29.22

 

CMYK 0 / 63 / 34 / 1

HEX #FD5DA8

RGB 253 93 168

HSL 331.88, 0.98%, 0.68%

LAB 62.96, 67.25, -7.6

 

CMYK 0 / 96 / 0 / 1

HEX #FC0BFC

RGB 252 11 252

HSL 300, 0.98%, 0.52%

LAB 59.86, 96.73, -59.95

 

CMYK 0 / 79 / 0 / 1

HEX #FC34FC

RGB 252 52 252

HSL 300, 0.97%, 0.6%

LAB 61.81, 91, -56.83

 

CMYK 0 / 63 / 0 / 1

HEX #FD5DFD

RGB 253 93 253

HSL 300, 0.98%, 0.68%

LAB 66.37, 78.95, -50.14

 

CMYK 0 / 47 / 0 / 1

HEX #FD86FD

RGB 253 134 253

HSL 300, 0.97%, 0.76%

LAB 72.91, 61.24, -39.88

 

CMYK 0 / 31 / 0 / 0

HEX #FEAFFE

RGB 254 175 254

HSL 300, 0.98%, 0.84%

LAB 81.23, 41.08, -27.56

 

CMYK 0 / 63 / 0 / 1

HEX #FD5DFD

RGB 253 93 253

HSL 300, 0.98%, 0.68%

LAB 66.37, 78.95, -50.14

 

CMYK 0 / 51 / 63 / 1

HEX #FD7D5D

RGB 253 125 93

HSL 12, 0.98%, 0.68%

LAB 66.78, 46.33, 40.02

 

CMYK 63 / 0 / 25 / 1

HEX #5DFDBD

RGB 93 253 189

HSL 156, 0.98%, 0.68%

LAB 89.98, -56.35, 18.49

 

CMYK 0 / 63 / 0 / 1

HEX #FD5DFD

RGB 253 93 253

HSL 300, 0.98%, 0.68%

LAB 66.37, 78.95, -50.14

 

CMYK 0 / 0 / 63 / 1

HEX #FDFD5D

RGB 253 253 93

HSL 60, 0.98%, 0.68%

LAB 96.79, -18.82, 73.64

 

CMYK 63 / 0 / 0 / 1

HEX #5DFDFD

RGB 93 253 253

HSL 180, 0.98%, 0.68%

LAB 91.54, -40.96, -12.36

 

CMYK 0 / 63 / 0 / 1

HEX #FD5DFD

RGB 253 93 253

HSL 300, 0.98%, 0.68%

LAB 66.37, 78.95, -50.14

 

CMYK 0 / 51 / 63 / 1

HEX #FD7D5D

RGB 253 125 93

HSL 12, 0.98%, 0.68%

LAB 66.78, 46.33, 40.02

 

CMYK 63 / 0 / 63 / 1

HEX #5DFD5D

RGB 93 253 93

HSL 120, 0.98%, 0.68%

LAB 88.62, -71.29, 62.45

 

CMYK 63 / 13 / 0 / 1

HEX #5DDDFD

RGB 93 221 253

HSL 192, 0.98%, 0.68%

LAB 82.45, -25.9, -26.08

 

CMYK 0 / 63 / 0 / 1

HEX #FD5DFD

RGB 253 93 253

HSL 300, 0.98%, 0.68%

LAB 66.37, 78.95, -50.14

 

CMYK 0 / 32 / 63 / 1

HEX #FDAD5D

RGB 253 173 93

HSL 30, 0.98%, 0.68%

LAB 77.02, 21.76, 52.09

 

CMYK 63 / 0 / 63 / 1

HEX #5DFD5D

RGB 93 253 93

HSL 120, 0.98%, 0.68%

LAB 88.62, -71.29, 62.45

 

CMYK 63 / 32 / 0 / 1

HEX #5DADFD

RGB 93 173 253

HSL 210, 0.98%, 0.68%

LAB 68.97, -0.56, -46.96

 

Description

Color code: HEX #FD5DFD | qconv.com Color code: HEX #FD5DFD | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 93 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 93 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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